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Material relating to the Vale of Glamorgan Festival Exhibition by 56 Group Wales members Alain Ayers, Harvey Hood and Philip Nicol held at St Donat's Arts Centre, 1984, including correspondence between Group secretary Mary Griffiths, St Donat's Arts Centre, Group members and others; draft and printed publicity material; list of invitees to private viewing and printed invitations; notes of discussion between representatives of 56 Group Wales and St Donat's Arts Centre; and memoranda by Mary Griffiths.

Material relating to the 56 Group Wales exhibition held at the Libr'art gallery in the Halle aux Foires, Libramont, Belgium, 1994, including correspondence between Group secretary Julian Sheppard and the Libr'art gallery, the British Council, the Belgian Consulate, the Belgian Embassy, the Arts Council of Wales, Group members and others; printed invitations to private viewing; details of exhibiting artists and works; photocopied press articles from Belgian sources; publicity material; and current Group membership list.

Material relating to the 56 Group Wales's Raymond Eyquem: The Art of the Possible exhibition held at University College, Cardiff, Pembroke Dock Library and Oriel Bangor Museum & Art Gallery, 1996-1997, including correspondence between Group secretary Julian Sheppard and exhibition venues, Raymond Eyquem of University College, Cardiff, the Arts Council of Wales, Group members and others; details of exhibiting artists and works; exhibition catalogues (one annotated); photocopied prints of artists' works; list of invitees to private viewing; invoices; publicity material; and other related correspondence.

Material relating to the 56 Group Wales's 40th Anniversary Exhibition held at Worcester Museum & Art Gallery, Tenby Community Education Centre and St David's Hall, Cardiff, 1997, including correspondence between Group secretaries Julian Sheppard and Bob Weir and exhibition venues and Group members; gallery floor plans; printed invitation to private opening; printed St David's Hall events programme; details of exhibiting artists and works; publicity statements; photocopied extracts from exhibition visitors' book; and memoranda by Bob Weir. Some folios annotated by Bob Weir.

Material relating to the 56 Group Wales's New Work exhibition held at Oriel Henry Thomas in Carmarthen, Yale College Memorial Gallery in Wrexham and Oriel Plasnewydd at Plasnewydd Primary School in Maesteg, 1999, including correspondence between Group secretary Bob Weir and exhibition venues, Group members and printmaker William Brown; letter to Plasnewydd Primary School from the St Helena Community Help Association; details of exhibiting artists and works; photocopied exhibition notices; photocopied press cutting from the South Wales Evening Post; and invoices. Some folios annotated by Bob Weir.

Material relating to the 56 Group Wales's New Work exhibition held at St David's Hall, Cardiff, 2007, comprising circular letter to Group members from Group chairman Peter Spriggs.

Material relating to the 56 Group Wales exhibition held at the Cynon Valley Museum & Gallery, Aberdare, 2007, including letters from Group secretary Peter Seabourne and Group chairman Peter Spriggs to the Cynon Valley Museum & Gallery, circular notices to Group members from Peter Seabourne and printed email from former Group chairman Glyn Jones to Group members; photocopy of invitation to private viewing; exhibition contract; gallery floor plan; and memoranda by Glyn Jones.

Printed June 1975 edition of the circular newsletter Lettera illustrated with images of works by 56 Group Wales members and containing Group members' details; introduction to the June 1975 issue of Lettera by Raymond Eyquem of University College, Cardiff, translated into English from the original French text; translations into English of a review in Italian of Lettera; photocopied press cuttings from the Gazzetta di Mantova; and notes relating to sponsorship.

Material relating to the twentieth-anniversary 56 Group Wales publication The Artist And How To Employ Him (1976), edited by Group chairman Arthur Giardelli and containing contributions from Group members, the said material including correspondence between Group secretary Mary Griffiths and the Welsh Arts Council (later the Arts Council of Wales), Group members and others; printed notice of publication; mailing lists and sales details; and memoranda by Mary Griffiths. Some folios annotated by Mary Griffiths.

Material relating to the 1983 HTV broadcast Where The Tide Turned: A Portrait of the 56 Group Wales, which featured interviews with a selection of Group members, the said related material including correspondence between Group secretary Mary Griffiths, HTV, St David's Hall in Cardiff, Group members and others; printed 1983 HTV programme review; details of exhibiting artists and works; Group statement; list of invitees to press reception; press release; HTV filming schedules; minutes of meeting; and memoranda by Mary Griffiths. Several folios annotated by Mary Griffiths.

VHS video cassette and DVD copies of the 1983 HTV broadcast Where The Tide Turned: A Portrait of the 56 Group Wales, the programme featuring interviews with a selection of 56 Group Wales members.

THIS MATERIAL IS KEPT SEPARATELY AND MAY BE ACCESSED ON REQUEST FROM:
VM 9138
DVD 6178

Scrapbook containing mainly press cuttings, printed invitations, etc relating to 56 Group/56 Group Wales exhibitions, 1957-1964. Some items loose. Some folios blank.

[Piano yn unig].

Full score and parts, in ink and pencil, 1953, titled Opus 3: 'Incidental Music to Antigone: a tragedy by Jean Anouilh, translated from the French by Lewis Galantière'. The full score includes Part 1, 'Overture' (dated 28th October – 6th November 1953); Part 2, 'Introduction to Act II' (dated 6th-10th November 1953); and Part 3, 'Introduction to Act I Scene VIII' (dated 11th November 1953). The instrument parts include violins 1 and 2, and viola for Parts 1 and 2 (dated 11th November 1953), and for Part 3 (dated 6th November 1953); cello for parts 1, 2 and 3 (dated 6th November 1953); horns for Parts 1, 2, 3, and 4 ([1953]); bassoon for Part 1 (dated 6th November 1953) and Part 2 ([1953]); trombone for Part 1 (dated 6th November 1953) and Part 2 ([1953]); timpani for Part 1 (dated 6th November 1953) and Parts 2, 3, and 5 ([1953]); and piano for Parts 1, 2, 3, and 4 (dated 12th November 1953).

Bound facsimile copy of a rough score, dated July 1956-March 1959, titled Opus 9: 'Sinfonia da Camera (Horae Canonicae) For Chamber Ensemble' and including a typewritten note (unsigned). The rough score incorporates parts for flute, clarinet, bass clarinet, oboe, cor anglais, bassoon, trumpet, horn, trombone, violin, viola, and violoncello. Dedicated to Professor and Mrs Ian Parrott.

Facsimile copy of ink score, dated 24th July 1957, titled Opus 10b: 'Three Ricercari for String Quartet', including 'Ricercare 1' (dated 12th January 1957); 'Ricercare 2' (dated 10th May 1957); and 'Ricercare 3' (dated 24th July 1957). The score incorporates parts for violins 1 and 2, viola, and violoncello.

Bound facsimile copy of score, 1957, titled Opus 10b: 'Three Ricercari for String Quartet', including 'Ricercare 1' (dated 12th January 1957); 'Ricercare 2' (dated 10th May 1957); and 'Ricercare 3' (dated 24th July 1957). The score incorporates parts for violins 1 and 2, viola, and violoncello.

Bound facsimile copy of ink score, dated 11 January 1961, and titled Opus 12: 'Epithalamium For Two Violins'. Dedicated to Edward Bor and Edith O'Hanrahan.

Facsimile copy of ink score, dated February-11th April 1963, titled Opus 17: 'Variations for Clarinet and Piano'. originally commissioned for the Guild for the Promotion of Welsh Music, 1963.

Facsimile copy of ink score for violin part, [1965], titled Opus 21: 'Divertimento for Violin and Piano.' Dedicated to Leonard James.