Dangos 51 canlyniad

The file comprises a scrapbook, press cuttings, articles and programmes, 1954-1998, relating to the life and work of Dylan Thomas.

Miscellaneous printed material, 1971-1983, relating to Dylan Thomas, in particular to the laying of the memorial stone in Westminster Abbey, 1982, including photographs of the unveiling ceremony, and to the opening of the Dylan Thomas Theatre in Swansea, 1983.

A copy of a paper by B. William Murphy, Maryland, USA, entitled 'Creation and Destruction. Notes on Dylan Thomas' used by Colin Edwards (d. 1994), California, when preparing his incomplete and unpublished work on Dylan Thomas.

Thirty-five letters, 1944-1957, to the artists' model Mary Keene, comprising twenty-three from her friend Caitlin Thomas, 1945-1954 (ff. 1-30), six from the latter's sister Brigit Marnier, 1944-1949 (ff. 33-43), and six from Florence Thomas, mother of Dylan Thomas, 1954-1957 (ff. 44-53), all containing personal and family news.
Also included is a letter, 11 October 1950, to Caitlin Thomas from her domestic help, Dolly Long of Laugharne (ff. 31-32). There are numerous references to Dylan Thomas (ff. 1 verso-10 passim, 19, 20 27 verso) and his funeral (ff. 43-44) and to Caitlin (in addition to her own letters) (ff. 36 verso, 44-54 passim). There are also references to Laurie Lee (f. 16 verso), Anthony Devas (f. 23 verso), Louis MacNeice (f. 45 verso) and Daniel Jones (f. 47 verso).

Papers, 1935-1945, of the Rev. B. George Rees, Curate of Llangynwyd, Maesteg (1936-38), and Laleston (1938-44), Rector of Llansannor (1944-48), and a WEA lecturer on literature at the Maesteg Unemployed Centre and elsewhere. The papers include letters, 1939-1940, from a number of authors and poets, responding to requests by Rees for their thoughts on lecture subjects such as 'Life and Literature'.
The respondents include W. H. Auden, [1939] (ff. 2-3), Winston Churchill, 17 January 1939 (f. 8), C. Day Lewis, [?1939]-1940 (ff. 10-12), Aldous Huxley, 27 March 1940 (f. 16), Glyn Jones, April 1939-February 1940 (ff. 19-27), Herbert E. Palmer, February-March 1940 (ff. 35-44), John Cowper Powys, February-March 1940 (ff. 45-47), J. B. Priestley, 10 January 1939 (f. 48), Dylan Thomas, September 1939-February 1940 (ff. 56-60), and Emlyn Williams, 8 February 1940 (f. 63); a few respondents, such as Glyn Jones (f. 25) and Dylan Thomas (ff. 59-60), supplied Rees with brief essays. Also included are notes, newspaper cuttings and other papers relating to Rees's lectures (ff. 66-91); and papers, 1935-1945, relating to his Church career, including letters and telegrams concerning his Institution at Llansannor, August-September 1944 (ff. 92-100), sermon notes (ff. 102-109), and parish magazines and pages from annual reports relating to Laleston, 1935-1944 (ff. 110-120).

Eighty letters, 1939-1966, to John Davenport, literary critic and friend of Dylan Thomas, much of the correspondence relating to literary matters (ff. 1-91). There are references to Thomas throughout, including detailed (and contrasting) accounts, by John Malcolm Brinnin (ff. 12-13) and George Reavey (ff. 71-72 verso), of events surrounding his death.
The correspondents include Kingsley Amis, 1955-1965 (ff. 1-6), John Malcolm Brinnin, 1952-1953 (ff. 11-13), Walford Davies, 1963-1965 (ff. 16-23), Constantine FitzGibbon, 1950-1966 (ff. 27-52), Glyn Jones, March-April 1965 (ff. 57-59), T. H. Jones, 9 November 1961 (f. 60), George Reavey, [November 1953] (ff. 71-72), Roger Roughton, 1939-1940 (ff. 73-80), Caitlin Thomas, 1947-[?1952] (ff. 81-85, including a postcard also signed by Dylan Thomas), and Vernon Watkins, 1956-1965 (ff. 86-90). Also included are further papers relating to Dylan Thomas, comprising manuscript notes by Davenport, [1956x1966] (ff. 92-100); a postcard, [?1950], to Thomas from Jack Lindsay in Prague (f. 101); a typescript, 10 November 1953, of a radio obituary to Thomas by Davenport (ff. 102-104); a typescript article, [mid-1950s], on Thomas by Davenport (ff. 105-114); and press cuttings, 1954-1965 (ff. 115-121). A typescript table of contents is ff. i-iii. Three of the Kingsley Amis letters (ff. 1, 2, 4) are published in The Letters of Kingsley Amis, ed. by Zachary Leader (London, 2000) (pp. 448-50, 464-5, 527-8).

