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Correspondence relating to the possibility of staging of Pax as part of the Vienna festival in 1991 and 1992 and including a brochure for the Wiener Festwochen (Vienna Festival), 1990.

Correspondence and papers relating to staging Pax in the nave of Westminster Abbey, including replies to invitations to the concert.

Correspondence and papers relating to the arrangement of staging Pax at Expo 92 in Seville, including also budgets and a report of the Seville meeting.

Administrative correspondence and papers relating to a variety of Brith Gof productions press releases, reviews and articles, information brochures, proposals, publicity materials, production information, funding applications, financial papers and budgets, photographs, contracts and work schedules.

Papers relating to the Gwynt, Glaw, Glo a Defaid production, including press releases, a letter and a press review.

Papers relating to 8961: Caneuon Galar a Gobaith, including draft copies of the production booklet/programme, pages from a publication about Brith Gof productions which includes information regarding this production and some images of the performance.

Reviews relating to the collaboration between Brith Gof and two Norwegian theatre companies to produce Bessat!, a production in the Disasters of War series, inspired by the etchings of Goya.

Correspondence and papers relating to the Gulbenkian Foundation regarding a bid for funding for the War Requiem of the Disasters of War project, including a proposal and funding application.

Papers relating the Ymfudwyr production including draft and final copies of the programme, press quotations, technical details and pages regarding Ymfudwyr from a Brith Gof brochure of work.

Correspondence regarding the cost of pro-cubes for the ‘Y Pen Dwfn’ production.

Correspondence and papers relating to a Welsh language programme produced by Chapter Video Workshop and Brith Gof, I Wlad Dda a Helaeth, which was screened on S4C, and also including a transcript and translation of the programme, a budget, previews and reviews of the performance of ‘Ymfydwyr’ in Argentina.

Papers relating to the EXX-1 production (also referred to as Jihad?), including production and publicity images, previews and press releases, together with information relating to the recording of the EXX-1 cassette.

Correspondence and papers relating to an International Theatre Seminar held in Aberystwyth with Grenland Fritaetr, Norway and to a tour of the performance of Besatt! (Disasters of War 3) in Wales, the Oslo and Bergen Festivals, Porsgrunn and Ardal, including reports on the seminar in Aberystwyth and tour of Norway, requests for financial assistance, statements of accounts and budgets, reviews, photographs and publicity material for Grenland Fritaetr, Besatt and other productions.

Correspondence and papers relating to the arrangement of proposed collaborative tv/live theatre projects between Brith Gof and Criw Byw, including proposals and contracts.

Papers relating to Ffin – the musical arm of Brith Gof and their concert performance at the Richard Demarco Gallery, including papers relating to an application [for funding] from the Regional Contemporary Music Network and the Regional Contemporary Music Circuit and an update brochure, which contains plans, contracts, correspondence and technical details.

Correspondence and papers relating to the administration and arrangement of Brith Gof’s participation in the Ebbw Vale Garden Festival, including festival information and a copy of a preliminary proposal by Brith Gof.

Correspondence and papers, mainly relating to the Camlann production regarding arrangements and administrative matters, including insurance, funding, performance and rehearsal venues, publicity and transport and also including contact lists, marketing and production information with a tour schedule, budgets and production meetings documentation.

Correspondence and papers relating to the Arturius Rex production, regarding general arrangements and arrangements for the performances, publicity, publicity material and equipment, and also including information/press releases, photographs (to be used in the publicity material), contracts, work schedule and production timetable, details of production costs and budgets.

Quotations from various companies for equipment and services for the Tri Bywyd production at Lampeter and invoices for equipment for the production at Lampeter and the National Eisteddfod, together with a work schedule, negatives of the site at Lampeter and product brochures.

Correspondence and papers relating mainly to the arrangements for the First Five Miles: “Rhyfel y Sais Bach” production, including arrangements for press coverage and the helicopter and including also publicity material and a copy of the script; together with information sheets relating to art galleries and exhibition spaces in Wales and to two other productions by Mike Pearson: Dead Men’s Shoes and The man who ate his boots.