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Mainly portraits of Welsh professional soccer players. Also included are team photos of Swansea City, Cardiff City and Wrexham and press photos of various top flight and international games. Most are annotated on the reverse. Most are the work of Press Agencies and local / regional newspapers.

Mainly photographs of actors on stage, television sets or in character. The majority are of Welsh language television programes of the 1970s and 1980s such as Miri Mawr, Jeifin Jenkins, Yr Awr Fawr, Bilidowcar etc.

Mainly press / publicity photographs of heavy industries in Wales. Thse were used to illustrate articles in Urdd publications such as 'Bore Da' and

A variety of mainly black and white stills produced as publicity material for forthcoming Welsh programmes on BBC, HTV & S4C. Some English language programmes are included.Also includes a sequence of Aberystwyth during the filming of Enoc Huws.

Includes many photos of artefacts and buildings from the National Museum of Wales and St Fagans respectively. Artefacts include a Welsh Not, Gefel Gwn, Car Llusg, Corn maidens, Sedan Chair.

Photographs of sporting activities, individuals, professional and amateur teams involved in sport in Wales. Includes disabled athletes, JPR Williams playing in the Junior Lawn Tennis Championships, Wimbledon in 1965, features on horseback riding, Also some world famous sportsmen, eg Mohammed Ali.

Includes photos of Llandovery College v Christ College, Brecon in 1969 (by John Jenkins, Llwynhendy). Team photos of 1969 South African tourists; 1954, 1963 & 1967 All Black tourists; Wallabies ca.1965; Various Welsh teams. Also includes press photos of international games in progress.

These 44 photographs were for publicity and marketing purposes and distributed by record companies, agents etc. They were sent to the Urdd for use in their publications.

Portraits of Welsh and Anglo-Welsh writers. Many of these are photographs taken by Julian Sheppard for the Welsh Arts Council and are duplicates of photos found elsewhere in the collection.

143 b&w photos of Welsh personalities (4283/1-90); pop, operatic and classical singers such as Tom Jones, Shirley Bassey, Harry Secombe, Bonny Tyler (4283/91-116) and world figures such as Yuri Gagarin, Uri Geller, Walt Disney, the Royal Family (4283/117-125).

Includes photos of Jim O'Rourke with musicians Donal Lunny, Terry Williams, Davy Spillane and others who worked on the album 'Y Bont' in 1988. Also recording studios, DJs and other personalities connected with the Welsh music scene.

Boxes of photographs being a mixture of those derived from commercial sources (such as record labels, publishers, arts bodies and television companies) and those taken especially for Urdd publications such as features and competitions. Most are the work of professional photographers.

Dyddiadur T. Llew Jones ar gyfer 1977, sy'n cynnwys cofnodion yn ymwneud â'i ddiddordebau a'i fywyd bob dydd; ceir hefyd nodiadau hunangofiannol gan yr awdur (ff. 78, 82, 84, 86, 88, 90) ac englyn ganddo (f. 42). = Diary of T. Llew Jones, for 1977, giving an account of his daily life and interests; there are also autobiographical notes by the author (ff. 78, 82, 84, 86, 88, 90) and an englyn (f. 42).
Cynhwysa'r gyfrol gyfeiriadau at John Alun Jones (passim), Donald Evans (ff. 9, 44 verso, 61 verso, 63, 69 recto-verso), Dic Jones (passim), a bedd Dylan Thomas, gydag englyn iddo (ff. 41 verso-2). = The volume contains references to John Alun Jones (passim), Donald Evans (ff. 9, 44 verso, 61 verso, 63, 69 recto-verso), Dic Jones (passim), and Dylan Thomas's grave, with an englyn to him (ff. 41 verso-2).

Papers relating to the incident when SOE commando William Killick fired bullets into Majoda, New Quay, in 1945 and was later charged with, but acquitted, of the attempted murder of Dylan Thomas and friends. Also included are papers from the Foreign Office relating to William Killick and his own account of his war experiences in Greece, from where he had just returned when the shooting happened.

