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Correspondence relating to talk titled Historical Memories, presented by Jen Wilson to the Workers' Educational Association (WEA) South Wales (Pontarddulais and Hendy Branch) at the Mechanics' Institute, Pontarddulais, 30 March 2000.

Material relating to a half-day conference titled Women in a Global Perspective, held at the Holiday Inn, Swansea, 14 August 2002, comprising conference schedule and correspondence. There is no evidence to indicate whether or not Jen Wilson attended this conference.

Material relating to the BEN (Black Environment Network) Networking Conference held in Swansea, 4 June 2003, comprising conference schedule and booking form; list of delegates; correspondence and enquiry sheets; and brochures and information sheets relating to BEN projects and activities. It appears that Jen Wilson/Women in Jazz did not give a talk at this conference, being present as attendees only.

Material relating to the 'Overseas Blues': European Perspectives on African American Music conference held at the University of Gloucestershire, 23-26 July 2004, at which Jen Wilson presented a talk titled Black Soul, Welsh Hwyl: Black Music in Wales, including abstract and fair copy of Jen Wilson's talk, together with rough notes; call for papers; conference schedules; list of delegates; conference flyers; material relating to blues performance in the Netherlands; correspondence; copy of talk given by Professor Neil Wynn, Professor of 20th century American history at the University of Gloucestershire; biographical note relating to Professor Neil Wynn; and notice of international conference on jazz, blues and African American culture to be held at Nottingham University.

Personal correspondence, 1981-1984, consisting of letters and cards, mainly discussing literary and domestic matters, including correspondence from Calvin Forbes (7); Pamela Stewart (as Jody Cothey) (30); Norman Dubie (3); Martin Leer (2); Judith Rodriguez (1); Archie Ammons (1); and Mark O’Connor (1).

Personal correspondence, 1993-1994, consisting of letters and cards, discussing literary, family, and domestic matters, including correspondence from Ramiro Fonte (1); Pamela Stewart (as Jody Cothey) (36); Jan Morris (1); Wyn Binding (2); Roynon Collings (3); Vibeke Fengers (1); Robert Cook (1); R. S. Thomas (1); Will Roberts (1); Bruce Clunies Ross (1); Christine Kinsey (1); Richard Poole (3); Johnny Karlsson (1); and Colin Simpson (1). The file also contains a pamphlet for the memorial service of Norman Partridge (1993).

Personal correspondence, 2000-2002, consisting of letters and cards, mainly discussing literary and social matters, including correspondence from John Barnie (4); Ruth Bidgood (1); Barry Butson (2); Guy Vanderhaeghe (4); Vibeke Fengers (1); Anders Bune (4); Robert Minhinnick (4); Greg Hill (1); Ned Thomas (1); Bruce Clunies Ross (3); Mark Stowe (1); Beryl Barnie (1); Dai Vaughan (1); Richard Poole (2); Harriet Richards (1); Gladys Mary Coles (1); Pamela Stewart (as Jody Cothey) (1); Jean Gill (1); Grahame Davies (1); Pascale Petit (1); Fiona Owen (1); Ian McDonald (1); and Stewart Brown (1). The file also contains an order of service for the marriage of Francesca Rhydderch and Damian Walford Davies (2002); and orders of service for the funerals of Olwen Mary Jones (2002); and Celia Anna Rees (2002).

Personal correspondence, 2005, consisting of letters and postcards, discussing social and political matters and the musical group Llaeth Mwnci Madog/Madog's Moonshine, including correspondence from John Barnie (33); David Lloyd (6); Bruce Clunies Ross (25); Nigel Jenkins (9); Nicholas Murray (3); Robert Minhinnick (5); Patricia Haywood (1); Jean A. Evans (1); Paula Meehan (1); Guy Vanderhaeghe (1); Marc Isele (1); Robert Cook (1); Terry Lee (1); Francesca Rhydderch (1); John Pickles (1); Heidi Kivekas (1); and Stewart Brown (1).

Personal correspondence, 2006 January-June, consisting of letters and cards, discussing literary, political, family, and academic matters, including correspondence from John Barnie (38); Joseph Clancy (1); Helle Michelsen (1); Kathryn Hayward (2); Bruce Clunies Ross (31); Cilla Huggins (1); M. Wynn Thomas (1); Nigel Jenkins (5); David Lloyd (2); Nicholas Murray (2); Malcolm Lewis (1); Peter Finch (1); Jan Morris (1); Mike Parker (1); Robert Minhinnick (1); Meic Stephens (1); Sam Adams (1); Jeremy Hooker (1); Patrick McGuiness (1); Vibeke Fengers (1); Jasmine Donahaye (1); Barry Butson (1); Tabish Khair (1); Robert Cook (1); Margaret Lloyd (1); and Niall Griffiths (1). The file also contains orders of service for the funerals of David Lewis Jones and Cynthia Walker.

