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Includes letters from Alison Bielski (3); Leslie Norris (6); Susan Glyn (3); Dora Polk (7); Raymond Garlick (7); Gillian Clarke (29); Glyn Jones (4, including a copy of letter to Meic Stephens); J. P. Ward (6, including a typescript of the poem 'Yesterday in Cehyddion Valley', with corrections in the author's hand); Sally Roberts Jones (7); Elan Closs Stephens (5); Tony Curtis (8); David E. Painting (4); Hywel D. Lewis; A. G. Prys-Jones (8); Sam Adams (7); John Tripp (7); Belinda Humfrey (12); Rosamund Stanhope (4); Randal Jenkins (2); Robert Morgan (5); L. Alun Page (5); Jeremy Hooker (4); Ray Howard-Jones (17, including a catalogue of her first retrospective exhibition at The Sackville Gallery); Philip Pacey (3); John Ackerman (3); Leonard Clark (2); Harri Webb (5); Neville Masterman (4); Lawrence W. Hockey (4); John Stuart Williams (2); Ruth Bidgood (3); Judith Maro (3); Friedrich Konekamp (3); Cledwyn Hughes (2); and Eigra Lewis Roberts (2).

Includes letters from Robert Morgan (9); Sam Adams (8); Richard Poole (5); John Tripp (7); Sally Roberts Jones (11); Cyril Hodges (7); Raymond Garlick (7); Tony Curtis (4); Philip Pacey (3); Richard Vaughan (2); Alan Perry (3, including a typescript copy of poem 'House-Wiring'); Belinda Humfrey (5); Robin Gregory (3); Jeremy Hooker (13, including typescript copies of poems by him); Gillian Clarke (8); John Ormond (2, including typescript copies of two poems by him, signed by the author); John Stuart Williams; Ruth Bidgood (7); Ray Howard-Jones (11); Dannie Abse; Judith Maro (2); Neville Masterman (4, one addressed to Gillian Clarke); Roy Thomas (5); Sheenagh M. Pugh (3); Alison Bielski (3); Raph Maud; Dora Polk (4); Glyn Jones (4); Lawrence Hockey; Peter Finch (3); A. G. Prys-Jones (2); A. F. Leighton Thomas (3); John Pook; Bedwyr Lewis Jones (2); J. P. Ward (3); and E. G. Bowen.

Includes letters from John Pikoulis; Raymond Garlick (4); Gillian Clarke (2); Cary Archard (3); Meic Stephens (8); Ronald Lowe; Jeremy Hooker (4); A. G. Prys-Jones (4); Glyn Jones (4); J. P. Ward; John Davies (3); Ruth Bidgood (9); Nigel Jenkins; Jon Dressel; Ray Howard-Jones (2); and Sally Roberts Jones.

Includes letters from Arthur Giardelli (2); Cecil Price (4); A.G. Prys-Jones; Sally Roberts Jones; John Stuart Williams (4, including copies of the poem 'Theseus on Naxos' and a photocopy of 'Dic Penderyn', broadcast in 1968); Peter Finch (3); Bryn Griffiths; Meic Stephens (13); Laurie Burt; Roy Burnett (2); A. F. Leighton Thomas (5); Sam Adams (4); John Idris Jones (2); Alison Bielski; Alan Perry; Glyn Jones (3); Malcolm Parr (3); J. P. Ward; Raymond Garlick; Jeremy Hooker (2); John Tripp; Dora Polk; Annemarie Ewing (3); Robert Morgan (2); David E. Painting; Moira Dearnley; Jeremy B. Lowe; Kyffin Williams (2); Alun Llewellyn (5); Désirée Hirst; R. George Thomas; Ieuan Gwynedd Jones; John Pikoulis (3); H. P. Collins (2); John Ackerman; Leslie Norris (2); Tony Curtis (2); Neville Masterman (2); Alan Crang; and Judith Maro. The file also contains letters and financial papers, 1970-1979, relating to The Wells, St Twynells, Pembroke.

Some ninety-five letters, 1955-82, to Keidrych Rhys from various correspondents (surnames I-L), mainly in his capacity as editor of Wales and Welsh correspondent of The People, together with poems, short stories and essays submitted to him for publication. The correspondents and contributors include Augustus John (2) 1959, A. G. Prys-Jones (3, with three poems and an article) 1959, David Jones (1) 1959, Elisabeth Inglis-Jones (2) 1955-7, Glyn Jones (7) 1957-82, and Mervyn Levy (5) 1957-8.

