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Exercise book containing a single draft poem, 1941, by Vernon Watkins.

Notebook containing draft poems, 1942, by Vernon Watkins, apparently mainly unpublished.

Autograph and typescript drafts, 1937-1943, of a long, apparently unpublished poem by Vernon Watkins entitled 'The Sleeper'.

Exercise book containing untitled draft poems, [c. 1941], by Vernon Watkins, all apparently unpublished, together with 'Carol', a verse translation from French, published in Selected Verse Translation (1977).

Typescript drafts, 1935-1947, by Vernon Watkins of 'The Influences. A Masque' (see also NLW MS 22466E), including the text of the stage version performed at the Little Theatre, Swansea, July 1939 (ff. 154-170), later used for publication (see Vernon Watkins, The Influences (Hayes: Bran's Head Books, 1976)).

Incomplete autograph and typescript drafts, [?1920s]-[1940s], of 'Susanna. A Masque' by Vernon Watkins (ff. 1-38), together with fragmentary autograph drafts of a verse dramatisation of the story of Judith and Holofernes (ff. 39-52), and a dramatic fragment in prose and verse, 'The Dog's Head' (f. 53), all apparently unpublished.

Typescript drafts, 1947-1951, of verse translations by Vernon Watkins of Heinrich Heine's cycle 'Die Nordsee', published as Heinrich Heine, The North Sea (London: Faber and Faber, 1955).

Autograph and typescript drafts, [1944]-[1954], of four poems by Vernon Watkins, published in The Lady with the Unicorn (London, 1948) (ff. 1-3) and The Death Bell (London, 1954) (ff. 4-7).
It includes a manuscript draft, [1944], of 'The Sardine-Fishers' (published as 'Sardine-Fishers at Daybreak') (ff. 2-3).

Five manuscript and two typescript letters, 30 November 1956-10 September 1957, from Wystan [Hugh] Auden, Forio d'Ischia, near Naples, and Oxford, to Vernon Watkins (ff. 1-7), together with one poem by Auden (f. 8).
The letters concern the choices and alternative choices for Poetry Book Society recommendations, the judges of which were Auden, Watkins and Vita Sackville-West; Auden refers to works by Thom Gunn, Roy Campbell, Theodore Roethke, Edmund Blunden and Louis MacNeice. Enclosed with the final letter is a typescript copy of Auden's poem 'The More Loving One' (see Collected Shorter Poems, 1927-1957 (London, 1966), p. 282).

Autograph and typescript drafts, [1920s]-[1950s], by Vernon Watkins of a long, apparently unpublished poem entitled 'Ballad of the Deluge'.

Manuscript and typescript drafts by Vernon Watkins for poems published in Affinities (1962).

Typescript drafts, 1941-1963, of published works by Vernon Watkins, comprising two poems, 'Discoveries' (see The Ballad of the Mari Lwyd (1941)), and 'The Salmon' (see Uncollected Poems (1969)) (ff. 1-2); a prose translation of a play by Hugo von Hofmannsthal, 'The Salzburg Great World Theatre' (see Hugo von Hofmannsthal, Selected Plays and Libretti, ed. by Michael Hamburger (1963)) (ff. 3-49); and a foreword, 1963, to Kenneth Grahame, The Golden Age and Dream Days (1964) (ff. 50-57).

Autograph and typescript drafts, 1930-1964 and undated, of shorter poems by Vernon Watkins, almost all apparently unpublished.
Two poems, 'Note towards a poem' (f. 74) and 'There is a pattern...' (f. 75) appeared in Poetry Wales, 12.4 (Spring 1977), 38, 43.

Manuscript and typescript drafts by Vernon Watkins for poems in Ballad of the Mari Lwyd and Other Poems (1941), The Lamp and the Veil (1945), The Lady with the Unicorn (1948), The Death Bell: Poems and Ballads (1954), and Cypress and Acacia (1959).

Autograph and typescript drafts, 1938-1965, of two long poems by Vernon Watkins, apparently unpublished, at one time part of a group entitled 'Three Poems of the Sea'.

Autograph and typescript drafts, 1933-1966, by Vernon Watkins of verse translations from Greek, Italian and French poetry, all published in Selected Verse Translations (1977).

Autograph and typescript drafts, 1941-1966, by Vernon Watkins of verse translations from German and Italian poetry, published in Selected Verse Translations (1977), together with a few other draft translations published elsewhere.

Autograph and typescript drafts, 1958-1966, of verse translations from Hungarian by Vernon Watkins, together with related correspondence and literal translations by Tamás Kabdebó; some of Watkins's versions of poems by Attila József and Gyula Illyes were published in Kabdebó's editions of their works (1963, 1968, 1971).

Autograph and typescript essays and lecture notes, [c. 1935]-[1966], on Wilfred Owen and his poetry.

Notebook containing autograph drafts, September 1966, of a series of eight lectures entitled 'Modern Poetry Lectures', apparently given by Vernon Watkins at the University College of Swansea.
The lecture notes contain references to various poets, in particular T. S. Eliot (ff. 2-16 passim), W. B. Yeats (ff. 3-31 passim), D. H. Lawrence (ff. 17-24), Wilfred Owen (ff. 24, 26-31) and David Jones (ff. 24-28). Excerpts from the notes were published in Poetry Wales, 12.4 (Spring 1977), 52-55.