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Fifty-three letters and cards, 1948-1974, from the artist and writer David Jones to Saunders Lewis, discussing his creative work, the Welsh language, aspects of Welsh and Classical antiquity and literature, the Roman Catholic faith and culture in general. Drawing on f. 51 and inscriptions on ff. 10-13, 29 verso, 36 verso, 44 verso. Also included are three letters, 1937, from David Jones to Margaret Lewis, written during her husband's imprisonment (ff. 91-3 verso) and a copy of a speech by David Jones, delivered in absentia when he was awarded the honorary degree of DLitt by the University of Wales in 1960 (ff. 21-7).

Seven letters, 1937-1964, from artist and writer David Jones, Harrow, to the Catholic author and editor Donald Attwater, in which he discusses In Parenthesis and The Anathemata (ff. 23, 24, 28 recto-verso, 29 verso, 32), Welsh history (ff. 24 verso, 27 recto-verso), Welsh place names (ff. 26 verso-27, 29 recto-verso, 30 recto-verso), Cornwall (ff. 29 verso, 30 verso), the Biblical place name Calvary or Golgotha (ff. 30 recto-verso), the attitude of the French authorities to the Breton language (ff. 31 recto-verso), and his inability to learn languages, in particular Welsh (ff. 25, 31 verso).

Correspondence, 1937, 1959-1974, of Louis Bonnerot, Professor of English Literature at the Sorbonne, Paris, comprising twenty-two letters, 1960-1974, from the poet and artist David Jones, Harrow, mostly concerning Bonnerot's translations of Jones's poems into French (ff. 1-47), together with four draft and copy letters from Bonnerot to Jones, 1959-1974 (ff. 49-54), a letter, 24 August 1974, from Jones to Luce Bonnerot, following her husband Louis's death (f. 48), and a typescript letter, 25 December [1937], to Bonnerot from C[ecil] Day Lewis (f. 55).
Jones answers Bonnerot's questions about specific turns-of-phrase used in his poems as well as giving detailed corrections to printers' errors in editions of his work; he also discusses reviews and lectures by Bonnerot, articles in British magazines concerning Jones's work, and the history of Wales and Roman Britain. An illustration of a 'pacing-stick' is on f. 11 verso. There are occasional annotations in pencil by Bonnerot (ff. 29, 29 verso, 32, 33 verso, 36, 36 verso, 38, 38 verso, and 43), together with a transcript by Bonnerot of most of Jones's letter of 9 October 1972 (ff. 56-61).

Forty-eight letters, 1934-1980, to John Petts from various correspondents including David Jones (7) 1954-1956, Professor Gwyn Jones (5, together with a draft introduction for a projected but apparently unpublished volume entitled 'Woodcuts of Wales'), 1947-1949, Alun Lewis (15) [1940]-1943, and Gwyn Williams, Trefenter (2) 1949-1951; also included is one letter, 1942, to Alun Lewis from Huw Menai, enclosing three autograph poems.

Thirty-four letters from David Jones (1895-1974), artist and writer, to Petra Tegetmeier, 1930-1970, mostly 1930-1935, including letters from Egypt in 1934. Drawings on ff. 24, 35v, 36 and 54; inscriptions on ff. 28 ('Exsultet iam angelica turba ...') and 53 ('Gloria in excelsis ...').

Papers of Alun-Oldfield Davies, 1928-1988, relating mainly to the artist and writer David Jones, including an original water-colour inscription, 1954; photographs of inscriptions, personalised and sent as greetings cards , 1958-1961; letters from David Jones to Alun Oldfield-Davies, 1954-1962; papers concerning the fate of David Jones's manuscripts and pictures, 1971-1976; miscellaneous items including lists of works by David Jones for exhibitions, 1972-1976, a radio talk broadcast in 1954 and articles on his life and work, 1954-1988. The additional papers comprise a copy of John Morris-Jones, Penillion Omar Khayyam (Gregynog Press, 1928), formerly in the possession of Colonel Richard C. Ruck (1887-1973), containing his manuscript annotations in Persian, Welsh and English, with letters from his widow concerning the bequest of the volume to Alun Oldfield-Davies, 1973-1974; and a notebook containing reminiscences in Welsh ('Stori fy mywyd') of the Reverend Jonathan Oldfield-Davies (1876-1960), Congregationalist minister and father of Alun Oldfield-Davies.

Thirty-three letters and cards, 1926-1929, 1954-1965, from David Jones, artist and writer, to Douglas Cleverdon. The earlier series (ff. 1-37) concerns David Jones's engravings on copper for the edition of The Rime of the Ancient Mariner published by Douglas Cleverdon in 1929.

Nine letters and a postcard, 1925-40, 1954-72, from David Jones, artist and writer, to Philip Hagreen. The first letter, which includes two drawings in ink, was published in Hague, René (ed.): Dai Greatcoat ... (London, 1980).

David Jones was a prolific letter writer, and his correspondents were multifarious. He was part of a circle of young Catholic intellectuals, and was connected with artistic and literary circles, as well as a more aristocratic circle. He would often write many drafts of a letter before completing it, especially when writing to the press or to a scholar or critic. The correspondence deals with matters relating to religion, art, literature, history, Wales and more personal matters. -- The group comprises letters to David Jones from friends, acquaintances, publishers and art galleries; drafts letters from David Jones to friends, draft letters to the editors of newspapers; and copies of letters published in Dai Greatcoat : a self-portrait of David Jones in his letters, edited by René Hague.

Over one hundred and twenty letters, 1928-80 (correspondents A-M), to Ceri and Frances Richards, many of them concerned with their work as artists, together with one letter, 1985, to the artists' daughters. The correspondents include Francis Bacon (1) [1940s], Benjamin Britten (1) 1957, R. A. Butler (2) 1967, Sir Kenneth Clark (1) 1942, Arthur Giardelli (1) 1970, Ivon Hitchens (3) 1957-66, Imogen Holst (3) 1966-70, Augustus John (2) 1960, David Jones (4) 1961-70, and Henry Moore (15) 1942-62.