Showing 91 results

Includes letters from A. G. Prys-Jones (7); Meic Stephens (25); Alun Llewellyn (3); Robert Minhinnick (2); Ruth Bidgood (6); David Harries; Sally Roberts Jones (4); Nigel Jenkins (2); Dannie Abse (2); Joseph Clancy (3); Glyn Jones (3); Leslie Norris; Elwyn Davies (2); Gillian Clarke (3); Greg Hill (4); Raymond Garlick (2); Cary Archard (2); John Davies; and Tony Bianchi (2).

Includes letters from John Davies (5); R. Gerallt Jones; Raymond Garlick (6); Meic Stephens (12, including copies of letters from Meic Stephens to Ceri George and R. Brinley Jones); Anthony Conran (3); Jeremy Hooker (3); Robert Minhinnick; Bruce J. James (6); Ruth Bidgood (5); Nigel Jenkins (3); Gerard Casey; Jon Dressel; Kay Harris (3); Leslie Norris (including a copy of the poem 'The dark months'); Glyn Jones (5); Elwyn Davies; Emyr Humphreys; Brian Keeble; Sam Adams (2); A. G. Prys-Jones; and Cecil Price.

Includes letters from Leslie Norris (2); Ruth Bidgood (3); Meic Stephens (3); Raymond Garlick (5); Dora Polk (2); Gillian Clarke; Gwyn O. Jones; Nigel Jenkins; Jeremy Hooker (2); and John Davies (2).

Includes letters from Richard Poole (3); Sam Adams (5); Raymond Garlick (7); Jeremy Hooker (including a typescript copy of his article, 'Henry Vaughan: image-maker, iconoclast'); Ruth Bidgood (4); Meic Stephens (2); Cliff James (2); and Gloria Evans Davies. The file also contains a small bundle of letters addressed to Molly Mathias.

Includes letters from Ruth Bidgood (4); Sam Adams (6); Marion Löffler (2); Robert Steel; Meic Stephens (2); Nigel Jenkins (including a typescript copy of his poem 'Porth Cwyfan (for Roland Mathias)'); Gerald Clifton; John Davies (2); Raymond Garlick (2); Jeremy Hooker; Leslie Norris (2); John Pikoulis; and Gillian Clarke (2).

Includes letters from Arthur Giardelli (2); Cecil Price (4); A.G. Prys-Jones; Sally Roberts Jones; John Stuart Williams (4, including copies of the poem 'Theseus on Naxos' and a photocopy of 'Dic Penderyn', broadcast in 1968); Peter Finch (3); Bryn Griffiths; Meic Stephens (13); Laurie Burt; Roy Burnett (2); A. F. Leighton Thomas (5); Sam Adams (4); John Idris Jones (2); Alison Bielski; Alan Perry; Glyn Jones (3); Malcolm Parr (3); J. P. Ward; Raymond Garlick; Jeremy Hooker (2); John Tripp; Dora Polk; Annemarie Ewing (3); Robert Morgan (2); David E. Painting; Moira Dearnley; Jeremy B. Lowe; Kyffin Williams (2); Alun Llewellyn (5); Désirée Hirst; R. George Thomas; Ieuan Gwynedd Jones; John Pikoulis (3); H. P. Collins (2); John Ackerman; Leslie Norris (2); Tony Curtis (2); Neville Masterman (2); Alan Crang; and Judith Maro. The file also contains letters and financial papers, 1970-1979, relating to The Wells, St Twynells, Pembroke.

Correspondence between Sam Adams, Meic Stephens and the Christopher Davies publishing firm concerning the future of Poetry Wales, and in particular its editorship and the continuation of the Triskel Poets series, in the light of the sale of the Triskel Press to Christopher Davies, together with correspondence between Sam Adams, Evan Gwyn Williams, Vivian L. Griffiths and others concerning the influence of the Welsh Arts Council on Anglo-Welsh literature; and also between the Welsh Office and others concerning complaints about poems published in Poetry Wales.

Letters to Sam Adams from A.O.H. Jarman (1), Meic Stephens (5), R. George Thomas (1), Dora Polk (1), Stewart Conn (4), Duncan Glen (1), Edwin Morgan (3), Gus Martin (1), Ulla-Lena Lundberg (1), William Cookson (3), John Ackerman (2), John Barnie (1), Norman Schwenk (1), Ruth Bidgood (1), Lewis Davies (1), Malcolm Parr (1), Christopher Meredith (1), Peter Gruffydd (1), John Harris (2), John Stuart Williams (1), John Davies (1), Glyn Tegai Hughes (2), Pennar Davies (2), Raymond Garlick (1), Roland Mathias (5), Sally Roberts Jones (3), Nest Cleverdon (1), Howell Daniels (1), Tony Curtis (1), Ioan Bowen Rees (1), Nigel Jenkins (1), Chris Torrance (1), Walford Davies (1), Robert Morgan (2), Alexander Cordell (1), Desireé Hirst (1) and Glyn Jones (5) concerning literary, social and personal matters, especially relating to poetry, Poetry Wales and Welsh literature, including comments on Adams's own poems and reviews, together with copies of two poems by Bobi Jones (one of them in Welsh), one poem by Tony Curtis and three by Meic Stephens.