Correspondence and papers, 1987-1989, relating to John Petts's work for the Golden Grove Book Company Ltd, including nine letters from Lynn Hughes, together with notes and draft illustrations by Petts. Amongst the latter are papers relating to the republication of Ivor Thomas, Top Sawyer (1988), and sketches for a proposed but unpublished volume of 'Laugharne Poems' by Dylan Thomas, with a draft layout of the book by its designer, Nicholas Thirkell.

Papers relating to the incident when SOE commando William Killick fired bullets into Majoda, New Quay, in 1945 and was later charged with, but acquitted, of the attempted murder of Dylan Thomas and friends. Also included are papers from the Foreign Office relating to William Killick and his own account of his war experiences in Greece, from where he had just returned when the shooting happened.

Stage play script by Neil Titley titled Where Tawe Flows, based on Dylan Thomas' short stories and his radio play Return Journey.

Material relating to the Dylan Thomas Jazz Suite 'Twelve Poems', a piece commissioned by the Dylan Thomas Centre in Swansea to commemorate the fiftieth anniversary of the death of celebrated Swansea-born poet and writer Dylan Thomas. Composed by Jen Wilson, the Suite comprises jazz settings of twelve of Thomas's poems. The work was performed as part of the Sean Dunne Writer's Festival in Waterford, Ireland, at the 2003 Brecon Jazz Festival and at the Madog Center for Welsh Studies, Unviersity of Rio Grande, Ohio; however, funding for a tour of 'Twelve Poems' to mark the Dylan Thomas 100 centenary festival of 2014 was rejected. The material includes copious correspondence; funding applications; projected expenses; list of potential performance venues; enquiry sheets; press releases and previews; posters; concert programmes; performance contracts; and press cuttings; together with general material relating to Dylan Thomas and Dylan Thomas festivals.

Correspondents include Ernest Rhys (2, including a signed photograph of Ernest Rhys and a typewritten copy of 'The Lament of Llywarch Hen'), Keidrych Rhys (7), Dylan Thomas (3), Ifor Williams (7), and Kyffin Williams (2).

The file comprises papers relating to A new romantic anthology, ed. S. Schimanski & H. Treece (London, 1949), in which the chapter 'Welsh poetry' was selected and introduced by Glyn Jones. Included are manuscript drafts of his introduction, 'Romanticism and Welsh Poetry', and transcripts by Glyn Jones of selected pieces by various authors. The file also contains a draft letter by Glyn Jones to Dylan Thomas, letters, 1945-1946, from publishers and literary agents, and a letter to Lynette Roberts.

Papers of Colin Edwards (d. 1994), a radio journalist of Welsh descent, relating to his incomplete book on Dylan Thomas ('Dylan Remembered'), comprising typescript chapters of the work and index cards; transcripts of audio tapes including interviews with Philip Burton, Gwynfor Evans, Glyn Jones, Vernon Watkins, and Florence Thomas, mother of Dylan Thomas; and address books containing names and notes on Dylan Thomas's relatives, acquaintances and persons interviewed by him

Further papers of Colin Edwards, to be added to the papers received in July 1996 and April 1999, comprising press cuttings, mainly 1970s, relating to Dylan Thomas (1914-1953); copies of Dylan Thomas Remembered published by the Dylan Thomas Society Welsh Branch in 1978; the Adam International Review, no. 238, 1953, dedicated to Dylan Thomas, Ethel Ross's Dylan Thomas and the Amateur Theatre, published by Swansea Little Theatre, and The New Welsh Review, Spring 1992 ('Dylan Thomas Special'); together with a typescript transcript of an interview with Philip Burton, and a script entitled 'Dylan in His Youth'

Additional papers of Colin Edwards, mainly relating to Dylan Thomas, including letters from Glyn Jones, Ralph Maud, Constantine FitzGibbon and Bert Trick, a script of an interview with Sada Thompson and Nancy Wickwire on Dylan Thomas, notebooks, and press cuttings.

