Dangos 12235 canlyniad

Eleven letters, [1966]-1973, from the poet and novelist Robert Graves, to Owen M. Roberts, Bickley, Kent, his comrade in the Royal Welch Fusiliers, whom Graves credited with saving his life at High Wood in July 1916, during the Somme offensive (ff. 1-3, 5-12).
Also included is a carbon copy typescript letter from Roberts to Graves, 1 January 1968 (f. 4). The letters contain references to the battle at High Wood (ff. 1, 10), the Royal Welch Fusiliers (ff. 6, 8, 11), Siegfried Sassoon (ff. 1 verso, 2, 12 verso) and Harold Macmillan (f. 10 verso). Graves mentions Roberts in his autobiography, Goodbye to All That (London, 1929); Roberts's copy of the 1966 revised edition (see NLW ex 2334) contains an autograph dedication from Graves and a marginal gloss on p. 198.

Correspondence and other papers, 1965, concerning the production of a limited edition of The Fatigue by David Jones to mark the author's seventieth birthday, together with galley and page proofs, heavily corrected by the author, and a few related papers, 1975. The correspondence includes ten letters from David Jones to the printers, Will and Sebastian Carter, Rampant Lions Press, Cambridge (NLW MS 21925E, ff. 25-7, 29-34, 43).

Manuscript pencil sketch, [1965], of Alun Hoddinott's 'Dives and Lazarus', a cantata for soprano and baritone soloists, choir and orchestra, with words written and adapted by Gwynno James.
The work was commissioned for the 1965 Farnham Festival and first performed on 20 May 1965. Also included is a manuscript copy of the words [?in the hand of Gwynno James] (ff. ii-iii) and a letter from Hoddinott to Felix Aprahamian, [28] March 1966 (f. i).

Nine letters, 1965-1971, from the poet, novelist and film director B. S. Johnson to the poet Bryn Griffiths, discussing the latter's poetry and prose contributions to Transatlantic Review and other publications edited by Johnson, as well as giving news of Johnson's own work.
Also included are a carbon copy of a testimonial from Johnson, supporting Griffiths's application for a bursary from the [?Welsh] Arts Council, [1967] (f. 4), and a contract (ff. 7-8) and letter (f. 9), February 1968, from the publishers Victor Gollancz, concerning Griffiths's article for The Evacuees, ed. by B. S. Johnson (London, 1968).

Correspondence and papers, 1964-1993, accumulated by J. E. Caerwyn Williams, mainly as editor of Y Traethodydd and Ysgrifau Beirniadol. Correspondents include John Gwilym Jones (2) 1976-1978, Saunders Lewis (7) 1967-1979, Thomas Parry (3) 1976-1978, and Kate Roberts (15) 1964-1978. Also included are manuscript and typescript drafts of contributions published in Y Traethodydd, including a short story, Pryder Morwyn, by Kate Roberts (ff. 47-54).

A revised manuscript ink score, [1964], of the overture for orchestra 'Jack Straw' by Alun Hoddinott.

Twenty letters, 1964-74, from David Jones (1895-1974), artist and writer, to the archaeologist Nancy K. Sandars. As well as containing references to his work, the letters discuss a range of topics including the history and prehistory of Wales.

Six letters and three telegrams, [?1963]-1972, from Richard Burton (in some instances jointly with wife Elizabeth), to his childhood friend and actor Dennis Burgess, containing personal and professional news, but mainly concerned with acting roles secured by Burton for Burgess in the films Bluebeard (1972) and Massacre in Rome (1973).
The letters were sent from the Dorchester Hotel, London, [?1963] (ff. 1-2), Sardinia, 1967 (ff. 3-4), Budapest, 1972 (ff. 5-10), and Munich, 1972 (ff. 11-12). Also included are letters to Burgess from Lord Snowdon, 18 May 1973 (f. 13), and Sir John Gielgud, 15 October 1979 (f. 15), and a photocopy of a telegram from Elizabeth Burton, 4 November 1975 (f. 14), inviting Burgess and his wife to Richard Burton's fiftieth birthday party. There are references to the films Becket (1964) (ff. 1-2), Doctor Faustus (1967) (ff. 3-4), Where Eagles Dare (1968) (f. 7), Bluebeard (ff. 5-10) and Massacre in Rome (ff. 11-12), and to the actor Hugh Griffith (f. 8)

A copy of a typescript draft, 1962, with autograph revision, of Saunders Lewis's play Problemau Prifysgol (Llandybïe, 1968).

A typescript copy, [1962]-1979, of Saunders Lewis's Welsh play 'Excelsior', first published Swansea, 1980, with corrections in the author's hand (ff. 1-56); together with correspondence, 1980, in English and Welsh, of the publisher Christopher Davies, regarding its publication in view of the allegation, when broadcast in 1962, that it libelled the Rev. Llywelyn Williams, MP (ff. 57-81).
The typescript consists of pages from the original script, [1962], transmitted on BBC TV on St David's Day 1962 (ff. 5-16, 20-21, 42-51), interspersed with revised sections, [1979], for an abortive stage version (ff. 17-19, 22-41, 52-56), and the new Preface for the published volume, April 1980 (ff. 2-4). The correspondence consists of nineteen letters, April-October 1980, including copies and drafts, mostly between Saunders Lewis, Christopher Davies, Sir Alun Talfan Davies and Glyndwr Williams, brother of Llywelyn Williams. A cutting of Clive Betts' article, 'Saunders Lewis publishes play BBC abandoned' (Western Mail, 1 December 1980, p. 9), is on f. 82. The 1962 and 1980 versions of the play both appear in Dramâu Saunders Lewis: Y Casgliad Cyflawn, Cyfrol 2, ed. by Ioan M. Williams (Cardiff, 2000), pp. 273-414.

