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Archival description
Kyffin Williams Archive With digital objects
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At Criccieth

A family and two swans on the beach. The father is holding a camera and walking away from the rest of the family.

[Autumn Colours, Crib Goch]

Crib Goch against the skyline with vegetation in the foreground picked out in autumnal colours. The painting has been photographed on an easel with a Kodak Colour Control Patch visible in the bottom of the frame.

[Autumn Storm, Trearddur]

Unframed rectangular painting of rough seas breaking on a rocky shore. Painting has been photographed on an easel in the artists studio with a Kodak Colour Control Patch at the top.

[Autumn, perhaps Nanmor]

An unframed oil painting of a mountain landscape with a boulder strewn field and trees picked out in autumnal colours. Painting has been photographed outside, in front of a whitewashed brick wall.

[Autumn, perhaps Nanmor II]

An unframed oil painting of a mountain landscape with a boulder strewn field and trees picked out in autumnal colours. Painting has been photographed outside, in front of a whitewashed brick wall.

[Autumn, perhaps Nanmor III]

An unframed oil painting of a mountain landscape with a boulder strewn field and trees picked out in autumnal colours. Painting has been photographed outside, in front of a whitewashed brick wall.

[Bare hillside]

A steeply sloping hillside (dotted with boulders and small trees) running top left to bottom right.

[Barn & poplars]

A barn in the centre of the frame in the middle distance. On the right is a stand of poplars. This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia."

[Barn and poplars]

This is the barn off Avenida John D Evans, Trevelin photographed in 4689/196 & 4689/198. It is also the barn mentioned in 'A Wider Sky' on page 194 "...and so I continued until, one day, I drew onto a canvas an old wooden barn that stood off the Avenida John D Evans. I started to paint and as I did the colours became grey and dull. It was my forty-fifth canvas and I knew the spell was broken. I never painted another picture of Patagonia." See also slides 4689/210-211.

Results 41 to 60 of 1679