Dangos 33 canlyniad

Twenty-two letters, 1920-1925, from Gwen John, comprising one to her American patron, John Quinn, 18 December 1921 (ff. 48-50), and the remainder to his mistress, Jeanne Robert Foster, 1920-1925 (ff. 1-46), concerning personal matters and business; together with some eight letters from Foster to Quinn, 1920-1923, mainly relating to Gwen John (ff. 51-63, 67-95).
Also included is a photograph of Gwen John with Jeanne Robert Foster and Henri Pierre Roché in Paris, 1922, presented by Foster to Michael Holroyd in 1969 (f. 47); a typescript copy [?by Holroyd] of Foster's letter and notes on ff. 56-63 (ff. 64-65); and a related note from Foster to Holroyd, 3 April 1969 (f. 66). The letters contain references to John Quinn (ff. 5, 8, 10 verso, 15), Augustus John (ff. 44, 72, 73-74), Pablo Picasso (f. 49), Paul Deschanel (f. 53), the death of the actress Olive Thomas (f. 54), Henri Matisse (ff. 54, 74), Jan Masaryk (f. 70), Arthur Symons (ff. 73-74), Marie Laurencin (ff. 75, 85-86), Ezra Pound (ff. 83, 86-87) and Henri Pierre Roché (f. 93). For extracts from a number of the letters see Sue Roe, Gwen John: A Life (London, 2001), pp. 204-242 passim.

The fonds comprises the research papers of Michael Holroyd mainly relating to his biography of Augustus John originally published in 1974-1975, other editions and the revised edition published in 1996. These include letters from the John family, researchers, British and foreign repositories, photocopies of letters from Augustus John to his family, letters to fellow artists, his writer friends and members of the Gypsy Lore Society; reminiscences of friends and family; press cuttings relating to his works; papers relating to Augustus John's autobiography Chiaroscuro published in 1952, including publishing contracts; photocopies of writings by Augustus John; publishing agreements and book reviews of the biography. Also included are exhibition addresses on the artist by Michael Holroyd; scripts written about him and Gwen John by others, papers relating to the book co-written by Michael Holroyd and Malcolm Easton, The art of Augustus John (London, 1974), together with some research papers relating to Gwen John and to other projects.

Holograph letter, dated 7 January 1938, by Dylan Thomas to Keidrych [Rhys], sent from Blashford, in which he informs KR that Augustus John is trying to contact him regarding a portrait, expresses his own frustration at KR and the publication of Wales magazine, and enquires if KR is compiling a bibliography of his (DT) work.

Correspondence, notes, catalogues and press cuttings relating to the sale by the Leicester Gallery, London, of paintings by J. D. Innes. Among the correspondents are David Bell, Nicholas Brown, Ailleen Cole, Geoffrey Crawshay, Augustus John, Iorwerth Hughes Jones and Euphemia Lamb. The papers in this file were accumulated by Winifred Coombe Tennant and added to by her son, Alexander.

Letters mainly of a personal nature, including a letter concerning the Presentation Goblet to the Queen and Prince Phillip, 1972; a letter from the Royal Institute of British Architects, concerning Sir Clough Williams-Ellis's election as an honorary member; a letter from the University of Wales offering an honorary degree; and letters from the following: Sir Frederick Gibberd; Sir Frederick Osborn; Jonah Jones; James Morris; Earl Lloyd George of Dwyfor; Charles, Lord Aberconwy; Francois Spoerry; Christabel, Lady Aberconway; Augustus John; the Rt Hon. Richard Crossman, MP; Sir Dingle Foot; Henry, Marquis of Anglesey, and other politicians, artists and members of the gentry and the aristocracy, 1930-1976; together with thirteen letters from Lewis Mumford, 1957-1975, and a copy of an article by him, 1930, 'The Wavy Line Versus the Cube', and a photograph of Sir Clough Williams Ellis and Mumford.

Miscellaneous papers relating to Augustus John, comprising a bill, 1930, for artist's materials purchased by him; typescript copies of talks and essays in English and French on him; a list of guests at the Augustus John memorial service, January 1962, and a copy of the address given there by Lord David Cecil; together with notes, ?1973, in the hand of Michael Holroyd.

Some ninety-five letters, 1955-82, to Keidrych Rhys from various correspondents (surnames I-L), mainly in his capacity as editor of Wales and Welsh correspondent of The People, together with poems, short stories and essays submitted to him for publication. The correspondents and contributors include Augustus John (2) 1959, A. G. Prys-Jones (3, with three poems and an article) 1959, David Jones (1) 1959, Elisabeth Inglis-Jones (2) 1955-7, Glyn Jones (7) 1957-82, and Mervyn Levy (5) 1957-8.

