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Papers relating to Dylan Thomas and to the Dylan Thomas Trust, [1944x1947]-1975, comprising miscellaneous personal items of Dylan Thomas, 1948-1953, letters addressed to him, 1952-1953, contracts, 1951-1953, and his manuscript map of Llareggub, [1944x1951]; passports of Dylan, Caitlin and Colm Thomas, 1947-[1961]; a fragment of a memoir by Caitlin Thomas, [?1957]; and letters relating to the Trust, mainly addressed to Stuart Thomas, 1953-1975.

Papers of Colin Edwards (d. 1994), a radio journalist of Welsh descent, relating to his incomplete book on Dylan Thomas ('Dylan Remembered'), comprising typescript chapters of the work and index cards; transcripts of audio tapes including interviews with Philip Burton, Gwynfor Evans, Glyn Jones, Vernon Watkins, and Florence Thomas, mother of Dylan Thomas; and address books containing names and notes on Dylan Thomas's relatives, acquaintances and persons interviewed by him

Further papers of Colin Edwards, to be added to the papers received in July 1996 and April 1999, comprising press cuttings, mainly 1970s, relating to Dylan Thomas (1914-1953); copies of Dylan Thomas Remembered published by the Dylan Thomas Society Welsh Branch in 1978; the Adam International Review, no. 238, 1953, dedicated to Dylan Thomas, Ethel Ross's Dylan Thomas and the Amateur Theatre, published by Swansea Little Theatre, and The New Welsh Review, Spring 1992 ('Dylan Thomas Special'); together with a typescript transcript of an interview with Philip Burton, and a script entitled 'Dylan in His Youth'

Additional papers of Colin Edwards, mainly relating to Dylan Thomas, including letters from Glyn Jones, Ralph Maud, Constantine FitzGibbon and Bert Trick, a script of an interview with Sada Thompson and Nancy Wickwire on Dylan Thomas, notebooks, and press cuttings.

Second draft screenplay by Bill Forsyth titled Rebecca's Daughters, adapted from the 1948 novel of the same name by Dylan Thomas.

Edited and annotated screenplay by Wayne Parker titled Adulation, together with plot synopses and brief critical evaluations. The storyline centres around a series of murders carried out in New York in the days preceding the death there in 1953 of poet Dylan Thomas.

Correspondents include Ernest Rhys (2, including a signed photograph of Ernest Rhys and a typewritten copy of 'The Lament of Llywarch Hen'), Keidrych Rhys (7), Dylan Thomas (3), Ifor Williams (7), and Kyffin Williams (2).

The file comprises papers relating to A new romantic anthology, ed. S. Schimanski & H. Treece (London, 1949), in which the chapter 'Welsh poetry' was selected and introduced by Glyn Jones. Included are manuscript drafts of his introduction, 'Romanticism and Welsh Poetry', and transcripts by Glyn Jones of selected pieces by various authors. The file also contains a draft letter by Glyn Jones to Dylan Thomas, letters, 1945-1946, from publishers and literary agents, and a letter to Lynette Roberts.

Deunydd yn ymwneud ag Ysgol Haf Ryngwladol Dylan Thomas, 2014-2016, a gynhaliwyd yng Ngholeg Prifysgol Dewi Sant, Llanbedr-Pont-Steffan a lle bu Menna Elfyn yn un o'r tiwtoriaid, gan gynnwys rhaghysbysiadau, amserlenni a gwybodaeth ar gyfer y cwrs, rhestr myfyrwyr, araith gan Menna Elfyn wrth gyflwyno Gwobr Farddoniaeth Ryngwladol Dylan Thomas, gwybodaeth am Dylan Thomas, ynghyd ag enghreifftiau o'i waith, ac adborth un o'r myfyrwyr.

A script, 1948, featuring the Isle of Thanet in the 'Country Magazine' series, a BBC Home Service transmission, with Dylan Thomas introducing the programme.

Draft score in ink with pencil annotations, dated 1956-1961 and titled Opus 10: 'Canticle for Tenor and Piano: Words by 20th-century Anglo-Welsh Poets'. The score is in six parts: Part 1, 'Lean on the Rail' by Randal Jenkins, dated 1 - 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated 16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; and Part 7, 'There is No Time' by Raymond Garlick, as a loose page draft pencil partial score, dated 24 January 1961. Part 6 is wanting.

Full score transparencies, 1961, of 'Cantata' (opus 32) by Denis ApIvor, being a setting for four solo voices, chorus, speaker, and orchestra of the ten 'Altarwise by owl-light' sonnets by Dylan Thomas; and vocal score, 1961, of the same work in a photographic reproduction from transparency. Autograph additions to the vocal score include corrections made in 1985 and a note on performance on back flyleaf.

