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Correspondence and papers relating to staging Pax in the nave of Westminster Abbey, including replies to invitations to the concert.

A Welsh version of the production script from the papers of Lis Hughes Jones.

Correspondence and papers relating to Welsh films, including letters regarding viewing Welsh films for research purposes, research papers and information relating to films in Wales; together with a programme for the first screening of 'The Life Story of David Lloyd George' by the Wales Film and Television Archive.

Scenographic designs, some of which may have been intended for use in production visuals, images and some research material, again possibly used in production visuals; together with a page from the production scenario.

Photocopies of Clifford McLucas' visual diary artwork which was inspired by the EXX-1 production.

Correspondence relating to the possibility of staging of Pax as part of the Vienna festival in 1991 and 1992 and including a brochure for the Wiener Festwochen (Vienna Festival), 1990.

Photocopies of video stills from the A Oes Heddwch video.

A plan of the [video graphics and footage to be shown during the production]; together with a memo outlining the work done on video editing and sketches regarding [camera placement].

Plans of the venue in Douai, France for a possible re-staging of the Haearn production.

Plans of the Tramway, Glasgow and also the Zap Club, Brighton.

Plans of the disused railway station in Florence.

Information relating to venues, including a side elevation plan of the Royal Court Theatre, a technical information pack for the Taliesin Arts Centre and a plan of University of Warwick Arts Centre.

Correspondence and papers relating to the VII Festival Internacional de Teatro de Caracas in 1988 where Brith Gof performed The Disasters of War, regarding matters such as arrangements and funding and also including previews and reviews of the Brith Gof performance and other performances at the festival, programmes, publicity material, venue plans and details, technical requirements, and a press release.

Various slide images, including images used in Brith Gof production publicity material, Clifford McLucas' visual diary work, production prospectuses and publicity material, scenographic designs by Clifford McLucas, research materials, venues, including joiner images of venues, and devising notes.

A roll of scenographic designs and sketches for various productions, including Haearn, Gododdin, Pax and Patagonia.

Correspondence and papers relating to the Valleys Live 92 festival launch and open day, including letters of invitation and publicity material; together a brochure for the Ebbw Vale Garden Festival.

An update regarding further possible stagings of Haearn; together with a letter informing that it will not be possible to perform Haearn in Douai, France.

Unidentified slides, some of which may possibly be of the Polish theatre company Odin Teatret, Cardiff Laboratory Theatre and RAT Theatre, others appear to photographs taken from a book, again possibly relating to Odin Teatret, together with some slides of Brith Gof productions, including Fuji Musume, Branwen, Gernika!, Pedole Arian, Blodeuwedd and In Black and White.

Photographs of a set and cast members from an unidentified production.