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Unidentified notes that possibly relate to a lecture.

Unidentified negatives, possibly of the Brith Gof office.

Unidentified lectures and presentations relating to large and small-scale productions and Brith Gof and their site-specific work, including a final script of a presentation.

An unidentified draft score, noting the musical elements of a performance and some other technical and character elements.

Design copies of underwater images.

Unidentified typed text.

A copy of Two and Two magazine, which contains an article regarding Clifford McLucas' visual diary artwork, which was inspired by the Brith Gof productions Pax, EXX-1 and Gododdin.

Correspondence and papers relating to the arrangement of proposed collaborative tv/live theatre projects between Brith Gof and Criw Byw, including proposals and contracts.

A notebook containing devising notes, research, workplans, technical notes, draft texts, prop designs and scenographic designs for Tuag at Hafod and the Lunacy in his Common Sense; and also including instructions for the press photographs.

A notebook containing devising notes that appear to relate to the Tuag at Hafod project, including research, workplans, performance [scores], draft texts for project publications, technical notes and scenographic designs; together with papers relating to the performance of Hafod at the Bala National Eisteddfod of Wales.

Quotations from various companies for equipment and services for the Tri Bywyd production at Lampeter and invoices for equipment for the production at Lampeter and the National Eisteddfod, together with a work schedule, negatives of the site at Lampeter and product brochures.

Correspondence, papers and photographs relating to the Tri Bywyd production and also associated publications, including correspondence and papers regarding arrangements and administration of all aspects of the production, research material, production ‘scores’, production texts and scripts, explanatory or descriptive notes, publicity and information material, a production proposal, reviews, devising notes and sketches, joiner photographs, and notes on performance actions.

Draft, proof and mock-up copies of pages of Tri Bywyd publications, namely the proposed The Host and Ghost publication and the chapter by Clifford McLucas for the publication edited by Nick Kaye: Site-Specific Art: Performance, Place and Documentation, together with illustrative material such as scenographic designs, draft production score, maps and an outline plan, some of which were used in the publications.

Papers relating to the arrangement of travelling to Europe, including directions from Cagliari to Olbia, insurance documents and ferry tickets.

Transcripts of oral history interviews with a lady and two brothers, called Tomi and Edward, who lived in Patagonia and whose family had moved there from Wales.

A document discussing the need for training programmes and the creation of a centre devoted to active pedagogy.

Copies of the Tri Bywyd thirteen lies.

A copy of the texts of the thirteen decoys which has been annotated and which may have been used as texts or a script during performances and as texts for the installation at the Bala National Eisteddfod of Wales.

A copy of a thesis: A Brief Study of the Influence and Effect of Welsh Culture upon the Theatre in Wales, which includes a chapter relating to Brith Gof.