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Photographs of the cast members and performance rehearsals.

Photocopies of Clifford McLucas' visual diary artwork which was inspired by the EXX-1 production.

Correspondence and papers from the production manager, Giles Parbery, relating to the EXX-1 production including a setting list noting props placement, production notes regarding details such as [lighting], sound and design, work schedule, performance running lists for individual performances noting details of music, characters’ action and [stage manager] action with plans of the stage noting character and [stage manager] actions, a production schedule, lighting equipment brochure, reviews and an information leaflet regarding the production and soundtrack.

Correspondence, papers and images relating to the Pax project, including the Los Angeles production, the preparatory etudes and the productions in Cardiff, Glasgow and Aberystwyth, comprising items such as notes, scenographic sketches, research material, scenarios and scores, prospectuses, booklets, publicity material, reviews and previews.

Handwritten and typed devising notes and ideas by [Clifford McLucas] for the Los Angeles production.

Correspondence, papers and photographs relating to the Los Angeles production, including devising notes and ideas, scenographic sketches, research material relating to the L.A. Riots, production quotes and texts, performance notes and directions, performance [scenarios], copies of the production prospectus and production marketing packs, publicity material, reviews and previews; together with correspondence and papers from production manager, Giles Parbury, mainly relating to the Los Angeles performances at the Mayfest Festival, Glasgow, Buenos Aires, Argentina and [Europe?], including Fribourg and Grenoble .

Newspaper cuttings relating to the L.A. Riots, presumably collected as research for the Los Angeles production; together with a sheet of fees for the year 1993/1994.

Scenographic sketches by Clifford McLucas for the Los Angeles production.

A collection of quotes and texts for the Los Angeles production.

A notebook containing performance notes and directions.

Performance [scenarios] for the Los Angeles and Pax productions.

Draft and master copies of the prospectus for the Los Angeles production; together with a page from a later production update.

Publicity material for the various Los Angeles productions, including at Rhymney, Glasgow, Fribourg, Grenoble, Buenos Aires, Taliesin Theatre, Theatr y Werin and at the Time Festival at Grenzen.

Copies of a production marketing pack, presumably produced for possible promoters, comprising an early version for the earlier productions and a later version.

Reviews and previews for the various Los Angeles productions, including at Rhymney, Glasgow, Fribourg, Grenoble, Buenos Aires, and Taliesin Theatre and Theatr y Werin.

Photographs, slides and negatives of various performances of the Los Angeles production, together with photographs of the venues, rehearsals and actors and some photographs that may be of the Pax production.

Correspondence and papers from Giles Parbury relating to the Los Angeles performance at the Mayfest Festival, Glasgow, including show accounts, venue and set plans, papers regarding set arrangements and technical details, work timetable, reviews, production information including a structural summary and [scenario], and rehearsal details; together with papers relating to a solo performances at St Fagans Museum and Chapter Arts Centre, including performance schedules, set and venue plans and papers regarding equipment hire.

Correspondence and papers of the production manager, Giles Parbery, relating to the Los Angeles performance at Buenos Aires, including props lists with notes and images, details and arrangements for technical and set requirements, venue plans, a contract and work schedules and trip itineraries.

Correspondence and papers from the production manager, Giles Parbery, relating mainly to technical aspects of the Los Angeles production, including performances in Gent, Aberystwyth and Buenos Aires, including a technical running order with details of cast members’ actions, stage and set plans noting technical and prop details, timings for technical effects, props and equipment lists, some of which relate to the exportation and re-importation of items, a work schedule for Buenos Aires and sound and fx (effects) plots.

Giles Parbery’s papers relating to the arrangement and administration of the Los Angeles production [in Europe?], including performances in Fribourg, Grenoble and Cardiff, comprising, vehicle hire papers, travel documents and arrangements, budgets, production and rehearsal schedules, address database of cast/crew members, draft publicity material, props and equipment lists and details and correspondence and papers regarding technical aspects, including Stage Electrics hire price booklet, plans, checklists, and venue plans and details; together with information regarding the Belluard Festival, other companies and theatre spaces.