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Manuscript journal of a tour of south and west Wales, as well as parts of Herefordshire and Gloucestershire, 4 June-2 October 1805 (ff. 3-32 verso passim), also including several contemporary illustrations and later pasted-in engravings.
The writer is unknown but appears to be female and was travelling in the company of her 'Papa' and several other presumed relatives. Beginning in Gloucester (ff. 3-4), the journal then recounts a journey down the River Wye from Ross-on-Wye to Chepstow (ff. 7-8, 10-11 verso) and an extended stay at Swansea, 16 June-30 July (ff. 13-14, 16-17, 19, 21-22), before proceeding to Pembrokeshire (ff. 22 verso-23, 26-28 verso), Aberystwyth (ff. 29-31 verso) and Dolgellau (ff. 32 recto-verso), where the narrative ends abruptly, mid-sentence. The volume includes descriptions of Gloucester Cathedral (ff. 3-4), Margam Park (ff. 12-13), the Brownslade estate, [Castlemartin] (ff. 26-27 verso), St Govan's Head (ff. 26 verso-27 verso), the lower River Teifi (ff. 28-29), Devil's Bridge (ff. 29 verso-31) and the house at Hafod, Cardiganshire (f. 31 recto-verso). The illustrations are of pen and wash in a naïve style and comprise eight full page drawings (ff. 2, 6, 9, 15, 18, 20, 24, 25) and three text illustrations (ff. 8, 14, 17) all depicting views along the route. Conversely the fifteen engravings, [1831]-[1845], pasted into the volume depict various views in England, Wales and India and are, with a single exception, unrelated to the text (inside front cover, ff. 1 verso, 2 verso, 33-44 (rectos only)).

Llyfr tonau Richard Jones, Mathan Ganol, Boduan, 1839.

Nine letters, 1963-83, addressed to William Robert (Bill) Carrick, including seven from the novelist Richard Vaughan, dated 1963-9 and 1981.

Manuscript journal of a tour of New York State and the Niagara Peninsula, Upper Canada (now Ontario), 15 August-1 September 1816, written by a Welsh Old Etonian, possibly Pierce Wynne Yorke.
The writer and his companion (identified only as Richard, see ff. 18 and 45) leave New York City on 15 August 1816 (f. 1) and travel by steamer and wagon up the Hudson River valley (ff. 1-10 verso) to Albany, staying there 17-20 August (ff. 10 verso-16); they then continue overland, visiting Utica, 21-[23] August (ff. 21-24 verso), the Finger Lakes (ff. 28 verso-33 verso), and Buffalo, 28-29 August (ff. 35 verso, 38 verso). After crossing the Niagara River into Upper Canada they visit Niagara Falls, 29 August-1 September (ff. 40 verso-45), and continue to Newark [Niagara-on-the-Lake, Ontario] on 1 September (f. 45 verso). The volume contains frequent references to their accommodation, travel arrangements and the often unseasonable weather (1816 being the so called 'Year without a Summer'), as well as descriptions of the scenery and flora, agricultural practices, Indigenous Americans, American manners and politics and the effects of the War of 1812. Also included, in pencil, are a verse on Col. Cecil Bisshopp (inside front cover), brief accounts of bills paid (f. i) and mostly illegible notes apparently relating to the contents of the journal (inside back cover). The author is not named but evidently has close connections with North Wales (see ff. 4 recto-verso, 5 verso, 27 verso, 28 verso-29 verso, 45), is an Old Etonian and a schoolfriend of Bisshopp, whose grave he visits at Lundy's Lane, Niagara (see f. 44); Pierce (or Peirce) Wynne Yorke of Dyffryn Aled appears to be the most plausible candidate.

Llythyr, cerdyn a cherdyn post, [1933]-35, oddi wrth Gareth Vaughan Jones at Sarah a William Moses, fferm y Ddorwen, Cwmllynfell, sef hen famgu a thadcu y rhoddwyr, ynghyd â thoriad papur newydd yn cadarnhau marwolaeth yr newyddiadurwr, a thaflen gan y teulu yn diolch am gefnogaeth a chydymdeimlad yn eu galar.

Proflen dudalen, wedi ei rhwymo, o adargraffiad 1926 o waith William Williams, Pantycelyn, Aleluia, neu, casgliad o hymnau ar amryw ystyriaethau, 1-6 (1744-7).

