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Papers of the Rhys Davies Trust (est. 1991), relating mainly to the administration of the Trust and the Rhys Davies Short Story Competition. Included are five files of papers relating to the Trust’s financial matters, consisting of valuation reports (2014-2019), account, tax, and investment statements together with related correspondence (2008-2014), and a number of cash and cheque books (2008-2018); five files of Trust administrative documents and correspondence (2008-2020), including papers relating to meeting minutes, accounts, publishing matters, website design, royalties (both of the works of Rhys Davies and of Anna Kavan), funding applications, and the Rhys Davies Short Story competition. Correspondents include Meic Stephens, Peter Finch, and M. Wynn Thomas.

Seven further files contain papers (1895-2012) relating to the life and works of Rhys Davies (1901-1978), apparently collected during research for the biography ‘Rhys Davies: a writer’s life’ (Cardigan: Parthian, 2013) by Meic Stephens, secretary of the Trust 1991-2012. The papers consist of correspondence ([1920s]-2012), including letters from Rhys Davies, Lewis Davies, Louis Quinain, Meic Stephens, Fred Blackmore, David Ellis, John Harris, and Gwyn Pritchard; and photographs (1918-1990), mainly of Rhys Davies and friends and family, including Lewis Davies, Gertrude (‘Gertie’) Davies, Anna Kavan, Fred Urquhart, Louise Callender, Colyn Davies, Nina Hamnett, Esther & Charles Lahr, Raymond B. Marriott, Louis Taylor, and Philip Burton; together with notes and cuttings.

Additionally, the archive contains three files of press cuttings and copies of articles (1929-[1987]), collected and written either by or about Rhys Davies, including articles from Keidrych Rhys’s ‘Wales’, and ‘Anglo-Welsh Review’; several items of memorabilia, comprising Rhys Davies’s passport (stamped 1968-1978), OBE medal (awarded 1968), a decorative glass plaque with lettering ’RHYS’ (undated), an ‘MD Magazine’ 10th anniversary medal (1967), and a small box of rosary beads; and nine printed books, consisting of Rhys Davies’ works ‘Marianne’ (London: 1951, signed by author), ‘A Time to Laugh’ (two copies, 1937 & 1938, both with note & signature of Davies), 'Selected Stories' (London/Dublin: [1945], with slip dated 1945), and 'Boy With a Trumpet' (London: 1949, with undated press cutting); together with ‘The Last Sister’ by Fred Urquhart (London: 1950, with note by author), ‘Shakespeare’s Sonnets’ (with slip dated 1945), and translations of Anna Kavan's works ‘L’adversaire Céleste’ (Paris: 1947, with a sketch dated 1951) and ‘Mercury’ (Valencia: 2006, with a letter to the Rhys Davies Trust).

A typescript collection of poems entitled 'Six Valley Images & Other Poems' compiled by J. M. Lewis in 1993, and a copy of 'Poems' sent by him to Meic Stephens in 1988, with related correspondence, 1977-1991, including letters from Gillian Clarke, R. Gerallt Jones and Meic Stephens; together with correspondence, 1986, between J. M. Lewis and Anthony Powell relating to the dialogue of Welsh soldiers in the latter's book The Valley of Bones (London, 1964).

Literary papers of John Tripp, [1967]-[1975], comprising manuscript and typescript poetry (ff. 1-26, 28-116, 130-151, 166-171), short stories (ff. 117-118, 152-153) and scripts for radio plays (ff. 119-129, 154-165).
The poetry includes original manuscript and typescript working sheets (ff. 1-26), photocopies of published poems (ff. 166-171), fair typescript copies (typed by Fay Williams) and photocopies of original typescripts (typed by John Tripp) of poems, seventy-two mainly unpublished (ff. 28-100), and twenty-one published in The Meaning of Apricot Sponge: Selected writings of John Tripp, ed. by Tony Curtis (Cardigan, 2010) (ff. 130-151), and a series of twelve poems entitled 'Intervals of Heat', mainly unpublished (ff. 101-116). The short story 'Ferret and Weasel' (ff. 152-153) and the verse play for radio 'The Seed of Dismemberment' (ff. 154-165) were published in The Meaning of Apricot Sponge, while 'Confessions of an English Tutor' and 'Sketches from Provincial Love' (ff. 117-129) remain unpublished. Also included is a letter to Tripp from Meic Stephens, 9 September 1968 (f. 6 verso), and a draft letter from Tripp to John Stuart Williams, 2 April 1969 (f. 27). A list of the contents, compiled by the donor, [?2010], is also included (ff. i-v).

