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Papers and publications created and collected by Glyn Mathias in the course of his career related to his career in journalism including his role in broadcasting from the UK Parliament, along with his work for OFCOM, Dwr Cymru and the Electoral Commission.

Papers of Peter Finch, comprising early poetry and literature, early typescripts, manuscripts, several hundred files and note books, proofs and research for the Real Cardiff trilogy, some files about the Writers Handbook, and correspondence, together with material accumulated through his involvement with the Association of Little Presses, including fanzines, unofficial publications, and experimental and amateur publications. The archive includes many aspects of Finch’s work, notably his concrete verse, visual poetry, sound poetry, found poetry and collage poems, and it reflects his technical experimentation with poems created on typewriters, word processors and photocopy machines.

Four envelopes, postmarked August 1967, three of which contain unofficial stamps marking the translation into Welsh of the New Testament in 1567, together with a letter, dated 8 September 1967, to the donor from the Head Postmaster at Porthmadog. The stamps, 'Y Testament Newydd 1567 1967', were designed by Tegwyn Jones, published by Y Lolfa and sold during the National Eisteddfod at Bala in 1967.

Literary papers of John Tripp, [1967]-[1975], comprising manuscript and typescript poetry (ff. 1-26, 28-116, 130-151, 166-171), short stories (ff. 117-118, 152-153) and scripts for radio plays (ff. 119-129, 154-165).
The poetry includes original manuscript and typescript working sheets (ff. 1-26), photocopies of published poems (ff. 166-171), fair typescript copies (typed by Fay Williams) and photocopies of original typescripts (typed by John Tripp) of poems, seventy-two mainly unpublished (ff. 28-100), and twenty-one published in The Meaning of Apricot Sponge: Selected writings of John Tripp, ed. by Tony Curtis (Cardigan, 2010) (ff. 130-151), and a series of twelve poems entitled 'Intervals of Heat', mainly unpublished (ff. 101-116). The short story 'Ferret and Weasel' (ff. 152-153) and the verse play for radio 'The Seed of Dismemberment' (ff. 154-165) were published in The Meaning of Apricot Sponge, while 'Confessions of an English Tutor' and 'Sketches from Provincial Love' (ff. 117-129) remain unpublished. Also included is a letter to Tripp from Meic Stephens, 9 September 1968 (f. 6 verso), and a draft letter from Tripp to John Stuart Williams, 2 April 1969 (f. 27). A list of the contents, compiled by the donor, [?2010], is also included (ff. i-v).

Some one hundred and seventy-five original poems by Ruth Bidgood, 1966-2011, mostly typescript, some are emended and a few are in manuscript (ff. 208, 212, 214, 216-217, 219).
The majority of the poems have appeared in various periodicals, as recorded by the author on the individual folios. A few only have subsequently been published in collections, including 'Cwm Pennant' (ff. 132-133) and 'Encounters with Angels' (ff. 195-201) in Symbols of Plenty (Norwich, 2006), 'Complaints' (ff. 66-71, 187-189) and 'Bringing Home the Bride' (ff. 169-170) in Hearing Voices (Blaenau Ffestiniog, 2008), and a revised version of 'Reading a Landscape' (ff. 177-181) in Time Being (Bridgend, 2009). 'The Zombie-makers' (f. 38) and 'Brianne 1970' (f. 42) were first published in Matthew Jarvis, Ruth Bidgood (Cardiff, 2012), pp. 133-134. There are multiple copies or drafts of some poems, including 'Complaints' (ff. 66-71, 187-189), 'Summerers' (ff. 129, 152), 'Apparition' (ff. 171, 208), 'Reading a Landscape' (ff. 177-181), 'Windblow' (ff. 182, 218-219), 'Elan in Autumn' (ff. 193, 213-217) and 'Looms' (ff. 194, 210). A list of contents (for ff. 1-194) in the hand of the author is ff. i-ii; the order has subsequently been revised by her. Since the author usually disposed of typescripts once the poems had been collected, this volume includes rare examples of her work.

Papers relating to the Aberfan disaster, collected by the donor's father, William Tudor, secretary of the Aberfan Parents' & Residents' Association.

Two notebooks containing drafts of poems by Elwyn Davies, 1966-1969 and 1969-1970. Many of the poems were published in his two volumes of poetry, Words Across the Water (Swansea, 1970), and A Lifting of Eyes (Llandybie, 1974).

Copies of Robert Graves, Goodbye to All That (London, 1966) and The Rubaiyyat of Omar Khayaam, trans. by Robert Graves and Omar Ali-Shah (London, 1967), both with manuscript inscriptions by Graves, dedicating them to Owen Roberts who saved Graves's life at High Wood, 20 July 1916, during the Somme offensive, when both were officers with the Royal Welch Fusiliers.