Personal correspondence, 2009 January-June, consisting of letters and cards, discussing mainly literary and social matters, including correspondence from John Barnie (6); Geoffrey Harris (1); Bruce Clunies Ross (24); Michael Evans (1); Nigel Jenkins (6); Anders Bune (14); Knud Sørensen (3); Martin Leer (4); John Pickles (1); Jüri Talvet (11); Giorgia Sensi (1); Chiara De Luca (2); Lauri Pilter (1); Ceri Wyn Jones (2); David Lloyd (1); Matthew Jarvis (2); Gwennan Evans (1); Nicholas Murray (1); Barry Butson (6); Alan Barnie (1); Robert Minhinnick (6); Bengt Berg (1); Mick Felton (1); Richard Poole (2); Jason Walford Davies (2); Margaret Lloyd (1); Pamela Stewart (1) (as Jody Cothey); Bob Cook (3); John Holmes (1); Mairwen Prys Jones (1); Morten Søkilde (1); and John Harris (1). The file also includes one photograph; and an order of service for the memorial of Derek Brewer.

Personal correspondence, 2009 July-December, discussing mainly literary, academic, and domestic matters, including letters from John Barnie (6); Ralph Maud (1), enclosing one photograph; Alan Barnie (1), including two small card prints of his artwork; Colin Simpson (1); Bruce Clunies Ross (29); Jen Llywelyn (1); Barry Butson (6); Martin Leer (2); Nigel Jenkins (12); Bengt Berg (1); Vibeke Fengers (2); Robert Minhinnick (9); Matthew Jarvis (4); Jenny Pope (5); Morten Søkilde (2); Ceri Wyn Jones (1); Ian McDonald (6); Jüri Talvet (3); Roynon Collings (1); Lowri Walters (4); Knud Rasmussen (1); Robert Cook (3); Sioned Puw Rowlands (1); John Holmes (2); Chiara de Luca (8); Peter Lord (2); Carl Davis (1); Margaret Lloyd (1); Steve Dubé (1); Greg Hill (1); Mairwen Prys Jones (1); Richard Poole (2); Patrick McGuinness (1); Jason Walford Davies (1); John B Lewis (1); Ned Thomas (1); Anders Bune (4); John Pickles (1); David Lloyd (2); and Knud Sørensen (2). The file also includes a photograph labelled 'Hadstock 2009', stamped 'Pickles, J.'

Personal correspondence, 2012 January-June, consisting of a card and letters, discussing literary, political, domestic and social matters, including correspondence from David Meredith (3); Alan Barnie (2); Roynon Collings (7); Bruce Clunies Ross (17); Matthew Jarvis (2); Robert Minhinnick (2); Richard Poole (4); Peter Lord (5); Mario Susko (2); Ian McDonald (2); Anders Bune (1); Damian Walford Davies (3); Jüri Talvet (3); Kristian Jensen (1); Nicholas Murray (1); Richard Houdmont (1); Mike Parker (1) ; and Barry Butson (1). The file also includes an order of service for the funeral of Enid Jones; and a pamphlet of poems for a family wedding anniversary celebration.

Correspondence, 1990-1995, regarding the commission, publication, and use of literary works by John Barnie and the commission of some articles for Planet magazine, including letters from John Barnie (6); Mike Jenkins (2); Meic Stephens (3); Tony Bianchi (2); Tom Owen (1); Kate Pahl (1); Dyfed Elis Gruffydd (6); Susan Burns & Marc Collett (1); Ned Thomas (3); Paul Oliver (1); Cilla Huggins (2); William Ferris (1); Wyn Binding (1); Mick Felton (2); Johnny Coppin (1); Liz Powell (1); Susan Jenkins (3); Barry Dempster (3); Ole Henrik Giortz (1); Maura Dooley (1); David Lloyd (7); Pamela Brayley (1); Sally Baker (1); Colin Everett (1); Jeffrey Young (1); Richard Poole (2); Robert Minhinnick (4); Kevin Thomas (1); Mairwen Prys Jones (1); and David Esslemont (1). The file also contains a copy of readers' reports for John Barnie's works 'No Hiding Place' (1995) and 'The City' (1991); and a typescript copy of acknowledgments intended for inclusion in 'Y Felan A Finnau' (1992).