Two Brenda Chamberlain holograph MSS: 'How the Caseg Broadsheets began' and 'How I came to illustrate the Ann Jones broadsheet'.

Letters to Rachel Bromwich from David Jones, artist and writer (3) 1961-1965, together with a copy of Agenda, vol. 4, no. 1 (April-May 1965), containing David Jones's poem The Hunt, with notes and corrections in the author's hand, and from Colin Wilcockson, Cambridge (2) 1974, one enclosing a copy of a letter, 1974, from David Jones (ff. 39-46).

Personal copies of J. P. Brown, Llangollen, of ‘Cylch Translations’, 1960-2007 (with gaps), a newsletter which he produced for members of the Cylch Catholig and others; included are items from the Welsh-language press of interest to Catholics. = Copïau personol J. P. Brown, Llangollen, o'r cylchlythyr ‘Cylch Translations’, 1960-2007 (gyda bylchau), a gynhyrchodd ar gyfer aelodau o’r Cylch Catholig ac eraill; maent yn cynnwys eitemau o’r wasg Gymraeg oedd o ddiddordeb i Gatholigion.

Typescript final draft, [c. 1962], of A Burnt Offering by Jack Jones (1884-1970), an unpublished biographical novel based on the life of Dr William Price (1800-1893), Llantrisant, pioneer of cremation.

A typescript draft of 'Have a Cigarette', an English translation by Saunders Lewis of his play 'Gymerwch Chi Sigaret? (Llandybie, 1956); the translation is apparently unperformed and unpublished.
The English translation amends the original Welsh version in some places, particularly in the second act, the most substantial emendation being an entirely new beginning to that act (ff. 18-21). There are also manuscript emendations and annotations by the author and another unidentified hand. The manuscript title-page (f. i) is in the hand of Saunders Lewis.

Ten letters, February 1960-April 1961, from the painter Augustus John, Fordingbridge, Hampshire, to the art collector [Emerich (Emo)] Telt[s]ch, mostly concerning John's work (ff. 1-3, 5-10, 13); together with one letter from Dorelia John to Teltsch, 19 August 1960 (f. 4), and one from the painter Jo[sette] Jones to Teltsch, [February 1961] (ff. 11-12).
The letters contain references to work on John's triptych 'Les Saintes-Maries de la Mer with Sainte Sara, l'Egyptienne' (ff. 3, 5-9, 13); Teltsch offered him up to £8000 for the work (see NLW MS 22786D, f. 68, and Michael Holroyd, Augustus John: The New Biography (London, 1996), p. 597). There are two letters, from John (f. 10) and Josette Jones (ff. 11-12), concerning John's apology for an ill-advised letter (not present) to Teltsch, criticizing drawings by Teltsch's God-child (unidentified).

One hundred and thirty-two letters and cards, 1959-1967, from Helen Thomas to Terence Cooper, London, containing mainly personal news and comments on Edward Thomas; also included are two letters, 1962-1965, from Myfanwy Thomas, daughter of Helen and Edward Thomas (ff. 45, 144).

A negative photostat facsimile of Welsh MS. 2 in the John Rylands Library, Manchester, being an incomplete early eighteenth century collection of poetry, largely in the form of 'cywyddau', by Sion Philip, Rhisiart Philip, Edmund Price [sic], William Cynwal, Evan Bry[dy]dd hir, Lewis Môn, Sion Cent, Tudyr Aled, David ap Gwillim [sic], David Nanmor [sic] and others. On p. 76 is a text of 'Brenin dlysau ynys Brydai[n]'. Later eighteenth century additions include a certificate of a declaration of an oath by Edd. Vaughan of Lanymowddy, Merioneth, 2 November, 1750, that a red heifer sold at Dinnas Mowddy and the herd from which it is taken are free from the infection now raging among horned cattle in the Kingdom.

Typescript transcripts, [?1977], by Myfanwy Thomas of letters and cards, dated 1959-1967, from her mother Helen Thomas to Terence Cooper, now NLW MS 23299C (ff. 9-175), together with a related letter, 1977, from her to Terence Cooper (f. 7), and typescript notes by the latter on his first three visits to Helen Thomas in 1959 (ff. 1-6).

Notebook, 1959-1961, of Caradog Prichard, poet and journalist, containing a fragment of a diary, in English, 3 November 1959-26 January 1960 (ff. 3-14 rectos); 'A Scheme For A Daily Newspaper In The Welsh Language' (ff. 16-18 rectos); notes for, and fragmentary draft of, Un Nos Ola Leuad (1961) (ff. 18v, 19-23 rectos, 61v); numerous drafts of poems, mainly of parts of 'Cân yr Hen' from his ode 'Cymru'; and miscellaneous notes and personal memoranda.