Dangos 132 canlyniad

One facsimile copy and one ink copy of anthem, dated January 1977, and titled Opus 42: 'Dinas Gadarn'. Includes a typewritten note (unsigned) stating that the anthem was commissioned for the 700th anniversary of the Borough of Aberystwyth by Royston Harvard and the Madrigal Singers, University College Wales, Aberystwyth.

Facsimile copy of ink score, dated October 1967, and titled Opus 27: 'Neithiwr: Cân i Denor a'r Piano,' ('A Song for Tenor and Piano'). With words by Alun Jones. Originally commissioned by the BBC, 1967.

Facsimile copy of ink score, dated 8 June 1966 and titled Opus 23: 'A Little Cantata: Ten Traditional Rhymes for Children’s Voices and Piano'. Including works based on the rhymes 'Blow, Wind, Blow'; 'Wine and Cakes'; 'Peter'; 'Terence McDiddler'; 'Tommy Trot'; 'Three a-bed'; 'Pipe, Cat'; 'Grey Goose'; 'Barber'; and 'Four Winds'. Dedicated to Catrin and Ceri.

Facsimile copy of ink score, dated 1956-1961, titled Opus 10: 'Canticle for Voice and Piano', and incorporating 'Words by Twentieth-Century Anglo-Welsh Poets'. Consisting of Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I Was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

Ink score with pencil annotations, dated 1956-1961 and titled Opus 10: 'Canticle for Tenor and Piano: Words by 20th-century Anglo-Welsh Poets'. The score is in seven parts: Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated 16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

Facsimile copy of ink score, dated 1995, and titled Opus 68: 'Dathlu ’95'. The file also includes a copy of the words by Meirion W. Jones. Commissioned to celebrate one hundred years of higher education in Fishguard.

Ink score in three parts, dated 14 July 1993, and titled Opus 67: 'Three Songs for Tenor and Piano: Settings of Poems by Wilfred Owen'. The piece was originally composed to commemorate the centenary of Wilfred Owen's birth, and in memory of the composer's friend William Mathias. It was commissioned by the Fishguard Music Festival, 1993, in association with the Welsh Arts Council, and was first performed at the Fishguard Music Festival by Maldwyn Davies, tenor, and the composer.

Draft score in ink with pencil annotations, dated 1956-1961 and titled Opus 10: 'Canticle for Tenor and Piano: Words by 20th-century Anglo-Welsh Poets'. The score is in six parts: Part 1, 'Lean on the Rail' by Randal Jenkins, dated 1 - 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated 16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; and Part 7, 'There is No Time' by Raymond Garlick, as a loose page draft pencil partial score, dated 24 January 1961. Part 6 is wanting.

Facsimile copy of ink score, dated 24th July 1957, titled Opus 10b: 'Three Ricercari for String Quartet', including 'Ricercare 1' (dated 12th January 1957); 'Ricercare 2' (dated 10th May 1957); and 'Ricercare 3' (dated 24th July 1957). The score incorporates parts for violins 1 and 2, viola, and violoncello.

Ink score, dated January-July 1957, titled Opus 10: 'Three Ricercari for String Quartet', including 'Ricercare 1' with parts for violins 1 and 2, viola, and cello.

Bound facsimile copy of a rough score, dated July 1956-March 1959, titled Opus 9: 'Sinfonia da Camera (Horae Canonicae) For Chamber Ensemble' and including a typewritten note (unsigned). The rough score incorporates parts for flute, clarinet, bass clarinet, oboe, cor anglais, bassoon, trumpet, horn, trombone, violin, viola, and violoncello. Dedicated to Professor and Mrs Ian Parrott.

Facsimile copy of rough score in ink, dated July 1956 - March 1959, titled Opus 9: 'Sinfonia da Camera (Horae Canonicae) for Chamber Ensemble', incorporating flute, clarinet, bass clarinet, oboe, cor anglais, bassoon, trumpet, horn, trombone, violin, viola, and violoncello. Dedicated to Professor and Mrs Ian Parrott.

Two copies, consisting of one ink score and one draft score in ink and pencil, 1956, both titled Opus 6: 'Sonata for Percussion'. Includes parts for cymbal, tambourine, triangle, side drum, timpani 1 and 2, and bass drum.

Pencil score in five parts, [1995], titled Opus 65: 'Gitanjali Song Offerings: Six Poems of Rabindranath Tagore for Soprano & Chamber Orchestra'. Commissioned for the Llantilio Crossenny 31st Festival of Music and Drama in association with the Welsh Arts Council, and performed at the Festival by the Llantilio Festival Orchestra in June 1993 conducted by Charles Farncombe. The file also contains a programme for the Festival, 1993.

Facsimile copy of ink score, dated 1993, titled Opus 66: 'String Quartet No.3'.

Ink score, dated 1987, and titled Opus 57: 'Antiphons for Cello and Piano: Meditations on the Antiphons for the Blessed Virgin Mary'. Originally commissioned by the Lower Machen Festival in association with the Welsh Arts Council. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 56 (4/8) and Opus 58 (4/9 and 4/10).

Facsimile copy of ink score, dated June 1986, and titled Opus 55: 'Piano Sonata No.2'.

Ink score, dated August 1985, titled Opus 54: 'Carillons for Harp (originals)'. The work was commissioned by the North Wales Music Festival in association with the Welsh Arts Council, and was first performed by Caryl Thomas at St. Asaph Cathedral on 25 September 1985. The piece is dedicated to Yvonne and William Mathias.

Draft score in ink with pencil annotations, dated 26 February-8 May 1955, titled Opus 5: 'Sonatina for Piano', and with a note in the hand of David Harries stating that this piece was performed by the composer at University College Wales Music Club, March and May 1955; and at Gregynog for the Congress of the Guild for Promotion of Welsh Music, June 1955.

Facsimile copy of ink score, dated August 1985, and titled Opus 54: 'Carillons for Harp'. The work was commissioned by the North Wales Music Festival in association with the Welsh Arts Council, and first performed by Caryl Thomas at St. Asaph Cathedral on 25 September 1985. Dedicated to Yvonne and William Mathias.