Five printed volumes and a proof copy, 1935-1956, of poetry by Clifford Dyment, all containing annotations, emendations or inscriptions in his hand; together with a small bundle of miscellaneous personal items, 1929-1978.

An agreement with American manager and promoter, Tom O'Rourke, the contract dated 1923 and relating to Jimmy Wilde's defeated challenge against Pancho Villa (or Frankie Genaro. The bout was Jimmy Wilde's unsuccessful return from retirement, held in New York. Former ownership of contemporaneous Welsh boxer Stan Roberts, by descent, private collection Caerphilly.

Sgript y ffilm Un Nos Ola Leuad (1991), addasiad Gwenlyn Parry ac Endaf Emlyn o nofel Caradog Prichard. Mae'r sgript yn cynnwys nodiadau a darluniau o waith y cyfarwyddwr, Endaf Emlyn, sy'n ymwneud â'r cynhyrchiad.

Miscellaneous papers, 1981-96, belonging to Professor David Blamires, author of David Jones: Artist and Writer (1971), who established the David Jones Society in 1975. The collection includes exhibition notes, research papers, conference programmes, postcards, and correspondence. A separate file within the box contains a set of David Jones Society Newsletters, nos.1-38 (1976-84).

Papers of Thomas Charles Edwards, Ampleforth, 1918, 1935-1976, including fifty-seven letters, in Welsh and English, from Saunders Lewis to him, 1935-1976 (ff. 1-5, 7-11, 13-15, 18, 20-45, 47-48, 50-55, 58-69), to his wife Imelda, 1940-1941, 1950 (ff. 16-17, 19, 49), or to both, 1939 (f. 12), containing personal news and discussing politics, current affairs, the Catholic Church and articles by TCE.
Also included are letters to TCE from David Jones, 17 June 1937, seeking to send Lewis a copy of his 'In Parenthesis' (f. 6), G[riffith] J[ohn] Williams, 16 July 1948, concerning an R. W[illiams] Parry englyn (f. 46) and John B[arrett] Davies, St Dogmaels, 22 October 1962 (ff. 56-57); together with a letter, 19 May 1918, from TCE, Shrewsbury, to his mother (ff. 70-73); a script for Lewis's radio talk 'A Prospect of Wales: 7. Welsh Writers of Today', as transmitted on the Welsh Home Service, 25 April 1961, being the copy sent by Lewis to TCE (ff. 74-84); and seven press cuttings, 1935-1936, mainly relating to Lewis and the burning of the bombing school at Penyberth (ff. 85-91).

A volume, 1681-2, in the hand of Huw Morys ('Eos Ceiriog', 1622-1709), poet, Llansilin, co. Denbigh, containing mainly holograph Welsh poetry in strict and free metres, including a poem dated 1681 (ff. 10-11), together with a cywydd by Siôn Tudur (f. 16 verso), prophetic verses, some attributed to Taliesin (ff. 12 verso, 25 verso), and anonymous englynion (ff. 36 verso-37, 42); the original parchment cover, preserved at the beginning, contains copies by H.M. of 'Diarhebion o waith Taliessin', 'Cynghorion Taliessin' (f. i verso) and 'Tri Thlws ar ddeg o Ynys Brydaine' (f. ii). The manuscript was probably written for the poet's brother John Maurice (d. 1699), Bodlith, Llansilin, whose name appears on f. 1; other signatures in the volume suggest it to have remained in the possession of the family until the [mid-18 cent.].

A binder containing various documents relating to Kanonier Obergefreiter Kurt Kruger, a WWII Luftwaffe P.O.W held at Camp 70 in Henllan, Pembrokeshire, 1946-1948. Includes Kruger's 'Soldbuch', the standard identity document in the German military. Also includes December 1947 issue of 'Der Wegweiser' (The Signpost) from Henllan Camp, as well as Kruger's certificate of discharge, certificate of registration, ID document for foreigners in Britain, work permit, and passport (1968-1973).