Twelve letters, [1910]-1959, to Augustus John from various correspondents, concerning both personal matters and work.
The correspondents include Lord Beaverbrook, 26 August 1959 (f. 1), [Nora] Brownsword, [late 1920s] (f. 2), Daniel George, 10 June 1957 (f. 3), Elmer Gertz, 3 December 1932 (f. 4), Wyndham Lewis, [1910]-1952 (ff. 5-7, 12, 14-16), Dorelia McNeill, 12 November 1928 (f. 18), the Royal Academy of Arts, 6 December 1928 (f. 19), and Homer Saint-Gaudens, 7 November 1938 (f. 20). Also included are draft contracts with Little, Brown & Co., Boston, 1938, for the publication of Augustus John's reminiscences (ff. 22-33); and four letters, [1931]-1935, from Mrs Vera Fearing (later Stubbs) to her mother and husband, concerning her extended stays at Fryern Court in order for John to paint her portrait (ff. 34-46), with another brief note by her concerning John, [?1950s] (f. 47). Transcripts and notes [by Michael Holroyd], [?1970s], relating to the Wyndham Lewis letters are ff. 8-11, 13, 17. The letters contain references to Frank Harris (f. 4 recto-verso) and Henry Lamb (f. 6).

Eighty-four letters, 1904-1988, from various artists, addressed to various recipients, and seemingly brought together as examples of autographs.
Among the correspondents are Edward Bawden, 1967 (f. 12), Clive Bell, [?1920s] (f. 85), George Bissill, 1956-1961 (ff. 14-56), Mark Gertler, 1916 (f. 86), Duncan Grant, 1942 (f. 87), Augustus John, 1953-1958 (ff. 4-7, 88), Gwen John, [?1904] (ff. 89-90), Clare Leighton, 1934 (ff. 9-11), Lord Methuen, 1972-1973 (ff. 67-70), Henry Moore, 1950-1951, 1961 (ff. 1-2, 91), John Nash, 1967 (f. 71), Paul Nash, [early 1940s] (f. 92), Sir William Nicholson, 1904-1906 (ff. 93-94), John Piper, 1941-1943 (ff. 72-75), Sir William Rothenstein, 1932 (ff. 96-97), Kenneth Rowntree, 1957 (ff. 78-82), and Sir Matthew Smith, 1950, 1957 (ff. 3, 99). The main recipients are Daniel George, 1953-1962 (ff. 4-8), Cyril Lakin, 1934 (ff. 9-11), Peter Rhodes (ff. 12-56, 58, 65-71, 83-84) and his wife Felicity Rhodes (ff. 57, 59-64, 72-82). The letters include references to the sale of pictures by Peter De Wint (ff. 16, 22-29, 37-40, 44-47) and comments by Augustus John on Caitlin Thomas’s autobiography (f. 6).

Letters, 1900-1995, of miscellaneous provenance. Correspondents include A. J. Balfour (1) 1916, W. H. Davies (2) 1912-1913, Lyubov (Aimée) F. Dostoevskaya (1, in French) 1924, Owen M. Edwards (4) 1900-1916, David Lloyd George (4) 1911-1919, Megan Lloyd George (3) 1948-1951, Richard Hughes (6) 1923-1935, Augustus John (7) [1918]-1950, Daniel Jones (2) 1972-1981, David Jones (1) 1966 (discussing some of his paintings), Jack Jones (2) 1938-1939, Saunders Lewis (5) 1951-1965, Wallis Simpson, later Duchess of Windsor (1) 1937, Edward Thomas (1) 1901, and Ralph Vaughan Williams (1) [1940].

Scripts, letters and photographs, 1974-1975, relating to the production of 'Augustus and Gwen: The Fire and the Fountain', a television documentary film about Augustus John and Gwen John, written by Eric Rowan and first transmitted, 19 March 1975, on BBC2.
The papers comprise a location list, [1974] (ff. 1-3), dubbing script, 25 February 1975 (ff. 4-31), and post-shoot script, [January 1975] (ff. 32-63); letters to Eric Rowan from Michael Holroyd, 1974 (ff. 64-66), Caspar John, [5] August 1974 (f. 67, postcard), Edwin John, 1974-1975 (ff. 68-70, 73), Poppet Pol, 4 October 1974 (f. 75), Romilly John, 1974-1975 (ff. 76-77 verso), and Mary Taubman, 9 October 1974 (ff. 78-79, incomplete); draft and copy letters of Eric Rowan to Edwin John, [December 1974], 19 February 1975 (ff. 71-72, 74); and five photographs taken during the filming in Provence of Poppet Pol's contribution, [Summer 1974] (ff. 80-84).

