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A script, 1948, featuring the Isle of Thanet in the 'Country Magazine' series, a BBC Home Service transmission, with Dylan Thomas introducing the programme.

Research papers, [2006]-[2008], of the donor David N. Thomas for his book Fatal neglect : who killed Dylan Thomas? published by Seren in 2008, concerning the circumstances of the poet's death, including material photocopied mainly from sources at the Special Collections, University of Delaware Library, and also at the Harry Ransom Humanities Research Center at the University of Texas at Austin.

A copy of a paper by B. William Murphy, Maryland, USA, entitled 'Creation and Destruction. Notes on Dylan Thomas' used by Colin Edwards (d. 1994), California, when preparing his incomplete and unpublished work on Dylan Thomas.

Papers, 1935-1945, of the Rev. B. George Rees, Curate of Llangynwyd, Maesteg (1936-38), and Laleston (1938-44), Rector of Llansannor (1944-48), and a WEA lecturer on literature at the Maesteg Unemployed Centre and elsewhere. The papers include letters, 1939-1940, from a number of authors and poets, responding to requests by Rees for their thoughts on lecture subjects such as 'Life and Literature'.
The respondents include W. H. Auden, [1939] (ff. 2-3), Winston Churchill, 17 January 1939 (f. 8), C. Day Lewis, [?1939]-1940 (ff. 10-12), Aldous Huxley, 27 March 1940 (f. 16), Glyn Jones, April 1939-February 1940 (ff. 19-27), Herbert E. Palmer, February-March 1940 (ff. 35-44), John Cowper Powys, February-March 1940 (ff. 45-47), J. B. Priestley, 10 January 1939 (f. 48), Dylan Thomas, September 1939-February 1940 (ff. 56-60), and Emlyn Williams, 8 February 1940 (f. 63); a few respondents, such as Glyn Jones (f. 25) and Dylan Thomas (ff. 59-60), supplied Rees with brief essays. Also included are notes, newspaper cuttings and other papers relating to Rees's lectures (ff. 66-91); and papers, 1935-1945, relating to his Church career, including letters and telegrams concerning his Institution at Llansannor, August-September 1944 (ff. 92-100), sermon notes (ff. 102-109), and parish magazines and pages from annual reports relating to Laleston, 1935-1944 (ff. 110-120).

A letter, 12 December 1964, from Vernon Watkins, Pennard, to the poet and editor Neville Braybrooke, in which he discusses 'The Beach of Falesá', the recently published adaptation by Dylan Thomas of R. L. Stevenson's novella (see Dylan Thomas, The Beach of Falesá (New York, 1963)), as well as his recent work and his visit to Seattle the previous Spring.

Two typescript letters, 1953-1955, from Vernon Watkins, Pennard, to poet and publisher John Lehmann, the first, 13 November 1953, concerning the death of Watkins's close friend Dylan Thomas four days earlier (f. 46), the second, 8 August 1955, concerning his foreword to Dylan Thomas, Adventures in the Skin Trade (London, 1955) (f. 47).

Thirty-five letters, 1944-1957, to the artists' model Mary Keene, comprising twenty-three from her friend Caitlin Thomas, 1945-1954 (ff. 1-30), six from the latter's sister Brigit Marnier, 1944-1949 (ff. 33-43), and six from Florence Thomas, mother of Dylan Thomas, 1954-1957 (ff. 44-53), all containing personal and family news.
Also included is a letter, 11 October 1950, to Caitlin Thomas from her domestic help, Dolly Long of Laugharne (ff. 31-32). There are numerous references to Dylan Thomas (ff. 1 verso-10 passim, 19, 20 27 verso) and his funeral (ff. 43-44) and to Caitlin (in addition to her own letters) (ff. 36 verso, 44-54 passim). There are also references to Laurie Lee (f. 16 verso), Anthony Devas (f. 23 verso), Louis MacNeice (f. 45 verso) and Daniel Jones (f. 47 verso).

