Miscellaneous papers, 1863-1950s, of the Lloyd George family, including rent and other receipts, 1863-92, of Richard Owen, father of Margaret Lloyd George (ff. 1-48); autographs, 1917, of political figures including Herbert Henry Asquith, Sir Winston Churchill and Sir Edward Grey (f. 50 recto-verso); and typescript verse in Welsh and English composed, 1919, by Eliseus Williams ('Eifion Wyn') in praise of Margaret Lloyd George (ff. 51-2).
Eighty-four letters, [c. 1909]-1961, to Augustus John from various correspondents (surnames D-F), including John Davenport (2) 1956-1961, Tommy Earp (9, with six poems) 1930s-1956, Clough Williams-Ellis (1) 1957, Jacob Epstein (1) 1929, and Roger Fry (1) 1931.
Over a hundred letters, ?1908-1961, to Augustus John from various correspondents (surnames G-I), including Oliver St John Gogarty (10, and two poems) 1918-1952, Nina Hammett (3) [1930]-1956, Philip Heseltine, Peter Warlock (1) 1930, and J. D. Innes (3) ?1910-1913.
Forty-six letters, ?1908-1961, to Augustus John from various correspondents (surnames Symons-V), including Arthur Symons (11, and forty-three poems) ?1908-[1935], Dylan Thomas (1) 1950, and G. M. Trevelyan (1) 1956.
Drafts of unpublished short stories by Margiad Evans, comprising a manuscript draft, [c. 1950-1], of 'The Equerry's House'; typescript drafts of 'And Every Day of their Lives', [c. 1951-3]; 'The Haunted Window', 1953, 'Knight's Move', 1953, and 'The Basilisk', 1953; an unfinished manuscript draft, [c. 1954], of 'A Borrower'; a typescript draft, 1954, of 'The Dome'; and a typescript fragment, [c. 1951-3], of an untitled and unidentified story. Also included are two related letters to the author and two apparently unpublished draft poems, 'Ode. After Illness' (ff. 1-3) and 'Glass' (f. 99 recto-verso).
Two incomplete manuscript drafts, 1954, of 'The Nightingale Silenced', an unpublished autobiographical work by Margiad Evans, describing the worsening of her epilepsy. Also included is an apparently unpublished draft poem, 'Dedication. The Egotist' (f. i verso), and a list of poems written whilst a patient in the Kent and Sussex Hospital, Tunbridge Wells (f. 112).
An apparently complete manuscript draft, 1955, of 'The Nightingale Silenced', an unpublished autobiographical work by 'Margiad Evans', together with a draft poem, 'The Crows Answer' (f. 100 verso).
Manuscript volume containing two essays, [c. 1953], by Margiad Evans, on Emily Brontë (ff. 1-16, chapter 1 of a projected book-length study), and John Clare (ff. 45-54), together with an apparently unpublished short story entitled 'The Lordly Ones' and four draft poems, one of which, 'In memory of a little god', appeared in The Fortnightly, n. s. 1053 (Sept. 1954), pp. 198-200, whilst the others are apparently unpublished.
Manuscript and typescript drafts, [c. 1946]-1956, of poems by Margiad Evans, including penultimate and final drafts of her first published volume of poetry, Poems from Obscurity (London, 1947). Drafts of other published poems, [1953]-[1956], include eleven sonnets published in A Candle Ahead (London, 1956), pp. 32-38 (ff. 71-81), 'The Sufferer' (f. 85; marked 'published in Saskatchewan'), and 'In memory of a little god' (ff. 98-105). Unpublished poems include 'Yesterday and Today' and 'Poem' (ff. 87-89), and 'Cassandra desolated' (ff. 91-97).
Journal, September 1935-October 1939, of Margiad Evans, including an account of the death of her father in 1935 and of her visit to Iceland in 1936, comments on her relationships with family and friends, draft poems and the first draft of her 'Little Journal of being Alone' (ff. 138-148), later included in Autobiography (London, 1943).
An album containing pasted-in cuttings from newspapers and journals and other miscellaneous material by, or relating to, R. J. Derfel, 1855-1904, including manuscript and printed poetry; letters and cards to R. J. Derfel, including a letter, n.d., from Eliseus Williams ('Eifion Wyn'); and programmes and leaflets.
Autograph and typescript drafts and fair copies by Dannie Abse of the poems 'In the Theatre' (see Funland and Other Poems, 1973), 'Snake' (see Way Out in the Centre, 1981) and 'The Test' (see Collected Poems, 1977) with a printed version of 'Lunchtime', 1974; and drafts and fragments of autobiographical notes and essays, including 'Princeton Journal', 1973-1974, 'The Crowning of Kid Brother', c. 1977, and 'Sorry, Miss Crouch', all published in A Strong Dose of Myself (1983).
Manuscript and typescript poems, in Welsh and English, by the Rev. T. W. Llynfi Davies, including poems entered for competition at the Corwen Chair Eisteddfod, 1913, and the National Eisteddfod of Wales, Wrecsam, 1933, and Fishguard, 1936.
Two holograph poems and an autobiographical sketch by Peggy Eileen Whistler ('Margiad Evans'), 1952, written for a special issue of Promenade: the weekly review for Cheltenham (no. 3, 26 July 1952). The poems are 'Epitaph' (f. 3) and 'The Shiny Crown' (f. 4). Also included is a printed copy of Promenade (ff. 5-14), including the sketch (ff. 12 verso, 13), 'Epitaph' (f. 14) and 'The Shiny Crown' (f. 14 verso).
A collection of holograph poems, 1953-1956, by Peggy Eileen Whistler ('Margiad Evans'), including 'The Country Churchyard' (1955) (f. 3), 'God's Love' (1953) (f. 4), 'Autumn' ([1956]) (f. 5), 'Bather' ([1953]) (f. 7), 'The Old Name' ([1953]) (f. 8), and 'Cherry Orchard in Bloom' (f. 9). Other fragments, also in Whistler's hand, include a page of an original play 'Dear Desdemona' (f. 10) [cf. NLW MS 23373E & NLW, Margiad Evans MS 29], and an excerpt from the second part of her unfinished 'Widower's Tale' (ff. 11-14).
Notebook of William Jones ('Gwilym Brynaman', 1867-1915), of Brynaman, co. Carmarthen, and Los Angeles, California, containing mathematical exercises, 1887 (pp. 1-36), and fair copies of poems, mostly in Welsh, composed by him, 1902-14, and including poems entered for competition at eisteddfodau in North America and Wales.
A presentation typescript copy by the author, H. W. Badley, Mold, afterwards of Hawarden, of a poem written in March, 1933, under the title of 'Y Gwir yn erbyn y byd. Here followeth ye (Poster) Prize Poem of ye Welsh National Eisteddfod, Wrexham, 1933. Dedicated, without permission, but with due respect, to the Appeals Committee. Not for competition.'