Literary papers of John Tripp, [1967]-[1975], comprising manuscript and typescript poetry (ff. 1-26, 28-116, 130-151, 166-171), short stories (ff. 117-118, 152-153) and scripts for radio plays (ff. 119-129, 154-165).
The poetry includes original manuscript and typescript working sheets (ff. 1-26), photocopies of published poems (ff. 166-171), fair typescript copies (typed by Fay Williams) and photocopies of original typescripts (typed by John Tripp) of poems, seventy-two mainly unpublished (ff. 28-100), and twenty-one published in The Meaning of Apricot Sponge: Selected writings of John Tripp, ed. by Tony Curtis (Cardigan, 2010) (ff. 130-151), and a series of twelve poems entitled 'Intervals of Heat', mainly unpublished (ff. 101-116). The short story 'Ferret and Weasel' (ff. 152-153) and the verse play for radio 'The Seed of Dismemberment' (ff. 154-165) were published in The Meaning of Apricot Sponge, while 'Confessions of an English Tutor' and 'Sketches from Provincial Love' (ff. 117-129) remain unpublished. Also included is a letter to Tripp from Meic Stephens, 9 September 1968 (f. 6 verso), and a draft letter from Tripp to John Stuart Williams, 2 April 1969 (f. 27). A list of the contents, compiled by the donor, [?2010], is also included (ff. i-v).

One hundred and twenty-four autograph letters, 1959-1974, from painter-poet David ('Dafydd') Jones, all addressed to Valerie ('Elri') Wynne-Williams (née Price), with the exception of two to her husband Michael ('Mihangel') (ff. 54, 112-113) and one to them both (ff. 55-56), discussing a variety of topics including his, and her, health and living conditions, his work, his friends, the Welsh language and Welsh history and politics. Some letters are illustrated with coloured pencil, pen and ink drawings, mainly of animals and flowers (ff. 8, 32, 33, 45 verso, 46 verso-47, 48 verso, 76, 103, 104 verso, 152), inscriptions (ff. 9, 34, 124 verso, 128, 136 verso) and sketch maps of Harrow (ff. 143, 144).
There are references throughout to friends and correspondents including Saunders Lewis (ff. 2-11 passim, 42-188 passim), Harman Grisewood (ff. 4-192 verso passim), René Hague (ff. 42 verso-187 passim), David Blamires (ff. 160, 186, 190 verso, 192), Louis Bonnerot (ff. 123, 186 verso), Tom Burns (ff. 13, 14 verso, 48, 64 verso, 68 verso, 77, 85 verso, 86 verso, 89 verso, 110, 116, 140 recto-verso, 188 verso), Douglas Cleverdon (ff. 68 verso, 160 verso, 162, 163 verso, 187), Aneirin Talfan Davies (ff. 9 verso, 11, 14 verso, 16, 33 verso, 63 verso, 71 verso, 123, 124, 128, 129 verso, 154 verso, 162), Clarissa Eden (f. 107 verso), T. S. Eliot (ff. 51 recto-verso, 62 verso, 67 verso, 69 verso, 71, 73, 74, 85), Gwynfor Evans (ff. 29 verso, 31, 131-192 verso passim), Illtud Evans (f. 6, 11 recto-verso, 37, 46 verso, 57, 61), Arthur Giardelli (ff. 150, 151 verso, 171 verso, 186), Eric Gill (ff. 45 verso, 66, 67 verso, 68 verso, 121), Stanley Honeyman (ff. 84, 140, 154 verso, 159 verso), Morag Owen (ff. 59, 98, 140), Catherine Rousseau (née Ivainer) (ff. 36 verso-127 passim), Stephen Spender (ff. 81 verso-82, 83 verso, 91), Bill Stevenson (f. 158 verso) and Helen Sutherland (ff. 68, 97 verso, 157). There are also occasional references to Desmond Chute (f. 120 verso), Idris Foster (ff. 60 verso, 63 verso), Philip Jones Griffiths (ff. 1, 131), David Lloyd George (ff. 108 verso-109, 127 verso), Megan Lloyd George (ff. 18 verso, 20, 21-22), J. D. Innes (f. 49 verso), Augustus John (f. 85 verso), Alun Oldfield-Davies (ff. 37, 77), Tristram Powell (ff. 142 recto-verso, 144), Caradog Prichard (ff. 19 verso, 77, 108), Kathleen Raine (f. 59 verso), Keidrych Rhys (ff. 6 verso, 8, 9, 16, 30 verso, 36 verso), Meic Stephens (ff. 171, 175), Vernon Watkins (ff. 47, 128 verso), D. J. Williams (f. 106 recto-verso), Kyffin Williams (ff. 49, 63, 77) and R. O. F. Wynne and his family (ff. 61, 62, 63, 64 verso, 67 verso, 81, 94 verso, 96 verso¸ 98, 130 verso), and brief reminiscences of his experiences during the First World War (ff. 70 recto-verso, 76, 79 recto-verso, 108 verso-109, 130 recto-verso, 151 verso, 164). Also included is a copy of his letter, dated 10 August 1959, to Megan Lloyd George (f. 21; for her reply see NLW, David Jones (Artist and Writer) Papers CT3/3, f. 247); cuttings of letters to the Times by David Jones, Valerie Price and others, 1958 (ff. 193-196); and a copy of a 1959 photograph of the two by Philip Jones Griffiths (f. 197). The letter of 23 September 1973 (ff. 178-179 verso) was published under the title 'Yr Iaith' in Planet, 21 (January 1974), 3-5.

A typescript collection of poems entitled 'Six Valley Images & Other Poems' compiled by J. M. Lewis in 1993, and a copy of 'Poems' sent by him to Meic Stephens in 1988, with related correspondence, 1977-1991, including letters from Gillian Clarke, R. Gerallt Jones and Meic Stephens; together with correspondence, 1986, between J. M. Lewis and Anthony Powell relating to the dialogue of Welsh soldiers in the latter's book The Valley of Bones (London, 1964).