Miscellaneous printed material, 1971-1983, relating to Dylan Thomas, in particular to the laying of the memorial stone in Westminster Abbey, 1982, including photographs of the unveiling ceremony, and to the opening of the Dylan Thomas Theatre in Swansea, 1983.

Correspondence and papers, 1980-1982, relating to the laying of a memorial stone to Dylan Thomas in Poets' Corner at Westminster Abbey, together with papers relating to the presentation of the first Dylan Thomas Award, 1983 (ff. 130-3) and two letters, 1964, to Mervyn Levy concerning the poet (ff. 134-6). The correspondents include Daniel Jones (3) 1982, John Ormond (4) 1981, Aeronwy Thomas-Ellis (15 draft and copy letters) 1981-1982, and Llewelyn Thomas (2) 1982.

A typescript draft of Caitlin Thomas's autobiography, Leftover Life to Kill (London, 1957), apparently typed from tape or dictation (see, for instance, ff. 64-65), bearing her more or less final autograph revision, and containing some passages which do not appear in the published work, e.g. the summary of Dylan's usual domestic small talk (f. 39), and his inability to cope with the pestilent 'Bible manglers' of New York (f. 83).

Eighty letters, 1939-1966, to John Davenport, literary critic and friend of Dylan Thomas, much of the correspondence relating to literary matters (ff. 1-91). There are references to Thomas throughout, including detailed (and contrasting) accounts, by John Malcolm Brinnin (ff. 12-13) and George Reavey (ff. 71-72 verso), of events surrounding his death.
The correspondents include Kingsley Amis, 1955-1965 (ff. 1-6), John Malcolm Brinnin, 1952-1953 (ff. 11-13), Walford Davies, 1963-1965 (ff. 16-23), Constantine FitzGibbon, 1950-1966 (ff. 27-52), Glyn Jones, March-April 1965 (ff. 57-59), T. H. Jones, 9 November 1961 (f. 60), George Reavey, [November 1953] (ff. 71-72), Roger Roughton, 1939-1940 (ff. 73-80), Caitlin Thomas, 1947-[?1952] (ff. 81-85, including a postcard also signed by Dylan Thomas), and Vernon Watkins, 1956-1965 (ff. 86-90). Also included are further papers relating to Dylan Thomas, comprising manuscript notes by Davenport, [1956x1966] (ff. 92-100); a postcard, [?1950], to Thomas from Jack Lindsay in Prague (f. 101); a typescript, 10 November 1953, of a radio obituary to Thomas by Davenport (ff. 102-104); a typescript article, [mid-1950s], on Thomas by Davenport (ff. 105-114); and press cuttings, 1954-1965 (ff. 115-121). A typescript table of contents is ff. i-iii. Three of the Kingsley Amis letters (ff. 1, 2, 4) are published in The Letters of Kingsley Amis, ed. by Zachary Leader (London, 2000) (pp. 448-50, 464-5, 527-8).

Papers relating to the incident when SOE commando William Killick fired bullets into Majoda, New Quay, in 1945 and was later charged with, but acquitted, of the attempted murder of Dylan Thomas and friends. Also included are papers from the Foreign Office relating to William Killick and his own account of his war experiences in Greece, from where he had just returned when the shooting happened.