Papers relating to Dylan Thomas and to the Dylan Thomas Trust, [1944x1947]-1975, comprising miscellaneous personal items of Dylan Thomas, 1948-1953, letters addressed to him, 1952-1953, contracts, 1951-1953, and his manuscript map of Llareggub, [1944x1951]; passports of Dylan, Caitlin and Colm Thomas, 1947-[1961]; a fragment of a memoir by Caitlin Thomas, [?1957]; and letters relating to the Trust, mainly addressed to Stuart Thomas, 1953-1975.

A script, 1948, featuring the Isle of Thanet in the 'Country Magazine' series, a BBC Home Service transmission, with Dylan Thomas introducing the programme.

Deunydd yn ymwneud ag Ysgol Haf Ryngwladol Dylan Thomas, 2014-2016, a gynhaliwyd yng Ngholeg Prifysgol Dewi Sant, Llanbedr-Pont-Steffan a lle bu Menna Elfyn yn un o'r tiwtoriaid, gan gynnwys rhaghysbysiadau, amserlenni a gwybodaeth ar gyfer y cwrs, rhestr myfyrwyr, araith gan Menna Elfyn wrth gyflwyno Gwobr Farddoniaeth Ryngwladol Dylan Thomas, gwybodaeth am Dylan Thomas, ynghyd ag enghreifftiau o'i waith, ac adborth un o'r myfyrwyr.

One hundred and seven letters, 1937-1940 and 1944-1967, from Vernon Watkins, mainly at Pennard and Swansea, to his friend and occasional translator, Francis Dufau-Labeyrie, containing personal and family news, and discussing his poetry and other literary output, his and Francis's poetry translations and other poets and their work, notably their mutual friend Dylan Thomas and W. B. Yeats (ff. 1-9, 13-40, 43-121, 125-133, 137-148, 151-158, 161-164, 166-196, 199-211).
Also included are typescript transcripts, [?1970s], of eight of the letters (ff. 10-12, 41-42, 122-124, 134-136, 149-150, 159-160, 165, 197-198, inserted after the originals). The letters occasionally contain poetry by Watkins, including parts of 'After Sunset' (f. 15), an attempt at a poem about Francis (f. 32 verso, in French), the first two verses of 'the Wine Ballad' ['Ballad of the Two Tapsters'] (f. 38), a limerick [?by VW] (f. 40), a verse (f. 46), a verse from 'the Broken Net ballad' ['Ballad of Dundrum Bay'] (f. 50 verso), the end of 'Portrait of a Friend' (f. 75 verso) and the sonnet 'The Conception' (f. 147); there are also transcripts of poems by Yeats (ff. 68, 88 verso, 109 verso) and other miscellaneous poems in English (ff. 46, 76 verso, 119 verso, 190) and French (ff. 17, 82 verso, 86, 128). A few rough ink sketches are on ff. 2, 19, 46, 103, 109 verso, 117 verso. The letters contain annotations and markings in the hand of Francis Dufau-Labeyrie, including attempts at dating and ordering. The letters were mostly sent to Francis while he was living in Bristol, 1937-1938, Beckenham, 1938-1939, Paris, 1939-1947, and thereafter Montreal, Quebec, the later correspondence being mostly by air letter. For extracts from sixteen of the letters, 1937-1946, see 'Vernon Watkins: Selected quotations from his letters to Francis Dufau-Labeyrie', Temenos, 8 (1987), 146-155.

Edited and annotated screenplay by Wayne Parker titled Adulation, together with plot synopses and brief critical evaluations. The storyline centres around a series of murders carried out in New York in the days preceding the death there in 1953 of poet Dylan Thomas.

Second draft screenplay by Bill Forsyth titled Rebecca's Daughters, adapted from the 1948 novel of the same name by Dylan Thomas.

Draft score in ink with pencil annotations, dated 1956-1961 and titled Opus 10: 'Canticle for Tenor and Piano: Words by 20th-century Anglo-Welsh Poets'. The score is in six parts: Part 1, 'Lean on the Rail' by Randal Jenkins, dated 1 - 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated 16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; and Part 7, 'There is No Time' by Raymond Garlick, as a loose page draft pencil partial score, dated 24 January 1961. Part 6 is wanting.