Dangos 14335 canlyniad

The archive comprises speeches, papers and presentations, 1973-1999, on educational issues given by Hywel Ceri Jones, mainly while he was an official with the European Commission with responsibility for education and training. A list of speeches is included in box 1.

Papers of the composer Hilary Tann, comprising printed music scores. The music scores include those published in the U.S. by the Oxford University Press and more recently Rowanberry Music. Accumulated papers include copies of Dim Sum, 2001 - 2009, festival programmes, and other printed articles.

Records of R H Williams Associates, Consulting Structural & Civil Engineers. Material comprises architectural drawings and job (project) files. Project files include letters & correspondence, architect’s instructions, fee schedules, structural calculations, copies of working drawings, completion certificates, structural surveys, specifications, test reports, site visit minutes and reports, and similar documentation.

The collection consists of personal, literary, and editorial correspondence, including correspondence from various poets and literary figures from Wales and other countries, and related papers, 1970-2017; literary contracts, agreements, and statements, 1971-2016; typescripts for published works, 1986-[c.1998]; papers relating to poetry readings, conferences, and events, 1995-2007; press cuttings and reviews, 1974-[c.2012]; papers relating to various music and poetry groups, 1999-2015; and diary notes, 1978-1985.

Papurau, 1970-1971 a heb ddyddiad, R. E. Griffith (1911-1975), gan gynnwys teyrngedau i Syr Ifan ab Owen Edwards (1895-1970), Thomas Iorwerth Ellis (1899-1970) a Dr Gwenan Jones (1889-1971) / Papers, 1970-1971 and undated, of R. E. Griffith (1911-1975), including tributes to Sir Ifan ab Owen Edwards (1895-1970), Thomas Iorwerth Ellis (1899-1970) and Dr Gwenan Jones (1889-1971).

Papers, 1970-1988, relating to the legal status of the Welsh language, accumulated by Tom Ellis while he was Labour MP for Wrexham, mainly comprising correspondence between himself and Raymond Garlick, 1971-1979, 1988 (ff. 1-171 verso). They relate mainly to court cases concerned with the language campaign in the 1970s and contain references to the operation of the Welsh Language Act 1967 and to the activities of Cymdeithas yr Iaith Gymraeg and other groups. Press cuttings and other related papers forming part of this group are NLW ex 1045.

Correspondence, 1970-1977, accumulated by Meic Stephens in the course of editing Artists in Wales, volumes 1-3 (Llandysul, 1971-1977), from artists in the fields of literature, drama, music and the visual arts; letters, 1977-1978, from poets invited to contribute to Green Horse : an anthology by young poets of Wales edited by him (Swansea, 1978); letters, 1978-1979, relating to The Welsh Language Today (second edition, Llandysul, 1979); and correspondence, 1986-1987, between Meic Stephens and Lady Amy Parry-Williams relating to the former's translations into English of essays by T. H. Parry-Williams, published in The White Stone - six essays by T. H. Parry-Williams (Llandysul, 1987).

An additional consignment of the papers of Meic Stephens. This group remains uncatalogued.

Comprises records of Fforwm Iaith Genedlaethol, including administrative records, correspondence collected by Dr Carl Clowes as chairman, along with papers from Dr Clowes' involvement with the campaign for a Welsh Language Act in the 1980s and his campaign for a General Register Office for Wales.

Six letters, 1969-1972, from David Jones, artist and writer, to Colin Hughes concerning the attack made by the 38th (Welsh) Division on Mametz Wood, 1916, in which David Jones took part, and the re-creation by him of the attack in part 7 of his In Parenthesis (London, 1937). The recipient quotes from these letters in his short study entitled David Jones, The man who was on the field: 'In Parenthesis' as straight reporting (Manchester: The David Jones Society, 1979).

Proof copy of T. S. Eliot's poem 'Usk', 1969, with the original pencil sketch and notes in the hand of Frederic Prokosch [American writer].

File comprising copies of songs which were sung by the Investiture Choir at Caernarfon Castle on 1 July 1969 at the Investiture of the Prince of Wales. The songs include ‘Praise the Lord’, words by Aneirin Talfan Davies and music by Arwel Hughes; ‘Eryri (Snowdonia)’, words by T. H. Parry-Williams and music by Alun Hoddinott, and ‘Rhapsody for a Prince’ by Mansel Thomas. Also included is a copy of the official programme signed by members of the choir, and press material relating to the event. = Ffeil yn cynnwys copïau o ganeuon a berfformiwyd gan Gôr yr Arwisgiad yng Nghastell Caernarfon, 1 Gorffennaf 1969, adeg Arwisgiad Tywysog Cymru. Yn eu plith mae ‘Molwn di, o Dduw’, y geiriau gan Aneirin Talfan Davies a’r gerddoriaeth gan Arwel Hughes; ‘Eryri’, geiriau gan T. H. Parry-Williams, cerddoriaeth gan Alun Hoddinott, a ‘Rhapsody for a Prince’ gan Mansel Thomas. Ceir copi hefyd o’r rhaglen swyddogol wedi’i harwyddo gan aelodau o’r Côr, a deunydd o’r wasg yn cofnodi’r digwyddiad.