Correspondence, 1996-2000, regarding the publication, commission, and use of literary works by John Barnie, including letters from John Barnie (1); Mairwen Prys Jones (7); Tony Bianchi (1); Ceinwen Jones (5); Neil Nuttall (1); Anne Cluysennar (3); Bryan Aspden (3); Wyn Binding (2); Iwan Bala (1); John Osmond (1); Xosé Méndez (1); Peter Read (2); David Lloyd (2); Menna Elfyn (1); Stewart Brown (1); Peter Finch (3); Roy Ashwell (1); Mark Roper (1); Marta Carracedo (1); Robert Minhinnick (2); Sue Davies (1); Adam Empson (1); Damian Walford Davies (2); Ian A. Bell (2) and Llion Pryderi Roberts (1). The file also includes two reader's reports for John Barnie's 'The Wine Bird' (1997) and a cover proof for the same title.

Typescript English language draft for John Barnie's Welsh language publication 'Y Felan a Finnau' (published 1992).

Contracts, agreements, and royalty statements relating to John Barnie's published works, 1971-1999, including 'The City' (1993); 'The Wine Bird' (1998); 'Y Felan a Finnau' (1992); 'No Hiding Place' (1996); 'The Confirmation' (1992); 'Heroes' (1996); 'The King of Ashes' (1989); 'Lightning Country' (1987); and 'War in Medieval English Society' (1974).

Printed material relating to UK poetry festivals and poetry readings attended by John Barnie, 1996-2016, including the Wales in London festival (1996); St Davids Day Poetry Festival, Harlech (1997); Aberystwyth International Poetry Festival (1998); University of Birmingham Centre of West African Studies poetry reading (1999); ‘R.S. Thomas: A Celebration’ poetry reading (2001); the book launch for John Barnie's work 'Ice' (2001); the Cross Fertilisations conference (2004); the Darwin Festival, Cambridge (2009); Wenlock Poetry Festival (2010); Talgarth Festival of the Black Mountains (2010); and Oxford Poets in Residence (2016). The file also contains notes in the hand of John Barnie ([c.2000] x [c.2010]); an ink sketch of John Barnie, artist unknown (2009); programme notes for a performance entitled 'Witch' (2012); and four photographs, of John Barnie, Gillian Clarke, Robert Minhinnick, Geoffrey Hill, Jason Walford Davies and Roy Birch, Aberystwyth (2000).

Deunydd yn ymwneud a'r Cambrian Gallery, Lerpwl, gan gynnwys llyfr nodiadau yn llaw John Thomas yn olrhain hanes yr oriel; llyfryn printiedig a gyhoeddwyd gan y Cambrian Gallery yn hysbysebu argraffiadau o cartes-de-visite dan wahanol benawdau (beirdd, llenorion a chantorion, cenhadon a gweinidogion yn ôl eu henwad); catalog printiedig yn hysbysebu ocsiwn o ddodrefn y Cambrian Gallery; nodiadau ar hanes y Cambrian Gallery mewn llaw diweddarach; torion papur newydd yn ymwneud â bywyd a gwaith John Thomas; a llungopïau o ffotograffau o John Thomas ac o rai o'r portreadau carte-de-visite ac in memoriam a gyhoeddwyd gan y Cambrian Gallery.

Deunydd amrywiol yn ymwneud â John Thomas a'i waith, gan gynnwys llythyr at John Thomas dyddiedig 5 Hydref 1899; rhestr yn llaw John Thomas o'r llyfrau yn ei feddiant, y rhan helaeth ohonynt o natur ddiwinyddol a llenyddol; bras nodiadau o feddargraffiadau ac englynion yn llaw John Thomas; llythyrau oddi wrth Alistair Crawford, darlithydd yn Adran Gelf Prifysgol Cymru Aberystwyth, [?at aelodau o deulu John Thomas] ynghylch arddangosfa yn ymdrin â bywyd a gwaith John Thomas; llungopïau o ffotograffau o John Thomas ac o rai o'r portreadau carte-de-visite ac in memoriam a wnaethpwyd ganddo; a dwy goeden deulu yn dangos cysylltiadau teuluol John Thomas o ddiwedd y ddeunawfed ganrif hyd ddechrau'r unfed ganrif ar hugain.

Draft television play script by John Belcher and June Edwards titled All Spit And Polish, together with author covering letter and letter of acknowledgement from Ffilm Cymru.