One hundred and twenty-four autograph letters, 1959-1974, from painter-poet David ('Dafydd') Jones, all addressed to Valerie ('Elri') Wynne-Williams (née Price), with the exception of two to her husband Michael ('Mihangel') (ff. 54, 112-113) and one to them both (ff. 55-56), discussing a variety of topics including his, and her, health and living conditions, his work, his friends, the Welsh language and Welsh history and politics. Some letters are illustrated with coloured pencil, pen and ink drawings, mainly of animals and flowers (ff. 8, 32, 33, 45 verso, 46 verso-47, 48 verso, 76, 103, 104 verso, 152), inscriptions (ff. 9, 34, 124 verso, 128, 136 verso) and sketch maps of Harrow (ff. 143, 144).
There are references throughout to friends and correspondents including Saunders Lewis (ff. 2-11 passim, 42-188 passim), Harman Grisewood (ff. 4-192 verso passim), René Hague (ff. 42 verso-187 passim), David Blamires (ff. 160, 186, 190 verso, 192), Louis Bonnerot (ff. 123, 186 verso), Tom Burns (ff. 13, 14 verso, 48, 64 verso, 68 verso, 77, 85 verso, 86 verso, 89 verso, 110, 116, 140 recto-verso, 188 verso), Douglas Cleverdon (ff. 68 verso, 160 verso, 162, 163 verso, 187), Aneirin Talfan Davies (ff. 9 verso, 11, 14 verso, 16, 33 verso, 63 verso, 71 verso, 123, 124, 128, 129 verso, 154 verso, 162), Clarissa Eden (f. 107 verso), T. S. Eliot (ff. 51 recto-verso, 62 verso, 67 verso, 69 verso, 71, 73, 74, 85), Gwynfor Evans (ff. 29 verso, 31, 131-192 verso passim), Illtud Evans (f. 6, 11 recto-verso, 37, 46 verso, 57, 61), Arthur Giardelli (ff. 150, 151 verso, 171 verso, 186), Eric Gill (ff. 45 verso, 66, 67 verso, 68 verso, 121), Stanley Honeyman (ff. 84, 140, 154 verso, 159 verso), Morag Owen (ff. 59, 98, 140), Catherine Rousseau (née Ivainer) (ff. 36 verso-127 passim), Stephen Spender (ff. 81 verso-82, 83 verso, 91), Bill Stevenson (f. 158 verso) and Helen Sutherland (ff. 68, 97 verso, 157). There are also occasional references to Desmond Chute (f. 120 verso), Idris Foster (ff. 60 verso, 63 verso), Philip Jones Griffiths (ff. 1, 131), David Lloyd George (ff. 108 verso-109, 127 verso), Megan Lloyd George (ff. 18 verso, 20, 21-22), J. D. Innes (f. 49 verso), Augustus John (f. 85 verso), Alun Oldfield-Davies (ff. 37, 77), Tristram Powell (ff. 142 recto-verso, 144), Caradog Prichard (ff. 19 verso, 77, 108), Kathleen Raine (f. 59 verso), Keidrych Rhys (ff. 6 verso, 8, 9, 16, 30 verso, 36 verso), Meic Stephens (ff. 171, 175), Vernon Watkins (ff. 47, 128 verso), D. J. Williams (f. 106 recto-verso), Kyffin Williams (ff. 49, 63, 77) and R. O. F. Wynne and his family (ff. 61, 62, 63, 64 verso, 67 verso, 81, 94 verso, 96 verso¸ 98, 130 verso), and brief reminiscences of his experiences during the First World War (ff. 70 recto-verso, 76, 79 recto-verso, 108 verso-109, 130 recto-verso, 151 verso, 164). Also included is a copy of his letter, dated 10 August 1959, to Megan Lloyd George (f. 21; for her reply see NLW, David Jones (Artist and Writer) Papers CT3/3, f. 247); cuttings of letters to the Times by David Jones, Valerie Price and others, 1958 (ff. 193-196); and a copy of a 1959 photograph of the two by Philip Jones Griffiths (f. 197). The letter of 23 September 1973 (ff. 178-179 verso) was published under the title 'Yr Iaith' in Planet, 21 (January 1974), 3-5.