A file labelled, 'Diwylliant Cymru Heddiw. Celfyddyd. Wrexham. 23.11.66. Round Table/C'von. The Artist in Wales. Welsh Studies Group', containing manuscript notes of two lectures entitled 'The Artist in Wales' and 'The Fine Arts in Wales'. A list, originally inserted within the folder and later transferred to the accessions correspondence files, contains the following description of the papers: '4. Two manuscript lectures:- (a) 'Art and Meaning', (b) 'Diwylliant Cymru Heddiw'. These items were originally donated to NLW in September 1973, together with a collection of pen and ink drawings used to illustrate several books, a design for a dust jacket for the book Absalom fy Mab, pencil drawings of a bardic chair and designs for the Red Dragon of Wales (PB7959-62).

Papers, 1966-1994, comprising letters and cards to the playwright Dedwydd Jones, mostly from actors, playwrights and other prominent theatrical and literary figures.

Eleven letters, [1966]-1973, from the poet and novelist Robert Graves, to Owen M. Roberts, Bickley, Kent, his comrade in the Royal Welch Fusiliers, whom Graves credited with saving his life at High Wood in July 1916, during the Somme offensive (ff. 1-3, 5-12).
Also included is a carbon copy typescript letter from Roberts to Graves, 1 January 1968 (f. 4). The letters contain references to the battle at High Wood (ff. 1, 10), the Royal Welch Fusiliers (ff. 6, 8, 11), Siegfried Sassoon (ff. 1 verso, 2, 12 verso) and Harold Macmillan (f. 10 verso). Graves mentions Roberts in his autobiography, Goodbye to All That (London, 1929); Roberts's copy of the 1966 revised edition (see NLW ex 2334) contains an autograph dedication from Graves and a marginal gloss on p. 198.

Correspondence and other papers, 1965, concerning the production of a limited edition of The Fatigue by David Jones to mark the author's seventieth birthday, together with galley and page proofs, heavily corrected by the author, and a few related papers, 1975. The correspondence includes ten letters from David Jones to the printers, Will and Sebastian Carter, Rampant Lions Press, Cambridge (NLW MS 21925E, ff. 25-7, 29-34, 43).

Manuscript pencil sketch, [1965], of Alun Hoddinott's 'Dives and Lazarus', a cantata for soprano and baritone soloists, choir and orchestra, with words written and adapted by Gwynno James.
The work was commissioned for the 1965 Farnham Festival and first performed on 20 May 1965. Also included is a manuscript copy of the words [?in the hand of Gwynno James] (ff. ii-iii) and a letter from Hoddinott to Felix Aprahamian, [28] March 1966 (f. i).

Papers created and compiled by Peter Reynolds in his work as a composer of musical works, a writer and critic, and his lecture notes. Musical compositions include full orchestral scores, parts works, arrangements, draft works and sketches. Research papers and notes covering musical compositions, composers and artists, accumulated during his research for the writing of programme notes and his copywriting. Some of these files contain historical items collected for reference. Subject files and a large collection of concert and event literature. Teaching notes for lectures at WCMD and his composers workshops.
Two boxes of audio material have been transferred to The National Screen and Sound Archive of Wales.

Literary and personal papers of Gwyneth Lewis, comprising poetry, prose, correspondence, notes and other professional and private material accumulated throughout her life from her school and college years until 2011, with some gaps.

Nine letters, 1965-1971, from the poet, novelist and film director B. S. Johnson to the poet Bryn Griffiths, discussing the latter's poetry and prose contributions to Transatlantic Review and other publications edited by Johnson, as well as giving news of Johnson's own work.
Also included are a carbon copy of a testimonial from Johnson, supporting Griffiths's application for a bursary from the [?Welsh] Arts Council, [1967] (f. 4), and a contract (ff. 7-8) and letter (f. 9), February 1968, from the publishers Victor Gollancz, concerning Griffiths's article for The Evacuees, ed. by B. S. Johnson (London, 1968).

Correspondence and papers, 1964-1993, accumulated by J. E. Caerwyn Williams, mainly as editor of Y Traethodydd and Ysgrifau Beirniadol. Correspondents include John Gwilym Jones (2) 1976-1978, Saunders Lewis (7) 1967-1979, Thomas Parry (3) 1976-1978, and Kate Roberts (15) 1964-1978. Also included are manuscript and typescript drafts of contributions published in Y Traethodydd, including a short story, Pryder Morwyn, by Kate Roberts (ff. 47-54).

A revised manuscript ink score, [1964], of the overture for orchestra 'Jack Straw' by Alun Hoddinott.

Twenty letters, 1964-74, from David Jones (1895-1974), artist and writer, to the archaeologist Nancy K. Sandars. As well as containing references to his work, the letters discuss a range of topics including the history and prehistory of Wales.

Papers of journalist Patrick Hannan including correspondence, research notes, interviews for articles and scripts television and radio programes along with copies of articles. It contains interviews with leading political figures including Peter Hain, Rhodri Morgan, Alun Michael, Dafydd Wigley and Ieuan Wyn Jones as well as correspondence with the composer Daniel Jones.