Typescript drafts and proofs of Augustus John's first volume of memoirs, Chiaroscuro: Fragments of Autobiography (London: Jonathan Cape, 1952), [1950]-1951; working manuscripts, typescripts and editorial correspondence relating to the follow-up volume, published posthumously under the title Finishing Touches (London: Jonathan Cape, 1964), [1950x1952]-[early 1960s]; and other miscellaneous autobiographical fragments, [c. 1950], [?1959].

One hundred and twenty-four autograph letters, 1959-1974, from painter-poet David ('Dafydd') Jones, all addressed to Valerie ('Elri') Wynne-Williams (née Price), with the exception of two to her husband Michael ('Mihangel') (ff. 54, 112-113) and one to them both (ff. 55-56), discussing a variety of topics including his, and her, health and living conditions, his work, his friends, the Welsh language and Welsh history and politics. Some letters are illustrated with coloured pencil, pen and ink drawings, mainly of animals and flowers (ff. 8, 32, 33, 45 verso, 46 verso-47, 48 verso, 76, 103, 104 verso, 152), inscriptions (ff. 9, 34, 124 verso, 128, 136 verso) and sketch maps of Harrow (ff. 143, 144).
There are references throughout to friends and correspondents including Saunders Lewis (ff. 2-11 passim, 42-188 passim), Harman Grisewood (ff. 4-192 verso passim), René Hague (ff. 42 verso-187 passim), David Blamires (ff. 160, 186, 190 verso, 192), Louis Bonnerot (ff. 123, 186 verso), Tom Burns (ff. 13, 14 verso, 48, 64 verso, 68 verso, 77, 85 verso, 86 verso, 89 verso, 110, 116, 140 recto-verso, 188 verso), Douglas Cleverdon (ff. 68 verso, 160 verso, 162, 163 verso, 187), Aneirin Talfan Davies (ff. 9 verso, 11, 14 verso, 16, 33 verso, 63 verso, 71 verso, 123, 124, 128, 129 verso, 154 verso, 162), Clarissa Eden (f. 107 verso), T. S. Eliot (ff. 51 recto-verso, 62 verso, 67 verso, 69 verso, 71, 73, 74, 85), Gwynfor Evans (ff. 29 verso, 31, 131-192 verso passim), Illtud Evans (f. 6, 11 recto-verso, 37, 46 verso, 57, 61), Arthur Giardelli (ff. 150, 151 verso, 171 verso, 186), Eric Gill (ff. 45 verso, 66, 67 verso, 68 verso, 121), Stanley Honeyman (ff. 84, 140, 154 verso, 159 verso), Morag Owen (ff. 59, 98, 140), Catherine Rousseau (née Ivainer) (ff. 36 verso-127 passim), Stephen Spender (ff. 81 verso-82, 83 verso, 91), Bill Stevenson (f. 158 verso) and Helen Sutherland (ff. 68, 97 verso, 157). There are also occasional references to Desmond Chute (f. 120 verso), Idris Foster (ff. 60 verso, 63 verso), Philip Jones Griffiths (ff. 1, 131), David Lloyd George (ff. 108 verso-109, 127 verso), Megan Lloyd George (ff. 18 verso, 20, 21-22), J. D. Innes (f. 49 verso), Augustus John (f. 85 verso), Alun Oldfield-Davies (ff. 37, 77), Tristram Powell (ff. 142 recto-verso, 144), Caradog Prichard (ff. 19 verso, 77, 108), Kathleen Raine (f. 59 verso), Keidrych Rhys (ff. 6 verso, 8, 9, 16, 30 verso, 36 verso), Meic Stephens (ff. 171, 175), Vernon Watkins (ff. 47, 128 verso), D. J. Williams (f. 106 recto-verso), Kyffin Williams (ff. 49, 63, 77) and R. O. F. Wynne and his family (ff. 61, 62, 63, 64 verso, 67 verso, 81, 94 verso, 96 verso¸ 98, 130 verso), and brief reminiscences of his experiences during the First World War (ff. 70 recto-verso, 76, 79 recto-verso, 108 verso-109, 130 recto-verso, 151 verso, 164). Also included is a copy of his letter, dated 10 August 1959, to Megan Lloyd George (f. 21; for her reply see NLW, David Jones (Artist and Writer) Papers CT3/3, f. 247); cuttings of letters to the Times by David Jones, Valerie Price and others, 1958 (ff. 193-196); and a copy of a 1959 photograph of the two by Philip Jones Griffiths (f. 197). The letter of 23 September 1973 (ff. 178-179 verso) was published under the title 'Yr Iaith' in Planet, 21 (January 1974), 3-5.