Full score transparencies, 1973, of 'Fern Hill' (opus 56) by Denis ApIvor, being a setting for solo tenor voice and chamber orchestra of the poem by Dylan Thomas; and a study score, 1973, on transparency of the same work for solo tenor voice and two pianos.

The file comprises photocopies and mainly transcripts of extracts from letters referring to Augustus John, including [W. B.] Yeats to Lady Gregory and others, 1907-1935; H[elen] M[aitland] to [Henry Lamb], 1920; Christopher (Kit) Wood to his mother, 1921-1926; Horace de Vere Cole to [J. B.] Manson, 1926; W[illiam] R[othenstein] to Flora Russell, 1935-1944, and to Wyndham Lewis, 1927-[1942]; Dylan Thomas to Frances Hughes, 1939; [Jack] Knewstub to his family, [1940]-[1949]; correspondence between William de Belleroche and Frank Brangwyn, 1943-1950; John Cowper Powys to Louis Wilkinson, 1955-1956; Vivien White to Vera Stubbs, 1959, together with a photocopy of a letter from Bertrand Russell to Lady Melchett, 1964, relating to Augustus John's memorial and extracts from the D'Abernon Papers at the British Library relating to Augustus John's portrait of the Lord.

The file includes letters, [1939]-1978, from Cyril Connolly (1), Dorothy Daly (7), Aneirin Talfan Davies (2), Kay Dick (33), Kathleen Farrell (29) and Constantine Fitzgibbon (1), together with a draft of Rhys Davies's reply to him relating to Dylan Thomas.

Miscellaneous drawings by Ceri Richards comprising a Christmas card, c. 1930; a series of nine preliminary sketches, [November 1953], in pencil and ink, for the decorations executed by him on four copies of the first edition of Dylan Thomas's Collected Poems (1952) (see note to 544 and 581, below); a signed collage entitled 'Hammerklavier' presented to the artist's daughter, Rachel, Christmas 1953, together with four printed cards announcing his exhibition of lithographs on the 'Hammerklavier' theme, 1959, each with different original decorations by the artist in crayon and ink (see 544, below). Also included are an untitled, numbered lithograph signed by Frances Richards, [1970s], and miscellaneous notes, [?late 1940s], by Ceri Richards, comprising notes for a lecture on art, and transcripts, in English translation, of writings on art by Henri Matisse.

Papers, 1966-2015, relating to the filming and production of Under Milk Wood (1972), directed by Andrew Sinclair, together with papers relating to the financing and distribution of the film and to other Dylan Thomas projects.

A typescript draft of Caitlin Thomas's autobiography, Leftover Life to Kill (London, 1957), apparently typed from tape or dictation (see, for instance, ff. 64-65), bearing her more or less final autograph revision, and containing some passages which do not appear in the published work, e.g. the summary of Dylan's usual domestic small talk (f. 39), and his inability to cope with the pestilent 'Bible manglers' of New York (f. 83).

Screen adaptation by Jack Howells and Jane van Koningsveld of Dylan Thomas' prose piece The Outing, together with covering letter and letter of response, plot synopsis and brief critical evaluation.

Autograph and typescript drafts, 1948-1967, of published poetry and published and unpublished prose by Vernon Watkins, mostly composed following the death of Dylan Thomas in 1953, including drafts of Vernon Watkins's poem 'Elegy for the Latest Dead', 1954, and two unfinished poems by Dylan Thomas, 'Elegy' and 'In Country Heaven', completed by Vernon Watkins; and radio scripts, lecture notes, draft reviews and articles by him relating to Dylan Thomas and his work.

Bound typescript (photocopy), [1965x1968], of a paper by B. W. Murphy, entitled 'Creation and destruction. Notes on Dylan Thomas'; together with an offprint of an article based on this work published in the British Journal of Medical Psychology, 41, (1968), pp. 149-167; three related letters, 1964-1965, from the author to Vernon Watkins; and an undated typescript copy of an unsigned letter by Dylan Thomas to Marguerite Caetani.

Correspondence and papers, 1980-1982, relating to the laying of a memorial stone to Dylan Thomas in Poets' Corner at Westminster Abbey, together with papers relating to the presentation of the first Dylan Thomas Award, 1983 (ff. 130-3) and two letters, 1964, to Mervyn Levy concerning the poet (ff. 134-6). The correspondents include Daniel Jones (3) 1982, John Ormond (4) 1981, Aeronwy Thomas-Ellis (15 draft and copy letters) 1981-1982, and Llewelyn Thomas (2) 1982.