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Ink score with pencil annotations, for the part of Bassoon 2 in Opus 48: 'Princes of Gwynedd' [1979].

1 ink score and 1 facsimile copy, with differing pencil annotations, for the part of Horn 1 in Opus 48: 'Princes of Gwynedd' [1979].

1 ink score, and 7 facsimile copies, with differing pencil annotations, for the part of Violin 2 in Opus 48: 'Princes of Gwynedd' (1979).

Ink score with pencil annotations, for the part of Clarinet 2 in Opus 48: 'Princes of Gwynedd' [1979].

1 ink score and 3 facsimile copies, with differing pencil annotations, for the Cello part in Opus 48: 'Princes of Gwynedd' (1979).

1 ink score and 1 facsimile copy, with differing pencil annotations, for the Double Bass part in Opus 48: 'Princes of Gwynedd' (1979).

1 ink score with pencil annotations, for the part of Flute 1 in Opus 48: 'Princes of Gwynedd' [1979].

1 ink score with pencil annotations, for the part of Oboe 1 in Opus 48: 'Princes of Gwynedd' [1979].

Facsimile copy of ink score, with pencil annotations, for the part of Oboe 2 in Opus 48: 'Princes of Gwynedd' [1979].

A large folder upon which is written a list of the instrument parts for Opus 48: 'Princes of Gwynedd' (1979).

Copy of published score for David Harries, 'Opus 64: Psalm 8: O Lord, Our Lord' (Cardigan: Samuel King, 1992). Originally commissioned by John Davies and the Pembrokeshire Youth Choir in association with the Welsh Arts Council.

Ink score, for all instrument parts for Opus 48: 'Princes of Gwynedd' (1979). Includes parts for flutes, oboes, clarinets, bassoon, horns, trumpets, trombones, timpani, percussion, harp, violins 1 and 2, viola, violoncello, bass, and cello. Dedicated to Roy Bohana.
The file also includes a typewritten note (unsigned).

Copy of published score for David Harries, 'Opus 35: Make Haste So To Live: Anthem for Chorus and Organ' (Cardigan: Samuel King, 1992). The score was originally commissioned by the Guild for the Promotion of Welsh Music for the Fishguard Music Festival, 1972.

1 ink score and 5 facsimile copies with differing pencil annotations, for the part of Violin 1 in Opus 48: 'Princes of Gwynedd' (1979).

Ink and pencil draft of partial score for Opus 16: 'Petitions and Interludes for Male Voice Chorus and Piano', [1962]. Commissioned by the BBC.

Four copies of a score for Opus 24 No.2: 'O Come, Let Us Sing Unto the Lord (Psalm 95: Vemite, exultemus Domino) for Chorus and Organ', including one draft score in ink with pencil annotations, dated 14 July 1966; one ink score, dated July 1966; and two facsimile copies of the ink score, both also dated July 1966.

Ink score, titled Opus 38: 'Orison for Organ', and dated 18 April-3 September 1975. The work was commissioned by the North Wales Music Festival in association with the Welsh Arts Council, and was first performed by Stephen Cleobury at St Asaph Cathedral. Dedicated to Alwena Harries.

Ink score, titled Opus 56: 'The Hymn to the Virgin: Canticle No.4 for Female Voices and Harp', and dated 1986. With words attributed to the 15th-century poet Ieuan ap Hywel Swrdwal. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 57 (1/42) and Opus 58 (4/9 and 4/10).

Facsimile copy of ink score, titled 'Fanfare & Psalm for Male Chorus & Military Band', dated 1991. Setting for military band and fanfares by Lawrence Pendleton, with music from David Harries, Opus 63.

Facsimile copy of ink score, titled Opus 35: 'Make Haste So To Live: Anthem for Chorus and Organ', with words from 'The Principle and Foundation' by Gerard Manley Hopkins. Commissioned for the Guild for the Promotion of Welsh Music for the Fishguard Music Festival, 1972. Dedicated to John Davies.