Dangos 282 canlyniad

Screenplay by Mark Jenkins titled Once In A Lifetime, the narrative based on the life of Irish-Welsh featherweight boxer Jim Driscoll; together with plot synopses, brief critical evaluation and photocopied press advertisement relating to Mark Jenkins' 1992 play Strindberg Knew My Father.

Screenplay by Elaine Proctor titled On The Wire, the narrative set in South Africa.

Material relating to screenplay titled Y Pla/The Black Assassin, adapted from the 1989 novel Y Pla and its translated version Pestilence (1991), both by William Owen Roberts, including photocopied texts taken from Pestilence; plot synopses and narrative structure; contracts and agreements; lists of production team members; proposed promotional schemes; brief critical evaluations; printed flyer; and correspondence, much of which is legal and concerns or encloses contractual information.

Screenplays, overviews and character notes by Eurig Wyn in both English and Welsh titled The Professor/Yr Athro, together with photocopied press cutting and bibliography.

Treatment for proposed feature film titled Respect, together with covering letter and other correspondence. Poet, writer and musician Benjamin Zephaniah is suggested for casting.

Screenplay for film by Ruth Carter titled Roadworthy. Apparently incomplete.

First draft screenplay by Ewart Alexander titled Rules Of Engagement, the narrative set against the backdrop of the Falklands War and of sociopolitical unrest in the South Wales valleys; together with overviews, plot synopsis and critical evaluation.

Screenplay by Alun Owen titled Ruth.

Screenplay and detailed scene setting by Steve Gough titled Safe House, together with related correspondence.

Detailed synopsis by Richard Rees relating to film proposal titled The Shadow Of The Marie Celeste, together with letter to Ffilm Cymru.

Character notes, plot synopsis and directorial notes by Karen Ingham relating to proposed film production titled The Shadowing Hill, together with resumé, photocopied press cuttings, covering letter and other correspondence.

Plot synopsis and brief critical evaluation relating to script by Sian Orrells titled Swimming Back To Malta, together with covering letter.

Plot synopsis and critical evaluation relating to film proposal by Alan Clews titled Takeover.

Draft treatment and screenplay by Dylan Jones titled Thicker Than Water; together with plot synopses, memorandum agreement, brief critical evaluations, covering letters and letter of response from Ffilm Cymru. Some folios annotated.

Screenplay proposal, including plot synopsis and overview of visual elements and style, by Ieuan Rhys Morris titled Tongues Of Fire, together with author resumé, covering letter and brief critical note.

Second-draft screenplay by John Stewart titled Virtual Death, together with plot synopsis and brief critical evaluation.

Plot synopsis by James Rourke titled Waldo.

Overview and detailed plot synopsis relating to production proposal by Alun Owen titled The Western Drove, together with covering letter and letter of acknowledgement from Ffilm Cymru.

Untitled and fragmentary scripts, authorship not noted.

Film and television proposals, including the proposed adaptation of published books; casting applications from prospective actors, enclosing photos and resumés; employment enquiries and funding applications from students; employment applications/promotional literature from crew personnel, props providers, catering companies, etc; report on Hay Festival Screenwriting Masterclass of 1992; and correspondence.