Dangos 132 canlyniad

Ink score with pencil annotations, of a 1959 revision of the work titled Opus 1: ‘Nocturne and Scherzo for Orchestra’, including parts for clarinet, violins 1 and 2, viola, violoncello, oboe, bassoon, timpani, flute, trumpet, and horns 1 and 2. The piece was first written in 1952 as 'Introduction (Quasi Notturno) and Allegro Scherzoso' for string quintet, based on the Welsh folk-melodies 'Hun Gwenllian' and 'Hela'r 'Sgyfarnog'. The original piece was awarded a prize in the composition section at the National Eisteddfod of Wales, Aberystwyth (1952), and was first performed at University College Wales, Aberystwyth, in 1953.

Facsimile copy of ink score with pencil annotations, [1976], titled Opus 40: 'Symphony No.1'. Includes parts for flutes, oboes, clarinets, bassoons, horns 1, 2, 3, and 4, trumpets 1 and 2, trombones 1 and 2, bass, timpani, percussion, violins 1 and 2, viola, violoncello, and cello. The work was originally commissioned by the Fishguard Music Festival in association with the Welsh Arts Council, [1976]. Dedicated to Alwena Harries.

Two facsimile copies of ink score, dated April-May 1985, and titled Opus 53: 'Myfyrdod: Contemplation for Orchestra’. Includes parts for tenor trombones 1 and 2, bass trombone, tuba, timpani, percussion, violins 1 and 2, viola, violoncello, cello, flutes 1, 2, and 3, oboes 1 and 2, clarinets 1 and 2, bass clarinet, bassoons 1, 2, and 3, trumpets 1 and 2, and harps 1 and 2. Dedicated to Peter Fletcher.

Facsimile copy of ink score, dated 1985, and titled Opus 53; 'Myfyrdod: Contemplation for Orchestra Parts 1'. The score contains parts for flutes 1, 2, and 3; oboe 1, 2, and 3; clarinets 1, 2, and 3; bassoons 1, 2, and 3; horns 1,2, 3, and 4; and trumpets 1 and 2.

Facsimile copy of ink score, dated 1985, and titled Opus 53: 'Myfyrdod: Contemplation for Orchestra: Parts 2'. The score contains parts for trombones 1 and 2; bass trombone; tuba; harps 1 and 2; timpani; percussion; violins 1 and 2; viola; cello; and bass.

Published copy of score titled Opus 24 No.1: 'Christ Child: Christmas Carol' (Oxford: Oxford University Press, 1967).

Ink score, titled Opus 35: 'Make Haste So To Live: Anthem for Chorus and Organ', with words from 'The Principle and Foundation' by Gerard Manley Hopkins. Commissioned for the Guild for the Promotion of Welsh Music for the Fishguard Music Festival, 1972. Dedicated to John Davies.

Facsimile copy of ink score, titled ‘Dyma y Dydd (Salm 118): Anthem i Gôr Cymysg a Thelyn’, dated June-July 1988. Commissioned by the Dinas Powis Welsh Society Choir, with assistance from the Welsh Arts Council for the Royal National Eisteddfod, Newport, 1988. Dedicated to Bryn and Byron.

Copy of published score for David Harries, 'Opus 64: Psalm 8: O Lord, Our Lord' (Cardigan: Samuel King, 1992). Originally commissioned by John Davies and the Pembrokeshire Youth Choir in association with the Welsh Arts Council.

Ink score, for all instrument parts for Opus 48: 'Princes of Gwynedd' (1979). Includes parts for flutes, oboes, clarinets, bassoon, horns, trumpets, trombones, timpani, percussion, harp, violins 1 and 2, viola, violoncello, bass, and cello. Dedicated to Roy Bohana.
The file also includes a typewritten note (unsigned).

1 ink score and 3 facsimile copies, with differing pencil annotations, for the Cello part in Opus 48: 'Princes of Gwynedd' (1979).

1 ink score and 1 facsimile copy, with differing pencil annotations, for the Double Bass part in Opus 48: 'Princes of Gwynedd' (1979).

1 ink score with pencil annotations, for the part of Flute 1 in Opus 48: 'Princes of Gwynedd' [1979].

1 ink score with pencil annotations, for the part of Oboe 1 in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Trombone 3 in Opus 48: 'Princes of Gwynedd' [1979].

Facsimile copy of ink score with some annotations in blue biro ink, dated December 1961 and titled 'Toccata alla Danza for Piano'. Composed by William Mathias and originally commissioned by the Welsh Committee of the Arts Council.

Original ink score, dated March 1965 and titled 'Opus 19: Piano Sonata'. Originally commissioned for Bangor Arts Festival, 1965.

Original ink score, dated 23 May-8 June 1966, and titled 'Opus 23: A Little Cantata: Ten Traditional Rhymes for Children’s Voices and Piano'. The score consists of parts based on the rhymes 'Blow, Wind, Blow' (dated 23 May 1966); 'Wine and Cakes' (dated 24 May 1966); 'Peter' (dated 23 May 1966); 'Terence McDiddler' (dated 26 May 1966); 'Tommy Trot' (dated 26 May 1966); 'Three a-bed' (dated 5 June 1966); 'Pipe, Cat' (dated 5 June 1966); 'Grey Goose' (dated 8 June 1966); 'Barber' (dated 7 June 1966); and 'Four Winds' (dated 8 June 1966). Dedicated to Catrin and Ceri.

Draft score in pencil, titled 'Opus 43: Piano Concerto No.1'. Included with the manuscript is a typed descriptive and biographical note relating to the works and career of David Harries (undated). Commissioned by the Llandaff Festival, 1977.

Full original ink score, dated 1993 and titled 'Opus 66: String Quartet No.3'. The score is made up of nine parts: part 1, 'Prologue'; part 2, 'Sonata'; part 3, 'Fugue 1'; part 4, 'Roundelay'; part 5, 'Fugue 2'; part 6, 'Scherzo'; part 7, 'Fugue 3'; part 8, 'Capriccio'; and part 9, 'Epilogue'. Commissioned for the 1993 Lower Machen Festival in association with the Welsh Arts Council, and dedicated to Julia Chapple, Royston Havard and the Lower Machen Festival.