Ink drafts, typescript copies, photocopies, and publications containing articles by Kyffin Williams including an entry, [?1982], on Charles Tunnicliffe for the Dictionary of National Biography; 'An appreciation' of Brenda Chamberlain, Mabon 5 (Spring 1972); a tribute to Allan Gwynne-Jones, [1982]; 'Images of Y Wladfa' in Planet 89 (October/November 1991); 'Books as works of art' in Book news from Wales (Spring 1992); and a review of The man who loved the sun by Jack Raymond Jones (London, 1966).
Loose colour photographs of artworks by JKW (Professional). None of them identify the photographer(s) responsible. Very few are dated. The artworks depicted cover the whole breadth of his artistic career and include portraits, landscapes, oil paintings, watercolours, posters etc. Most of the artworks depicted are available elsewhere in the collection.
Loose b&w photographs of artworks by JKW (Professional). Most do not have a photographers credit on the reverse, consequently copyright holders uncertain in these cases. Many have evidently been used in various publications. There is some duplication.
Album containing 5 photographs of early works by Kyffin Williams. Three are dated in pencil on the album page 1943, 1944, 1946. Two are undated. Many others have been removed at some point prior to arrival at NLW and may be elsewhere in the collection. Two of the artworks are landscapes, one a study of a horse and two are portraits including that of Gwilym Owen from 1944.
Album bound in black and with black pages containing 27 photographs / reproductions of works by Kyffin Williams. Also four photos of him in his studio ca.1965.
Two magnetic albums each containing reproductions of KW's works. Most are cut from exhibition flyers/catalogues and other publications. Very few are actual photographs. They are overwhelmingly of his better known artworks. There is a certain amount of duplication between the two albums.
Crib Goch against the skyline with vegetation in the foreground picked out in autumnal colours. The painting has been photographed on an easel with a Kodak Colour Control Patch visible in the bottom of the frame.
Unframed rectangular painting of rough seas breaking on a rocky shore. Painting has been photographed on an easel in the artists studio with a Kodak Colour Control Patch at the top.
An unframed oil painting of a mountain landscape with a boulder strewn field and trees picked out in autumnal colours. Painting has been photographed outside, in front of a whitewashed brick wall.
An unframed oil painting of a mountain landscape with a boulder strewn field and trees picked out in autumnal colours. Painting has been photographed outside, in front of a whitewashed brick wall.
An unframed oil painting of a mountain landscape with a boulder strewn field and trees picked out in autumnal colours. Painting has been photographed outside, in front of a whitewashed brick wall.