Showing 44 results

Correspondence, papers and photographs relating to the Gododdin production, regarding the performances in Scotland, Holland, Italy, Germany and Cardiff and the production in general, comprising mainly scenographic designs and sketches, production workbooks, work plans, scenarios, previews, reviews and publicity material; together with papers relating to the exhibition held at the Chapter Arts Centre relating to the Gododdin production and Clifford McLucas’ visual diary artwork.

Correspondence and papers relating to the Sawl Bywyd production including, production photographs, scenario, display, flyer and draft copies of the production programme for the week, copies of a production information brochure, devising notes, draft budgets, press releases, administrative papers, production texts and scripts, scenographic sketches and designs, soundtrack list and draft and final copies of a marketing pack; together with research material relating to Dutch Schultz.

Preparation and research papers comprising mainly a variety of sources relating to Patagonia, papers relating to the possible creation of a production based on La Ronde by Arthur Schnitzer, a book of production songs and a prop.

Correspondence and papers relating to the Prydain production including devising notes and papers, scenographic designs, plans of the Tramway, Glasgow and Zap Club, Brighton, notes on production development, research material, production texts, publicity material, previews and reviews, performance photographs, administrative papers and performance notes.

Correspondence, papers and photographs relating to the Tri Bywyd production and also associated publications, including correspondence and papers regarding arrangements and administration of all aspects of the production, research material, production ‘scores’, production texts and scripts, explanatory or descriptive notes, publicity and information material, a production proposal, reviews, devising notes and sketches, joiner photographs, and notes on performance actions.

Papers relating to a number of Mike Pearson's productions and also his pedagogical work including slides and photographs, invitations, reviews, performance and action directions, various production notes, research material, information leaflets, production booklets and leaflets, [workshop notes], and publicity material; together with organisational and administrative correspondence and papers.

Papers relating to the Pandaemonium production, including devising notes, a scenario, production texts, research material, and other production notes; together with Lis Hughes Jones’ workbook.

Lis Hughes Jones' papers relating to the 8961 - Caneuon Galar a Gobaith production including draft texts and notes, research material and Lis Hughes Jones’ workbook.

Correspondence, papers and images relating to the Pax project, including the Los Angeles production, the preparatory etudes and the productions in Cardiff, Glasgow and Aberystwyth, comprising items such as notes, scenographic sketches, research material, scenarios and scores, prospectuses, booklets, publicity material, reviews and previews.

Scenographic designs and sketches for various productions, including Haearn, Gododdin, Pax, Patagonia and Second Coming.

Papers relating to the Boris production, including copies of the John Berger texts, a Welsh script, devising notes and notes regarding general arrangements.

Correspondence and papers relating to the general arrangements and planned activities for the Brith Gof stall during the Eisteddfod.

Photographs and papers relating to the Patagonia production, including photographs taken during visits by some members of Brith Gof to Patagonia in 1986, of Tomi and Eddie Davies at their home in Patagonia and performance photographs; devising notes and research material; publicity material; scenographic plans and designs; venue information; previews and reviews; and draft copies of pages from the production [prospectus]; together with correspondence and papers relating to the arrangement of the performance of Patagonia at the various venues, the correspondence and papers of the production manager, Giles Parbery and Lis Hughes Jones' workfile.

Correspondence and papers relating to the Estronwyr/Work in Progress (Strangers) production with La Fura del Baus, including devising notes and sketches, production texts, a project information document, a funding application, photographs and photocopies of photographs, La Fura Del Baus company publications, publicity material, performance organising principles, and research material.

Photographs, negatives, slides, contact sheet images and copies of photographs of a number of productions by Brith Gof; together with some slides of work possibly by other companies including Odin Teatret, Cardiff Laboratory Theatre and RAT Theatre.

Papers and photographs relating to the Gwynt, Glaw, Glo a Defaid production, including a notebook, an information leaflet, previews and reviews, and design and final copies of the production poster.

Papers and photographs relating to the EXX-1 production comprising mainly stage directions, prospectus, scenographic designs, reviews, and a soundtrack information leaflet; together with a copy of Clifford McLucas’ visual diary artwork which was based on the EXX-1 production and a file of the production manager, Giles Parbery's papers.

Papers and photographs relating to the Ymfudwyr production including photographs of performances, production notes and ideas and a production prop; together with Lis Hughes Jones' workbook.

Lis Hughes Jones' papers relating to the Gernika! production including a copy of the production score and melody lines, together with production notes and notebooks.

Lis Hughes Jones’ papers relating to her solo productions and the work of Brith Gof, including workbooks, scenarios with texts, a score, research sources and production texts; together with papers regarding various Brith Gof productions collected for symposiums, an article by Lis Hughes Jones, publications relating to Brith Gof and a paper by Mike Pearson.