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Correspondence, 1953-1954 and 1958, comprising twenty-two mainly typescript letters, mostly from the literary agent David Higham, of Pearn, Pollinger & Higham Ltd, to Daniel Jones, and including five replies (two unsigned) from Daniel Jones, one being a 9 ff. draft letter. Among the topics discussed are the collection of Dylan Thomas letters, edited by Daniel Jones and Vernon Watkins; the publication of a collection of radio talks by Dylan Thomas; the radio production of 'Under Milk Wood'; the publication of Under Milk Wood in Mademoiselle, the serialisation of the work in the Sunday Observer, the edition published by Dent containing a preface by Daniel Jones, and the Acting Edition of the play; incidental music to Under Milk Wood, including the composer's rights; the poet's papers in America; the circumstances surrounding his death; and Caitlin Thomas.

Nineteen letters, notes and postcards to Dylan Thomas, 1952-1953, mainly concerning work, publications and his last trip to America (ff. 1-19), and copies of contracts, 1951-1953 (ff. 20-28).
The correspondents include John [Brinnin], September-[October] [1953], J[ohn] D[avenport], 23 June 1953, Francis Dillon, 22 September 1953, John Griffiths, 21 September 1953, David [Higham], 9 October 1952, Fred [Janes], [13] August 1953, Donald A. Kershaw, 16 June 1953, Arabel J. Porter, 28 September 1953, Liz Reitell, 4 June [1953], Ceri Richards, [?April] 1953, Amos Vogel, June-August 1953, Boris [Watson], [early 1953], and Oscar [Williams], 31 July 1953. There is also a note, 19 October 1953, from 'Evelyn', suggesting he contact the film director Edgar G. Ulmer (f. 5), and a note from Pearn, Pollinger & Higham to Caitlin Thomas, 30 June 1953 (f. 13). There are miscellaneous notes by Dylan Thomas on ff. 1 verso, 4 verso, 8 and 11 verso. The contracts relate to the proposed publications 'American Journal', 19 December 1951 (ff. 20-21), 'Welsh Fairy Tales and Legends', 23 February 1953 (ff. 22-24), and 'Under Milk Wood', 24 July 1953 (ff. 27-28), and to a recording session for Caedmon Publishers, 17 May 1953 (ff. 25-26). Also included is a bank statement, 22 June 1953 (f. 29), and his Temporary Entry Permit into the USA, 20 October 1953 (f. 30).

Twenty-two letters, 1957-1958, to George Ewart Evans as editor of the revised edition of Welsh Short Stories (London, 1959), from authors or their representatives, relating to prospective stories for the volume.
The authors include Glyn Daniel, 10 July 1957, [1957x1958] (ff. 1-2), Rhys Davies, May-July 1957 (ff. 4-5), Islwyn Ffowc Elis, May-June 1957 (ff. 6-7), Nigel Heseltine, 11 April 1958 (f. 8), Emyr Humphreys, 13 January 1958 (f. 10), Glyn [Jones], 3 January 1958 (ff. 11-12), Gwyn Jones, May-July 1957 (ff. 13-14), Roland Mathias, 1 July 1957 (f. 16), Idris Parry, 18 May 1957 (f. 18), Alun Richards, 19 January 1958 (f. 19), and Aled Vaughan, 11 June [?1958] (f. 22). There are also letters from David Higham, 9 July 1958, representing Margiad Evans (f. 9), Gweno Lewis, [1957x1958], widow of Alun Lewis (f. 15), and Paul Scott, March-April 1958, representing Cledwyn Hughes (ff. 20-21).

Twenty-three letters, copy letters and telegrams, 1953-1975, eighteen of which are to Stuart Thomas of D.O. Thomas & Co., relating mostly to Dylan Thomas's death and funeral arrangements and to Dylan Thomas Trust business.
The correspondents include Graeme [Finlay], November-December 1953 (ff. 1, 19), David Higham, November-December 1953 (ff. 2, 17, 20-23), [Nicolette] Devas, 18 November 1953 (f. 3, telegram), Louis MacNeice, November 1953 (ff. 4, 9), Margaret Taylor, 1 December 1953 (ff. 12-14), Dan[iel Jones], resigning as a trustee, 25 January 1955 (ff. 26-27), and Florence H. Thomas, August 1956 (ff. 28, 30). There are also letters from Oscar Williams to [I. W.] Ungoed-Thomas, 22 November 1953 (f. 8), and Donald A. Kershaw to David Higham, 7 October 1953 (f. 11), and a carbon copy letter from David Higham to Ruthven Todd, 28 December 1953 (ff. 24-25). A letter from Paul [Ferris], 8 September 1975 (f. 32), encloses a Xerox copy, [?1975], of the script for Stuart Thomas' tribute to Dylan Thomas, transmitted on the Home Service as 'Portrait of Dylan Thomas' on 11 December 1953 (ff. 33-47). Also included is a copy, December 1953, of the New York funeral directors' account (f. 16); a copy, 1965, of Dylan Thomas' death certificate (f. 31) and a programme for a production of Under Milk Wood in Swansea in September 1956 (ff. 48-51).

Thirty-four unpublished autograph letters and cards, together with a telegram, 1947-1984, from Caitlin Thomas; among the recipients are Paul Ferris, Daniel Jones (with a draft reply by him), Mervyn Levy, Andrew Sinclair, Stuart Thomas, Ruthven Todd, and Gwen and Vernon Watkins. Also included is a handwritten and typescript copy of a letter, dated 16 December 1953, to George Reavey and Irene Rice Pereira, with a photograph of Caitlin and baby Colm; a typescript copy of a letter, 1954, to David [Higham]; and photocopies of two letters, 1951 and 1962, sent to Helen [McAlpine], held at the University of Texas. Personal matters are mainly discussed in these letters, and Caitlin's life and relationship with Dylan Thomas; several letters are written during the months following her husband's death, and some relate to the trial concerning ownership of the manuscript of 'Under Milk Wood'.

Untitled typescript copy, [?1963], (4 pp.), of the beginning of 'Prologue to an adventure', published in Wales, no. 1, (1937), containing ink corrections in an unidentified hand; together with a letter, 1963, from Stuart Thomas to David Higham explaining that this is a copy of a manuscript found behind the drawer of the writing desk at the Boat House.

Contract, 1949, between Columbia Records Inc. and Dylan Thomas, signed by both parties, regarding his contribution to the record issued in conjunction with Lloyd Frankenberg's anthology, Pleasure Dome (New York, 1949). Also included is an amendment to the original contract, 1960, signed by David Higham, together with a typescript letter, 1949, by Lloyd Frankenberg, papers relating to the recording of the album, and a copy of Pleasure Dome.