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Archival description
Llyfrgell Genedlaethol Cymru = The National Library of Wales File
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‘Layers in Lampeter’

A photograph, November 2017, of part of the display at the ‘Layers in Lampeter’ exhibition, including the prehistoric red deer antlers, the ‘Brenin Y Coed Môr’ sign and the 'Time Scroll'; photograph by Erin Kavanagh.

‘List of Publications on Apiculture Contained in the US Department of Agriculture Library and in Part Those Contained in the Library of Congress’ compiled by Vajen E. Hitz and Ina L. Hawes

‘List of Publications on Apiculture Contained in the US Department of Agriculture Library and in Part Those Contained in the Library of Congress’ compiled by Vajen E. Hitz and Ina L. Hawes (United States Department of Agriculture Library, Washington, D. C., No. 21, 1930).

‘Mathrafal’

Title deeds relating to the estate of Mathrafal in the parish of Llangynyw, Montgomeryshire, 1785-1814. The file includes an agreement between William Mostyn Owen of Woodhouse, Salop, and Thomas Owen[s] of Gaer, Meifod, for the sale of Mathrafal, 1785; a copy release by William Mostyn Owen to John Humffreys Jones of Mathrafal and several other mortgaged premises mainly in the parish of Llanfechain, 1787; deeds for two purchases by Elizabeth Owens of Gaer, firstly from George Edward Henry Arthur Earl of Powis, of pieces of land in the tenancy of William Owen, 1786, and secondly from William Mostyn Owen, with the agreement and at the request of Thomas Owens, with John Humffreys Jones of Llanfyllin acting as trustee for the purchase, 1787; attested copy of the will of Elizabeth Owen, then of Meifod, devising Mathrafal to her grandson Thomas Owen Jones 1806; a printed ‘Act for inclosing lands in the manor of Caereinion Iscoed in the county of Montgomery’ [1810]; a release by John Whitticase of Guilsfield to Thomas Owen Jones of an annuity charged on Mathrafal, 1813; and a mortgage and bond by Thomas Owen Jones to Bruce, Simpson and Mackenzie, bankers of London, 1813, endorsed with an undertaking by the bankers to execute a reconveyance of the premises to Charles Watkin Williams Wynn, the purchaser, upon repayment of the mortgage, 1814.

‘Penrolio’ performance

A photographic reel, January 2018, containing an account of a live performance entitled ‘Penrolio’ at the castle mound, UWTSD Lampeter, in which R.M. Parry delivered his sculpture, ‘Pen Bendigeidfran’, to the ‘Layers in Lampeter’ exhibition; the performance was inspired by ‘Branwen uerch Lyr’.

‘Sandstorm’ postcard

A postcard image, 2017, of ‘Sandstorm’, comprising a poem and a photograph of Borth beach, both by Erin Kavanagh; the postcard was produced by the ‘Layers in the Landscape’ project and used in the project exhibitions.

‘Seithenhin / Seithennin’ poem (Modern Welsh)

A copy, 2016, of a Modern Welsh translation by Diarmuid Johnson of the Middle Welsh poem in the Black Book of Carmarthen relating to Seithenhin and the legend of Cantre'r Gwaelod; this version of the poem was used in the project exhibitions alongside the Middle Welsh rendition and the English translation.

‘Seithenhin’ poem (English)

A copy, 2016, of an English translation by Diarmuid Johnson of the Middle Welsh poem in the Black Book of Carmarthen relating to Seithenhin and the legend of Cantre'r Gwaelod; this version of the poem was used in the project exhibitions alongside the Middle Welsh rendition and the Modern Welsh translation.

‘Seithenhin’ poem (Middle Welsh)

A copy, 2016, of a rendition by Diarmuid Johnson of the Middle Welsh poem in the Black Book of Carmarthen (ff. 53v-54) relating to Seithenhin and the legend of Cantre'r Gwaelod; this version of the poem was used in the project exhibitions alongside the Modern Welsh and English translations.

‘The Bridge’ / ‘Y Bont’ film

‘The Bridge’ / ‘Y Bont’, 2016, a short film created as a ‘deep mapping’ experiment set in Cardigan Bay and which was the pilot for the ‘Layers in the Landscape’ project, having grown out of Erin Kavanagh’s Master’s dissertation at UWTSD; the contributors include Maria Hayes (artwork), Lynne Denman (song), Diarmuid Johnson (flute), Martin Bates (geoscience), Peter Stevenson (narration) and Erin Kavanagh (stills photography and artwork); each commissioned response was integrated into the film to show how an interdisciplinary approach to site specific representation could be achieved in a format that is equally accessible to all sides; filmed and edited by Jacob Whittaker, and produced and directed by Erin Kavanagh.

0630 Breakfast Bulletin

T11/825/2.
0630 Breakfast Bulletin.
First broadcast: 2 December 1996.
UID: Unknown.
Typed scripts with written annotations.
BBC television scripts for 0630 Breakfast Bulletin, including bulletins from 6.30am to 9.00am.

0630 Breakfast Bulletin

T11/825/14.
0630 Breakfast Bulletin.
First broadcast: 5 December 1996.
UID: Unknown.
Typed scripts with written annotations.
BBC television scripts for 0630 Breakfast Bulletin, including bulletins from 6.30am to 9.00am.

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