A dissertation by Elsie M. Price, entitled 'The Welsh Woollen Industry', submitted in 1969 as part of a course at C F Mott Teacher's Training College (Liverpool) during the 1960s. The work is typed and bound, and includes photographs together with samples of wool and weave for blankets and clothing.

Drafftiau llawysgrif a theipysgrif, 1968-[1984], o nofelau Jane Edwards, Bara Seguryd (Llandysul, 1969), Epil Cam (Llandysul, 1972), Dros Fryniau Bro Afallon (Llandysul, 1976), Miriam (Llandysul, 1977) a Cadno Rhos-y-Ffin (Llandysul, 1984). = Manuscript and typescript drafts, 1968-[1984], of Jane Edwards's novels Bara Seguryd (Llandysul, 1969), Epil Cam (Llandysul, 1972), Dros Fryniau Bro Afallon (Llandysul, 1976), Miriam (Llandysul, 1977) and Cadno Rhos-y-Ffin (Llandysul, 1984).

Mynegai: Y Drysorfa Ysbrydol, 1799-1801; Y Drysorfa, 1831-1968, Gorffennaf, gan William Phillips, MA, Bangor.

Papers and publications created and collected by Glyn Mathias in the course of his career related to his career in journalism including his role in broadcasting from the UK Parliament, along with his work for OFCOM, Dwr Cymru and the Electoral Commission.

Papers of Peter Finch, comprising early poetry and literature, early typescripts, manuscripts, several hundred files and note books, proofs and research for the Real Cardiff trilogy, some files about the Writers Handbook, and correspondence, together with material accumulated through his involvement with the Association of Little Presses, including fanzines, unofficial publications, and experimental and amateur publications. The archive includes many aspects of Finch’s work, notably his concrete verse, visual poetry, sound poetry, found poetry and collage poems, and it reflects his technical experimentation with poems created on typewriters, word processors and photocopy machines.

Four envelopes, postmarked August 1967, three of which contain unofficial stamps marking the translation into Welsh of the New Testament in 1567, together with a letter, dated 8 September 1967, to the donor from the Head Postmaster at Porthmadog. The stamps, 'Y Testament Newydd 1567 1967', were designed by Tegwyn Jones, published by Y Lolfa and sold during the National Eisteddfod at Bala in 1967.

Literary papers of John Tripp, [1967]-[1975], comprising manuscript and typescript poetry (ff. 1-26, 28-116, 130-151, 166-171), short stories (ff. 117-118, 152-153) and scripts for radio plays (ff. 119-129, 154-165).
The poetry includes original manuscript and typescript working sheets (ff. 1-26), photocopies of published poems (ff. 166-171), fair typescript copies (typed by Fay Williams) and photocopies of original typescripts (typed by John Tripp) of poems, seventy-two mainly unpublished (ff. 28-100), and twenty-one published in The Meaning of Apricot Sponge: Selected writings of John Tripp, ed. by Tony Curtis (Cardigan, 2010) (ff. 130-151), and a series of twelve poems entitled 'Intervals of Heat', mainly unpublished (ff. 101-116). The short story 'Ferret and Weasel' (ff. 152-153) and the verse play for radio 'The Seed of Dismemberment' (ff. 154-165) were published in The Meaning of Apricot Sponge, while 'Confessions of an English Tutor' and 'Sketches from Provincial Love' (ff. 117-129) remain unpublished. Also included is a letter to Tripp from Meic Stephens, 9 September 1968 (f. 6 verso), and a draft letter from Tripp to John Stuart Williams, 2 April 1969 (f. 27). A list of the contents, compiled by the donor, [?2010], is also included (ff. i-v).

Some one hundred and seventy-five original poems by Ruth Bidgood, 1966-2011, mostly typescript, some are emended and a few are in manuscript (ff. 208, 212, 214, 216-217, 219).
The majority of the poems have appeared in various periodicals, as recorded by the author on the individual folios. A few only have subsequently been published in collections, including 'Cwm Pennant' (ff. 132-133) and 'Encounters with Angels' (ff. 195-201) in Symbols of Plenty (Norwich, 2006), 'Complaints' (ff. 66-71, 187-189) and 'Bringing Home the Bride' (ff. 169-170) in Hearing Voices (Blaenau Ffestiniog, 2008), and a revised version of 'Reading a Landscape' (ff. 177-181) in Time Being (Bridgend, 2009). 'The Zombie-makers' (f. 38) and 'Brianne 1970' (f. 42) were first published in Matthew Jarvis, Ruth Bidgood (Cardiff, 2012), pp. 133-134. There are multiple copies or drafts of some poems, including 'Complaints' (ff. 66-71, 187-189), 'Summerers' (ff. 129, 152), 'Apparition' (ff. 171, 208), 'Reading a Landscape' (ff. 177-181), 'Windblow' (ff. 182, 218-219), 'Elan in Autumn' (ff. 193, 213-217) and 'Looms' (ff. 194, 210). A list of contents (for ff. 1-194) in the hand of the author is ff. i-ii; the order has subsequently been revised by her. Since the author usually disposed of typescripts once the poems had been collected, this volume includes rare examples of her work.

Papers relating to the Aberfan disaster, collected by the donor's father, William Tudor, secretary of the Aberfan Parents' & Residents' Association.