Showing 132 results

Facsimile copy of ink score, dated 1993, titled Opus 66: 'String Quartet No.3'.

Pencil score in five parts, [1995], titled Opus 65: 'Gitanjali Song Offerings: Six Poems of Rabindranath Tagore for Soprano & Chamber Orchestra'. Commissioned for the Llantilio Crossenny 31st Festival of Music and Drama in association with the Welsh Arts Council, and performed at the Festival by the Llantilio Festival Orchestra in June 1993 conducted by Charles Farncombe. The file also contains a programme for the Festival, 1993.

Ink score in five parts, [1978], titled Opus 45: 'Canticle No.2: Five Poems of Roland Mathias for Voice & Piano'. The score was commissioned by the Cardiff Festival of 20th Century Music, with the assistance of the Welsh Arts Council.

Facsimile copy of ink score, dated 1989, and titled Opus 61: ‘Winter World: The Last Three Sonnets of Gerard Manley Hopkins for Baritone & Piano'. The score was originally commissioned for the North Wales Music Festival, 1989, in association with the Welsh Arts Council.

Ink score, dated 1974, and titled Opus 37: 'Overture: The Three Men'. Includes parts for flutes, oboes, clarinets, cornets, trumpets, trombones, bass trombone, timpani, percussion, violins 1 and 2, viola, violoncello, cello, and bass. The work was originally commissioned for the Llandaff Festival, 1974, with assistance from the Welsh Arts Council.

Facsimile copy of ink score with typewritten notes and handwritten lyrics in the hand of the composer, titled Opus 58: 'Queen of Paradise: A Sequence of Carols to the Blessed Virgin Mary for Chorus and Organ', dated 1987. Commissioned by the Cardiff Festival of Music in association with the Welsh Arts Council, and first performed at St Germains Church, Cardiff, 4 December 1987 by the John Davies Singers, conducted by John Davies and with organ played by Huw Tregelles Williams. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 56 (4/8), Opus 57 (1/42) and Opus 58 (4/10).

Ink score, titled Opus 58: 'Queen of Paradise: A Sequence of Carols to the Blessed Virgin Mary for Chorus and Organ', [1987]. Commissioned by the Cardiff Festival of Music in association with the Welsh Arts Council. Written as one of a sequence of three works celebrating devotion to the Virgin Mary which include his Opus 57 (1/42), Opus 56 (4/8) and Opus 58 (4/9).

Copy of published score for David Harries, 'Opus 35: Make Haste So To Live: Anthem for Chorus and Organ' (Cardigan: Samuel King, 1992). The score was originally commissioned by the Guild for the Promotion of Welsh Music for the Fishguard Music Festival, 1972.

1 ink score and 5 facsimile copies with differing pencil annotations, for the part of Violin 1 in Opus 48: 'Princes of Gwynedd' (1979).

Facsimile copy of ink score, with pencil annotations, for the part of Oboe 2 in Opus 48: 'Princes of Gwynedd' [1979].

1 ink score with pencil annotations, for the part of Trumpet 1 in Opus 48: 'Princes of Gwynedd'. Dated 6 August 1979.

1 ink score with pencil annotations, for the part of Trumpet 2 in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Trombone 1 in Opus 48: 'Princes of Gwynedd' [1979].

Ink score with pencil annotations, for the part of Trombone 2 in Opus 48: 'Princes of Gwynedd' [1979].

1 ink score with pencil annotations, for the part of Timpani in Opus 48: 'Princes of Gwynedd' [1979].

Facsimile copy of ink score with pencil annotations, dated 24th September 1955 and titled ‘Suite for Children’. Composed for piano by William Mathias.

Original ink score, dated December 1958-3 September 1959’ and titled 'Opus 11: Prolegomena: Variations for String Orchestra'. The score includes parts for violin 1, violin 2, viola, cello, and bass; and separate scores for the parts of violin 1, violin 2, and viola.
Dedicated to Eileen.

Facsimile copy of ink score with some pencil annotations, dated 10 May 1963-14 January 1964 and titled 'Opus 18: Violin Concerto'. The score includes parts for 2 flutes, oboe, 2 clarinets, bassoon, 2 horns, 2 trumpets, trombone, timpani, percussion, solo violin, violins 1 & 2, violas, cellos, and basses. The work was used as a testpiece for the International Competition for Violinists, 1966.

Original pencil draft of score, dated 25 October 1964 and titled 'Opus 20: Quintet for Piano and Strings'. Includes parts for violins 1 & 2, viola, cello, and piano. Commissioned for the Aberystwyth Arts Festival, 1964.

Original ink score with some annotations in pencil and biro, titled 'Opus 22: Clarinet Concerto'. For solo clarinet.