Seven telegrams, 1942-1947, from Dylan Thomas to his friend, the writer and art critic, Thomas Wade Earp, regarding arrangements for meetings; together with a telegram, 1944, from Caitlin Thomas to TWE.

Research papers, [2006]-[2008], of the donor David N. Thomas for his book Fatal neglect : who killed Dylan Thomas? published by Seren in 2008, concerning the circumstances of the poet's death, including material photocopied mainly from sources at the Special Collections, University of Delaware Library, and also at the Harry Ransom Humanities Research Center at the University of Texas at Austin.

Eighty letters, 1939-1966, to John Davenport, literary critic and friend of Dylan Thomas, much of the correspondence relating to literary matters (ff. 1-91). There are references to Thomas throughout, including detailed (and contrasting) accounts, by John Malcolm Brinnin (ff. 12-13) and George Reavey (ff. 71-72 verso), of events surrounding his death.
The correspondents include Kingsley Amis, 1955-1965 (ff. 1-6), John Malcolm Brinnin, 1952-1953 (ff. 11-13), Walford Davies, 1963-1965 (ff. 16-23), Constantine FitzGibbon, 1950-1966 (ff. 27-52), Glyn Jones, March-April 1965 (ff. 57-59), T. H. Jones, 9 November 1961 (f. 60), George Reavey, [November 1953] (ff. 71-72), Roger Roughton, 1939-1940 (ff. 73-80), Caitlin Thomas, 1947-[?1952] (ff. 81-85, including a postcard also signed by Dylan Thomas), and Vernon Watkins, 1956-1965 (ff. 86-90). Also included are further papers relating to Dylan Thomas, comprising manuscript notes by Davenport, [1956x1966] (ff. 92-100); a postcard, [?1950], to Thomas from Jack Lindsay in Prague (f. 101); a typescript, 10 November 1953, of a radio obituary to Thomas by Davenport (ff. 102-104); a typescript article, [mid-1950s], on Thomas by Davenport (ff. 105-114); and press cuttings, 1954-1965 (ff. 115-121). A typescript table of contents is ff. i-iii. Three of the Kingsley Amis letters (ff. 1, 2, 4) are published in The Letters of Kingsley Amis, ed. by Zachary Leader (London, 2000) (pp. 448-50, 464-5, 527-8).

Nineteen letters, notes and postcards to Dylan Thomas, 1952-1953, mainly concerning work, publications and his last trip to America (ff. 1-19), and copies of contracts, 1951-1953 (ff. 20-28).
The correspondents include John [Brinnin], September-[October] [1953], J[ohn] D[avenport], 23 June 1953, Francis Dillon, 22 September 1953, John Griffiths, 21 September 1953, David [Higham], 9 October 1952, Fred [Janes], [13] August 1953, Donald A. Kershaw, 16 June 1953, Arabel J. Porter, 28 September 1953, Liz Reitell, 4 June [1953], Ceri Richards, [?April] 1953, Amos Vogel, June-August 1953, Boris [Watson], [early 1953], and Oscar [Williams], 31 July 1953. There is also a note, 19 October 1953, from 'Evelyn', suggesting he contact the film director Edgar G. Ulmer (f. 5), and a note from Pearn, Pollinger & Higham to Caitlin Thomas, 30 June 1953 (f. 13). There are miscellaneous notes by Dylan Thomas on ff. 1 verso, 4 verso, 8 and 11 verso. The contracts relate to the proposed publications 'American Journal', 19 December 1951 (ff. 20-21), 'Welsh Fairy Tales and Legends', 23 February 1953 (ff. 22-24), and 'Under Milk Wood', 24 July 1953 (ff. 27-28), and to a recording session for Caedmon Publishers, 17 May 1953 (ff. 25-26). Also included is a bank statement, 22 June 1953 (f. 29), and his Temporary Entry Permit into the USA, 20 October 1953 (f. 30).