Over a hundred and thirty letters, 1962-1989, in English and Welsh, to Meic Stephens from various correspondents (surnames A-Jones). The letters, some of which include fair copies of published poems, are chiefly concerned with contemporary writing in Wales in both English and Welsh and with the recipient's work as editor of a number of volumes in this field. The correspondents include Ruth Bidgood (2, and one poem) 1985-6, Euros Bowen (4) 1978-87, Anthony Conran (8) 1962-79, Bryan Martin Davies (3, with English translations of three poems) 1974-86, Islwyn Ffowc Elis (1) 1971, Dr Gwynfor Evans (4) 1987-9, Raymond Garlick (36, and two poems) 1967-89, Emyr Humphreys (5) 1969-86, A. G. Prys-Jones (12) 1968-83, and Bobi Jones (7, and two poems) 1976-87.

Includes letters from Ray Howard-Jones; Bobi Jones (2); Sian James (enclosing poem); Glyn Jones (2); Bridget Joseph (2); Gwyn O. Jones (4); Rosemary Jackson; A. G. Prys-Jones (4); Nigel Jenkins (4); and Sally Roberts Jones.

Includes letters from A. G. Prys-Jones (6); Ted Hughes; Anne Stevenson (4); Jean Earle (4); Bobi Jones; Gwyneth Lewis (5); Olivia Byard; Christine Evans (3); Maura Dooley (4); John Emyr (enclosing poem for Gillian Clarke); Sally Roberts Jones (3); Kate Foley; Anne Cluysenaar (2); Douglas Houston (enclosing poem for Gillian Clarke); Menna Elfyn; Ruth Bidgood; Michael Longley; Gweno Lewis; Leslie Norris; Charles Causley; Meic Stephens; Kevin Crossley-Holland; Lawrence Sail; M. Wynn Thomas (2); Shani Rhys-James (3); R. S. Thomas; Phil Clark; Dannie Abse; Raymond Garlick; Jeremy Hooker; and Nigel Jenkins.

Copies of a statement signed by numerous authors in support of an Assembly for Wales, together with a copy of the letter sent to them by Gillian Clarke and W. Rhys Nicholas. Also included are letters from W. Rhys Nicholas (2); Gwyn O. Jones; A. G. Prys-Jones; Islwyn Ffowc Elis; Raymond Garlick; and Harri Webb. In addition, the file contains notes by Gillian Clarke and printed material relating to the 'Yes for Wales' campaign.

The file comprises papers, [1971]-1974, 1976 and 1986-1987, relating to The Beach of Falesá, libretto by Glyn Jones, based on a short story by R. L. Stevenson, and music by Alun Hoddinott. The opera was commissioned by the Welsh National Opera Company and published by the Oxford University Press (London, 1974). The file contains manuscript and typescript drafts of the libretto, with synopses of the work, and a copy of the manuscript vocal score (possibly in the hand of Alun Hoddinott). Also included are manuscript and typescript drafts of lyrics for songs, [c. 1973], together with other related papers. In addition the file contains correspondence, 1973-1974, mostly between Glyn Jones and the Oxford University Press, with letters from Roy Bohana (3), Alun Hoddinott (2), Alan Frank, Oxford University Press (11), and A. G. Prys-Jones. A number of drafts are written on papers pertaining to the Welsh Arts Council and drafts of other works by Glyn Jones.

Includes letters from Gillian Clarke (19); Tony Curtis (5); Sally Roberts Jones (5); John Tripp (7); Raymond Garlick (8); Peter Elfed Lewis (9); A. G. Prys-Jones (3); John Ormond; Belinda Humfrey; Judith Maro; J. P. Ward (2); Nigel Jenkins; Ray Howard-Jones (11); Ruth Pryor (9); Dora Polk; Robert Morgan (3); John Stuart Williams; John Rowlands (6); Alison Bielski (4); Ruth Bidgood (4); Alun Llewellyn; Graham Allen; Ieuan Gwynedd Jones; David [Dai] Smith (5); Sam Adams (2); Neville Masterman (2); Leslie Norris (3); L. Alun Page; Glyn Jones (4); John Ackerman; and Patrick Thomas.

Includes letters from William Blissett (2); David [Dai] Smith; Gillian Clarke (5); Belinda Humfrey (4); Arthur Giardelli (8); Jeremy Hooker (6); Ned Thomas; Raymond Garlick (6); Ray Howard-Jones; Judith Maro (4); Harri Pritchard Jones (5); John Trice; Gwyn Jones; David Blamires (7); Sally Roberts Jones (4); Meic Stephens (14); Désirée Hirst (5); Glyn Jones (5); Sam Adams (4); Brian Howells (3); Patrick Thomas (notes); A. G. Prys-Jones; Dora Polk (2); Ruth Bidgood (3); Dannie Abse (3); Jon Dressel (2); Wyn Griffith (4); Sheenagh Pugh (2); John Stuart Williams; Cary Archard; Bobi Jones; Richard Poole; and Alan Rudrum.