Dangos 812 canlyniad

A press information document relating to the production.

A copy of a draft version of extracts of text from the production script, together with other [planning notes].

Correspondence and papers regarding funding and finance, some of which relate to the Llais Cynan and Burton productions, including a budget and details regarding funding bodies and trusts.

Sources that may have been used in devising the production, including a hymn book from Tabernacl Chapel, Tal-y-Bont, an essay regarding the Welsh spiritual tradition, copies of poems, a figure relating to submarines and a music sheet.

A notebook of devising notes for the production, including scenographic designs and sketches, research material and notes, draft production [score], notes on structure, scripts and texts, soundtrack, video details and for publicity material.

Photocopies of photographs, or possibly film stills, that may have been used in the production.

Draft and final copies of production scripts and texts.

Draft and final copies of production scenarios ([scores]), together with stage directions for some individual characters.

Introductory production notes by Clifford McLucas, including an outline of the production themes, the production team, scenography and project timetable.

Letters and memos relating to arrangements for the production, including letters asking individuals to take part reading the Australian texts, a letter requesting the loan of copies of films for research purposes and a memo outlining work to be done.

Papers relating to the Draw, Draw yn . . . (On Leaving) production including polaroid photographs, details of performance actions, draft copies of production texts and scripts, research material, publicity material and draft copies of the text, draft scenographic designs, draft production [scores], administrative papers and a cassette recording of earthquake sounds.

A cassette recording of earthquake sounds, possibly used during the performance, together with an accompanying catalogue of earthquake related sounds.

Appendices to a funding application to the Arts Council of Wales providing a full background to the Prosiect Ecs project.

Papers relating to the From Memory I production, including publicity material and organisational and administrative papers.

Papers relating to the arrangement and administration of the From Memory I production, including an invitation list, a note regarding props, a poster mailing list, a contract between the University of Warwick and Mike Pearson, and a flyer for the performance at the University of Warwick Arts Centre.

Photographs of the performance and crew/cast.

Information leaflets relating to the production, including a programme of events for the Norwegian Church, Cardiff, correspondence regarding administrative matters and notes regarding marketing the production; together with a poster for The Man Who Ate his Boots.

Photographs of Mike Pearson on [Mynydd Bach].

Copies of the scenario with texts for the Gaiman performance of Ymfudwyr, transcribed from two video recordings, which identify changes from the original performance.