Travel journal, [late 1790s] (watermark 1796), of Richard Cust [stationer and gentleman naturalist, of Westminster and Carlisle], containing his 'Observations on the Picturesque Scenery of North Wales in the Autumn of the year 1783' (ff. 7-73 passim), together with thirteen monochrome wash watercolours of landscapes viewed (ff. 15, 16, 23, 25, 26, 28, 35, 41, 42, 46, 47, 49, 50). The journal primarily describes Cust's impressions of the scenery in terms of the ideals of the picturesque and the sublime; the entries are undated.
As explained in the introductory section (ff. 2-5) the Observations were transcribed by Cust from his original 1783 travel journal, with the illustrations being based on brief sketches. Cust and his unnamed companion(s) travelled by coach from London (f.7) to Llangollen (ff. 8 verso-9), then via Conwy (f. 10) and Bangor (f. 13) to Anglesey (ff. 13 verso-17 verso) and Caernarfon (ff. 19 recto-verso, 22 recto-verso). From there they went on excursions up Snowdon (ff. 24-34 passim) and to [Aberglaslyn] (ff. 34 recto-verso, 37-38) and Llanbenys [Llanberis] (ff. 39-40 verso, 43 recto-verso, 44 verso-51 passim, 54-55 verso), before returning to Conwy (ff. 57 recto-verso, 59-61 verso) and Llangollen (ff. 64-65 verso, 68-69, 70 verso, 72-73). There are descriptions of the castles at Caernarfon (ff. 19 recto-verso, 22 recto-verso), Dolbadarn (ff. 40 verso, 43, 55) and Conwy (ff. 57 recto-verso, 59-60); four of the watercolours also depict Dolbadarn Castle (ff. 41, 42, 46, 47), the others are mostly views of mountains and rocky outcrops. The narrative is incomplete and breaks off after a description of the River Dee at Llangollen (f. 73); additionally, eleven pages have been left blank to provide space for further illustrations (ff. 20, 21, 29, 32, 36, 53, 56, 58, 66, 67, 71, usually with indicative captions written in pencil on the otherwise blank versos).

A manuscript music book of popular songs originally belonging to William Williams, cabinet maker, including ballads and operatic pieces such as The Highland Laddie and Robin Hood. The volume then passed on into the possession of Thomas Llewelyn, Newbridge.

Copi E. Vincent Evans o broflenni cyfrol Charles Ashton Llyfryddiaeth Gymreig o 1801 i 1810 (Croesoswallt, 1908), yn cynnwys cywiriadau ac ychwanegiadau ar gyfer 1811 ac 1812. Ceir nodiadau yn llaw E. Vincent Evans ar y tudalennau drwyddi draw y gyfrol yn awgrymu cywiriadau.

A manuscript draft, [1946], of David Jones's introduction to the BBC radio production of his war poem 'In Parenthesis', first transmitted on the Third Programme, 19 November 1946. The draft contains deletions and revisions in ink and pencil in the hand of the author.
This draft is much closer to the script in its final typescript form (see NLW, David Jones (Artist and Writer) Papers LP5/3, ff. vii-x) than are the other extant drafts (ibid, LP5/4, ff. 1-9). The only significant changes that remained to be incorporated are: a new sentence to replace the line at the beginning of f. 2, the loss of a reference to Brittany (f. 2), the truncation of a section on Maximus the Great (f. 2) and a much expanded ending, with a list of four quotes to be taken directly from the book's introduction substituted with the full quotations (f. 3). The introduction was pre-recorded by Jones; the remainder of the programme was performed live by the cast on 19 November, with a live repeat the following evening.

Dyddiaduron apwyntiadau, 1943-1982, y tenor Richie Thomas (Richard Edgar Thomas, 1906-1988), Penmachno, ynghyd â chyfrol yn rhestru'r mannau ble cynhaliwyd cyngherddau ganddo yn ystod y cyfnod hwn.

A file of correspondence, 30 March-7 May 2017, between Valerie Wynne-Williams and her solicitors Kuits on the one hand and Thomas Dilworth and his publishers Penguin Random House UK on the other, relating to the contents of Dilworth's biography David Jones: Engraver, Soldier, Painter, Poet (London, 2017). The correspondence resulted in a number of amendments being made to subsequent editions of the book.

Autograph album, 1909-1924 (mainly 1909-1910), also containing verses and illustrations. The name inscribed inside the front cover is M. Evans, Penlan, Pontyberem, who may have been a student at Carmarthen Presbyterian College and Aberystwyth University. Most of the entries are written in English but there are some in Welsh, including verses by Eifion Wyn, Ben Bowen, and Ben Davies.