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Eleven letters and a telegram, 1956-1961, from Augustus John to his son Robin (ff. 1-13); together with a letter, 1961, to the same from his elder brother David John, recounting the death of their father (f. 14); a letter, 1966, from his aunt Ursula Nettleship (f. 20); and a photograph, 1904, of Augustus John, presented to the artist by the art collector Charles Rothenstein (f. 21).

Four letters, 1947-1950, from Augustus John to the scholar and colonial administrator, Sir Ronald Storrs, regarding arrangements for a proposed portrait of the latter.

Eighty-four letters, 1904-1988, from various artists, addressed to various recipients, and seemingly brought together as examples of autographs.
Among the correspondents are Edward Bawden, 1967 (f. 12), Clive Bell, [?1920s] (f. 85), George Bissill, 1956-1961 (ff. 14-56), Mark Gertler, 1916 (f. 86), Duncan Grant, 1942 (f. 87), Augustus John, 1953-1958 (ff. 4-7, 88), Gwen John, [?1904] (ff. 89-90), Clare Leighton, 1934 (ff. 9-11), Lord Methuen, 1972-1973 (ff. 67-70), Henry Moore, 1950-1951, 1961 (ff. 1-2, 91), John Nash, 1967 (f. 71), Paul Nash, [early 1940s] (f. 92), Sir William Nicholson, 1904-1906 (ff. 93-94), John Piper, 1941-1943 (ff. 72-75), Sir William Rothenstein, 1932 (ff. 96-97), Kenneth Rowntree, 1957 (ff. 78-82), and Sir Matthew Smith, 1950, 1957 (ff. 3, 99). The main recipients are Daniel George, 1953-1962 (ff. 4-8), Cyril Lakin, 1934 (ff. 9-11), Peter Rhodes (ff. 12-56, 58, 65-71, 83-84) and his wife Felicity Rhodes (ff. 57, 59-64, 72-82). The letters include references to the sale of pictures by Peter De Wint (ff. 16, 22-29, 37-40, 44-47) and comments by Augustus John on Caitlin Thomas’s autobiography (f. 6).

A typescript copy, [20 cent., third ¼], of a letter, [Summer 1930], from Augustus John, Renvyle, County Galway, to Will [?Rothenstein], in which John explains his presence in Ireland to paint W. B. Yeats' portrait.
The typescript has the date supplied in the hand of [?Michael Holroyd] and resembles typescripts of other letters to Rothenstein to be found in NLW, Michael Holroyd (Augustus John) Research Papers 4/6.

Three letters, 1916-1918, relating to Augustus John, including one letter sent by John, at the Canadian Corps HQ, [France], to the artist [Peter] Harrison, 21 February 1918, commenting on John's exhibition at the Alpine Club, London, and his current work as a war artist with the Canadian War Memorials Fund (f. 4).
Also included are two letters from George Moore, London, the first to Henry Tonks, 1 December 1916, discussing John's portrait of [Admiral] Lord Fisher [of Kilverston] (f. 2), and the second to Harrison, 5 February 1918, concerning the Alpine Club exhibition (f. 3).

Ten letters, February 1960-April 1961, from the painter Augustus John, Fordingbridge, Hampshire, to the art collector [Emerich (Emo)] Telt[s]ch, mostly concerning John's work (ff. 1-3, 5-10, 13); together with one letter from Dorelia John to Teltsch, 19 August 1960 (f. 4), and one from the painter Jo[sette] Jones to Teltsch, [February 1961] (ff. 11-12).
The letters contain references to work on John's triptych 'Les Saintes-Maries de la Mer with Sainte Sara, l'Egyptienne' (ff. 3, 5-9, 13); Teltsch offered him up to £8000 for the work (see NLW MS 22786D, f. 68, and Michael Holroyd, Augustus John: The New Biography (London, 1996), p. 597). There are two letters, from John (f. 10) and Josette Jones (ff. 11-12), concerning John's apology for an ill-advised letter (not present) to Teltsch, criticizing drawings by Teltsch's God-child (unidentified).