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Correspondence and papers relating to the VII Festival Internacional de Teatro de Caracas in 1988 where Brith Gof performed The Disasters of War, regarding matters such as arrangements and funding and also including previews and reviews of the Brith Gof performance and other performances at the festival, programmes, publicity material, venue plans and details, technical requirements, and a press release.

Correspondence and papers relating to the Valleys Live 92 festival launch and open day, including letters of invitation and publicity material; together a brochure for the Ebbw Vale Garden Festival.

Correspondence and papers relating to an intended performance by Brith Gof at the Sitges Teatre Internacional (Salmos), but which was cancelled because of the festival’s financial constraints, regarding matters such as arrangements and including also text for the programme, estimates of cost, budgets, details of technical requirements, and a proposal for 'Gwelais hyn' - A Dramatic Cantata.

Correspondence and papers relating to a proposed performance of 8961 – Canzoni di angoscia e di speranza by Lis Hughes Jones at Santarcangelo dei Teatri, regarding arrangements and administrative matters.

A letter from Theatre Action Crearc, Grenoble enquiring whether Brith Gof were free for the festival and for details of work and costs, together with a reply.

Press articles relating to the performance of Los Angeles at the Mayfest in Glasgow; together with a festival guide and correspondence and papers relating to arrangements.

Correspondence regarding an invitation to participate in the XIVth and XVth Festival Reminiscences Theatrales de Cracovie.

Correspondence and papers, mainly regarding arrangements, relating to Brith Gof’s participation in the Institute for Theatrical Experimentation and Research (ITER) festival – Waves – in Copenhagen, where they held two workshops and performed Disasters of War; and also including festival publicity materials, information about ITER, including a copy of their magazine, and reviews, some of which relate to a performance of Disasters of War in Ireland.

General papers relating to Brith Gof, including articles, reviews, publications and essays relating mainly to the work of Brith Gof, the company, site-specific theatre and theatre in Wales; company information papers; publicity material; devising notes on actions, texts and ideas; correspondence and papers relating to various lectures, presentations, conferences and seminars attended by or given by members of Brith Gof; company publications and proposals; correspondence and papers relating to the Brith Gof archive; and papers and photographs relating to other theatrical companies.

Various articles, reviews, publications and essays relating mainly to the work of Brith Gof, the company, site-specific theatre and theatre in Wales, including previews and reviews for various productions between 1981 and 1988; interviews with company members; and articles and chapters by Mike Pearson and Clifford McLucas; together with an article regarding Clifford McLucas' visual diary artwork.

Previews and reviews of various productions between 1981 and 1985 including, Branwen, Rhiannon, Rhosys Cochion, Gaeafdaith/A Cold Coming, Manawydan, Gwaed Neu Fara, Bwyty Bananas, Blodeuwedd, Y Gwaelodion, Gernika!, work with Farfa in 1983 and 1984, Ann Griffiths, Rhydcymerau, Pedole Arian & Blodeuwedd in Poland, Ymfydwyr ('Emigrants'), 8961 - Caneuon Galar a Gobaith ('Songs of Grief and Hope'), [Iddo Fe], Gwyl y Beibl at Llanrhaeadr-ym-Mochnant, and Boris.

Copies of an article by Mike Pearson and Clifford McLucas: The Host and the Ghost Brith Gof's Large-Scale Site-Specific Theatre Works, which mainly relates to Haearn.

Correspondence and papers relating to an article by Mike Pearson and Clifford McLucas regarding the 'Specifics of Site' for a Theatr Institut Nederland publication.

Correspondence and papers relating to two publications edited by Nick Kaye: Site-Specific Art: Performance, Place and Documentation and Art Into Theatre, regarding mainly the contributions by Clifford McLucas and Mike Pearson about the work of Brith Gof.

Correspondence and papers relating to a proposed book by Clifford McLucas entitled ‘The Host and the Ghost’, which concerned the approaches to site in the theatre works of Brith Gof, and including also draft and final copies of the publication proposal and mock-up and design copies of some pages of the book.

Questions and answers with Lis [Hughes] Jones relating to work by Brith Gof.

Previews and reviews of various productions in 1986 and 1987 including, 8961 - Caneuon Galar a Gobaith (Songs of Grief and Hope) in France, Germany, [Patagonia] and Ireland, Du a Gwyn, [Ymfudwyr] in Patagonia and Ireland, and Pandemonium: The True Cost of Coal.

Previews and reviews of productions in 1988 namely Disasters of War : Part 7/Displaced Persons and Gwyl y Beibl.

Articles, reviews and previews, some of which are translations or copies of original articles, relating to works by Brith Gof, including a seminar with Farfa and Brith Gof, Ymfudwyr, Ann Griffiths and Camlann.

Articles and interviews relating to the company, their work and theatre in Wales, in which Brith Gof is mentioned, including articles regarding the funding cuts to the company.