Miscellaneous material of or relating to Father Littleton Alfred Powys, son of John Cowper Powys. They comprise Littleton Alfred's baptismal certificate, [1914]; his Declaration of Ordination, 1927, 1928; birthday greetings to him from his mother Margeret Powys, 1930; a press cutting relating to his service as army chaplain during the Second World War; a holograph copy of his poem 'The Sound'; four photographs showing a procession of nuns and children from Nympsfield Orphanage, Dursley, Gloucestershire, 1950 (with notes on dorse by Littleton Alfred); an undated photograph of Dinah White, close friend of Littleton Alfred, with Dinah's name inscribed on the back cover in Phyllis Playter's hand; press obituaries (one in Welsh) of Littleton Alfred Powys, [1954], including one taken from The Beda Review; an envelope containing an embroidered handkerchief and photograph [?of Littleton Alfred], undated, the envelope inscribed 'From Littleton Alfred's Silver Box' in Phyllis Playter's hand; a copy, in the hand of Littleton Charles Powys (Littleton Alfred's uncle), of a letter from Dinah White, dated 22 August 1954, to Littleton Charles, together with typescript notes by Littleton Charles on Littleton Alfred's poem 'Ode to the West Wind', including public response to the work (see also NLW MS 24061D); and a printed copy of Littleton Alfred's poem 'Ode to the West Wind', at the back of which is inserted a press cutting from The Listener, 24 June 1954, relating to Theodore Francis Powys's possible influence on Dylan Thomas's 'Under Milk Wood'. There is a note in Morine Krissdottir's hand on f. 8.

Papers of Wynford Vaughan Thomas, 1850-1986, including war despatches, 1943-1945; papers relating to Indian independence, 1947; scripts of radio programmes on the Middle East, 1956; papers relating to state occasions, 1950-1956; notes for a proposed book on the river Niger, 1961-1963; manuscript and typescript copies of stories, articles, lectures, etc., 1947-1964; scripts of radio and TV programmes and proposed programmes, 1946-[1980s]; notes for proposed works on autobiography, 'Journeys', the River Niger, and Welsh history, [1950s]-1984; manuscripts, notes and typescripts for the published works Anzio, Madly in all directions, Shell Guide to Wales, Portrait of Gower, and Trust to talk, 1958-1980; travel journals, 1947-1964, recording visits to India, West Indies, Europe, Middle East, Africa and Hong Kong and Singapore; notebooks containing notes, drawings and miscellanea, [1947]-[1960s]; financial papers, 1945-1973; correspondence, 1936-1986; papers relating to wine, 1980-1984; papers relating to Dylan Thomas and his literary estate, 1955-1974; family papers, 1895-1950; press cuttings relating to his broadcasting career, 1937-1978; papers relating to Botticelli's painting, 'Primavera', 1945-1988; and miscellaneous papers, mainly printed, 1850-1974.

The file comprises a scrapbook, press cuttings, articles and programmes, 1954-1998, relating to the life and work of Dylan Thomas.

The file consists of a scrapbook of press cuttings, 1984-1992, of obituaries of Richard Burton, Emlyn Williams, Dr Kate Roberts, Sir Geraint Evans, Dylan Thomas, Ivor Novello and others prominent in Welsh literary, theatrical and musical circles.

Letters to Sam Adams from Professor Barbara Handy (5) concerning a Dylan Thomas number of Poetry Wales, including an article by her entitled 'The personal and the impersonal in some of Dylan Thomas's lyrics', together with letters from Rhoda Goodwin (3) concerning the 'Collected stories' of Geraint Goodwin, and a card from Myfanwy [Lumsden] about genealogical research by members of Geraint Goodwin's family.

Typescript copies of 'A merry manshape (or Dylan Thomas at a distance)', [1950x1970]; and 'A niche for Dylan Thomas', [1973], which appears to be an earlier draft of the article published in Poetry Wales, vol. 9, no. 2 (Autumn 1973).

The file includes letters, [1939]-1978, from Cyril Connolly (1), Dorothy Daly (7), Aneirin Talfan Davies (2), Kay Dick (33), Kathleen Farrell (29) and Constantine Fitzgibbon (1), together with a draft of Rhys Davies's reply to him relating to Dylan Thomas.

Autograph and typescript drafts, 1948-1967, of published poetry and published and unpublished prose by Vernon Watkins, mostly composed following the death of Dylan Thomas in 1953, including drafts of Vernon Watkins's poem 'Elegy for the Latest Dead', 1954, and two unfinished poems by Dylan Thomas, 'Elegy' and 'In Country Heaven', completed by Vernon Watkins; and radio scripts, lecture notes, draft reviews and articles by him relating to Dylan Thomas and his work.