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Eleven letters and a telegram, 1956-1961, from Augustus John to his son Robin (ff. 1-13); together with a letter, 1961, to the same from his elder brother David John, recounting the death of their father (f. 14); a letter, 1966, from his aunt Ursula Nettleship (f. 20); and a photograph, 1904, of Augustus John, presented to the artist by the art collector Charles Rothenstein (f. 21).

Some eighty-two letters, cards and postcards, 1959-1994, to Sara John from family members, relating to family matters with occasional references to art.
The correspondents include Amaryllis Fleming, [1990s] (ff. 4-8), Augustus John, 1959-[1961] (ff. 12-25), Sir Caspar John, 1970-1983 (ff. 26-38), David John, [?1970s] (ff. 39-40), Poppet Pol (formerly Elizabeth Ann John), 1970-1994 (ff. 41-52), Vivien White (née John), 1987-1994 (ff. 53-66), and Dorelia McNeill, 1962-1969 (ff. 67-97).

Seven letters, 1955-1956, from Augustus John to Mrs Edith Saunders of the Hotel Santa Clara, Torremolinos, Spain, where the artist stayed from December 1954 to March 1955 (ff. 1-7 verso), together with one letter, 1955, from Dorelia McNeill to the same (f. 8); the letters contain mainly personal news and references to John painting a portrait of Mrs Saunders.

Over a hundred letters, 1934-1956, addressed to Edwin John, nephew of Gwen John, from various correspondents (surnames B-J), including his father, Augustus John (48) 1938-1956, and other members of the John family; many of the letters are concerned with the 1946 Gwen John memorial exhibition.

The file comprises invitations to exhibitions at the Tate Gallery, British Museum, Hanover Gallery, Leicester galleries and various other galleries, predominantly in London, 1945-1970 (with gaps) with exhibition catalogues for George Stubbs (1957), Augustus John (1948), Andre Bauchant (1960), Paule Vezelay and Winifred Nicholson (1954), Ben Nicholson (1954), Lady Patricia Ramsay (1959), the '56 Group [Wales]', and The New English Art Club (1945).

The series comprises photocopies of letters, [1922]-1961, written by Augustus John to his wife, children and grandchildren and other family members, together with some letters to Augustus John, relating to family and professional business.

Some sixty-five letters, 1904-1938, to Gwen John from various correspondents (surnames B-J), including Tom Burns (4) 1927-1929, Father Martin D'Arcy (1) 1933, Jeanne Robert Foster (13) [1920]-1925, Maud Gonne (1) 1915, and Augustus John (27) 1904-1938.

Letters and related papers of Augustus John and Dorelia McNeill, [?1912]-2017 (mostly [?1912]-1969), sent to, or collected by, Tristan de Vere Cole. The collection includes letters of Augustus John to Mavis de Vere Cole, 1934-1959, and to her son Tristan de Vere Cole, [1947]-1961, together with letters of Dorelia McNeill to Mavis de Vere Cole, [?1949]-1961, and to Tristan de Vere Cole, 1951-1968. Also included are letters addressed to, or sent by, Augustus and Dorelia John and other members of their family, [?1912]-1969, including several from Michael Holroyd, 1966-1969, together with miscellaneous items, 1928-[?1961], in the hand of Augustus John.

Four letters, 1947-1950, from Augustus John to the scholar and colonial administrator, Sir Ronald Storrs, regarding arrangements for a proposed portrait of the latter.

Photocopies of annotated pages of Augustus John's Chiaroscuro (1952), presented to Ronald Storrs by the author, and annotated by Storrs.