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Seven letters from Gwen John, comprising three, 1914-1926, to Augustus John, and four, 1904-1909, to his second wife, Dorelia McNeill. The letters contain personal news, including references to her work, and impressions of Paris during the First World War (ff. 9-10).

Some one hundred and fifteen letters, 1903-1939, to Gwen John from various correspondents (surnames L-P), including Mary Constance Lloyd (6) 1906-[1930], Dorelia McNeill (38) c. 1903-1939, and Véra Oumançoff (9) ?1927-[1928].

Papers and correspondence, 1880-1972, of or relating to the artist Gwen John and including letters and diaries, exercise books and other notebooks, and sketches; together with correspondence and other papers relating to the estate of Gwen John, and photographs found amongst her papers after her death.

Some forty draft letters, 1919-1939, from Gwen John to various correspondents (surnames A-N), including Chloe and Grilda Boughton-Leigh (1) ?1920s, Tom Burns (4) 1927-c. 1928-1929, Father Martin D'Arcy (1) 1933, Mary Constance Lloyd (5) c. 1920-1930, Dorelia McNeill (7) c. 1928-1936, and various members of the John family.

Some one hundred and thirty draft letters, [c. 1908]-1938, from Gwen John to various correspondents (surnames P-W), including Rainer Maria Rilke (4) [c. 1910]-1913, Auguste Rodin (57) [c. 1908]-[c. 1916], and Ursula Tyrwhitt (4) 1911-1938.

Some eighty-two draft letters, July 1927-April 1932, from Gwen John to Véra Oumançoff, containing mainly personal news and reflections but also including references to John's drawing in church (ff. 1-4, 42 verso); showing her pictures to Véra, and the latter’s reactions to them (ff. 12 verso, 29 verso, 30, 38-40 verso, 66); the 'dessins du lundi' (ff. 56, 78, 97); general references to her work (ff. 21, 23); notes on colours and tones (f. 41); rough sketches (f. 90 verso); the demolition of the mairie [at Meudon] and new buildings going up (ff. 60-62); the dampness of the house where she lives (f. 87); fragmentary drafts of letters to Tom Burns (ff. 34, 53 verso).

Some one hundred and five undated draft letters, [c. 1927]-[c. 1932], from Gwen John to Véra Oumançoff, containing mainly personal news and reflections but including references to drawing in church (ff. 13-14, 49); showing her pictures to Véra and the latter's reactions to them (ff. 41, 47, 50, 52-56); the 'dessins du lundi' (ff. 40, 50, 76, 95, 107, 127, 129-130); general reference to her work (ff. 19, 31, 51, 87, 115-116); rough sketches (ff. 79 verso, 83, 86 verso); visits to the Galerie Bernheim (f. 125), and to la Chapelle du Val (f. 124); fragmentary drafts of letters to her godmother (f. 46 verso) and to [?Chloe Boughton-Leigh] (f. 134 verso).