Dangos 26 canlyniad

Some fifty letters, 1934-1961, to Edwin John from various correspondents, including over forty letters from his father, Augustus John, relating mainly to the estate of Gwen John and the disposal of her works after her death but also containing personal news and comments; and four letters, 1948-1949, from Madame Louise Roche, Gwen John's nearest neighbour in Meudon, together with manuscript and typescript recollections of Gwen John by Madame Roche.

Some fifty letters and postcards, [1904]-1958, from Augustus John to various correspondents, containing mainly personal news.
The correspondents include Lady Margot Asquith, [?1925]-1929 (ff. 1-3), Simon Asquith, [1948]-1958 (ff. 4-19), Nicandra McCarthy (later Hood), 1946-1953 (ff. 21-34 verso), Dorelia McNeill, [July 1904]-1923 (ff. 35-40), John Quinn, [1909]-1910 (ff. 41-48), Margaret Sampson, [March 1907] (ff. 49-50), and Stuart Wilson, [1949]-[?1958] (ff. 53-67). The volume contains poetry by John, [1904]-[1930s] (ff. 36-39 verso, 51, 68-69), including a ballad and sonnets addressed to Dorelia, [July 1904] (ff. 36-38). There are references to a visit, with John Sampson, to the family of Matthew Wood, the Welsh Gypsy (ff. 41 verso-44 verso), and to the death of Ida John (ff. 49 verso-50). For extracts from three of the letters (ff. 35-36, 42-43, 49-50) see Michael Holroyd, Augustus John (London, 1996), pp. 151, 158, 231, 233, 289-290.

Twelve letters, [1910]-1959, to Augustus John from various correspondents, concerning both personal matters and work.
The correspondents include Lord Beaverbrook, 26 August 1959 (f. 1), [Nora] Brownsword, [late 1920s] (f. 2), Daniel George, 10 June 1957 (f. 3), Elmer Gertz, 3 December 1932 (f. 4), Wyndham Lewis, [1910]-1952 (ff. 5-7, 12, 14-16), Dorelia McNeill, 12 November 1928 (f. 18), the Royal Academy of Arts, 6 December 1928 (f. 19), and Homer Saint-Gaudens, 7 November 1938 (f. 20). Also included are draft contracts with Little, Brown & Co., Boston, 1938, for the publication of Augustus John's reminiscences (ff. 22-33); and four letters, [1931]-1935, from Mrs Vera Fearing (later Stubbs) to her mother and husband, concerning her extended stays at Fryern Court in order for John to paint her portrait (ff. 34-46), with another brief note by her concerning John, [?1950s] (f. 47). Transcripts and notes [by Michael Holroyd], [?1970s], relating to the Wyndham Lewis letters are ff. 8-11, 13, 17. The letters contain references to Frank Harris (f. 4 recto-verso) and Henry Lamb (f. 6).

Eighty-four letters, 1904-1988, from various artists, addressed to various recipients, and seemingly brought together as examples of autographs.
Among the correspondents are Edward Bawden, 1967 (f. 12), Clive Bell, [?1920s] (f. 85), George Bissill, 1956-1961 (ff. 14-56), Mark Gertler, 1916 (f. 86), Duncan Grant, 1942 (f. 87), Augustus John, 1953-1958 (ff. 4-7, 88), Gwen John, [?1904] (ff. 89-90), Clare Leighton, 1934 (ff. 9-11), Lord Methuen, 1972-1973 (ff. 67-70), Henry Moore, 1950-1951, 1961 (ff. 1-2, 91), John Nash, 1967 (f. 71), Paul Nash, [early 1940s] (f. 92), Sir William Nicholson, 1904-1906 (ff. 93-94), John Piper, 1941-1943 (ff. 72-75), Sir William Rothenstein, 1932 (ff. 96-97), Kenneth Rowntree, 1957 (ff. 78-82), and Sir Matthew Smith, 1950, 1957 (ff. 3, 99). The main recipients are Daniel George, 1953-1962 (ff. 4-8), Cyril Lakin, 1934 (ff. 9-11), Peter Rhodes (ff. 12-56, 58, 65-71, 83-84) and his wife Felicity Rhodes (ff. 57, 59-64, 72-82). The letters include references to the sale of pictures by Peter De Wint (ff. 16, 22-29, 37-40, 44-47) and comments by Augustus John on Caitlin Thomas’s autobiography (f. 6).

Holograph letters (24) from Augustus John, 1932-1953 and n.d. to Miss B. Parry and Dr. Parry.

Ten letters, February 1960-April 1961, from the painter Augustus John, Fordingbridge, Hampshire, to the art collector [Emerich (Emo)] Telt[s]ch, mostly concerning John's work (ff. 1-3, 5-10, 13); together with one letter from Dorelia John to Teltsch, 19 August 1960 (f. 4), and one from the painter Jo[sette] Jones to Teltsch, [February 1961] (ff. 11-12).
The letters contain references to work on John's triptych 'Les Saintes-Maries de la Mer with Sainte Sara, l'Egyptienne' (ff. 3, 5-9, 13); Teltsch offered him up to £8000 for the work (see NLW MS 22786D, f. 68, and Michael Holroyd, Augustus John: The New Biography (London, 1996), p. 597). There are two letters, from John (f. 10) and Josette Jones (ff. 11-12), concerning John's apology for an ill-advised letter (not present) to Teltsch, criticizing drawings by Teltsch's God-child (unidentified).