Dangos 47 canlyniad

Notes, 1908-1930, in English and French, by Gwen John consisting mainly of personal and religious reflections, together with rough sketches.

Extracts, c. 1910, copied by Gwen John from a draft of Rodin's Les Cathédrales de France (1914), together with exercises in French translation.

Some forty draft letters, 1919-1939, from Gwen John to various correspondents (surnames A-N), including Chloe and Grilda Boughton-Leigh (1) ?1920s, Tom Burns (4) 1927-c. 1928-1929, Father Martin D'Arcy (1) 1933, Mary Constance Lloyd (5) c. 1920-1930, Dorelia McNeill (7) c. 1928-1936, and various members of the John family.

Pocket diary, 1931-1935, of Gwen John containing notes, including personal reflections, notes on technique and method, and rough sketches.

Exercise book, [c. 1903]-[c. 1904], of Gwen John containing notes on art history and related subjects together with transcripts of verse and prose in English, Welsh and Romani.

Exercise book, [?1910]-1912, of Gwen John containing advice on prayer and meditation copied from a printed source.

Exercise book, [c. 1913]-1926, of Gwen John containing extracts copied from printed sources, mainly on literary and philosophical subjects, together with draft letters, in French, to Auguste Rodin.

Notebook, c. 1927-1930, containing draft letters, in French, from Gwen John to Véra Oumanҫoff, together with extracts from Hogarth's Analysis of Beauty, translated into French.

Nine notepads, [?1920s]-[1930s], of Gwen John, some containing charcoal sketches of people in church, with occasional notes.

Some one hundred and fifteen letters, 1903-1939, to Gwen John from various correspondents (surnames L-P), including Mary Constance Lloyd (6) 1906-[1930], Dorelia McNeill (38) c. 1903-1939, and Véra Oumançoff (9) ?1927-[1928].

Some seventy letters, 1906-1915, to Gwen John from Auguste Rodin.

Photographs and prayer cards, 1909-1926, including prints made from negatives found amongst Gwen John's papers.

Some sixty letters, 1910-1938, to Gwen John from her father, Edwin William John.

Some one hundred and ten letters, 1903-1939, to Gwen John from various correspondents (surnames J-L), including Ida John (née Nettleship) (11) [1903]-1904, and members of the John family.

Some fifty letters, 1908-1932, to Gwen John from various correspondents (surnames Q-R), including John Quinn (38) 1911-1924 (together with typescript copies of four replies from Gwen John, 1911-1923), and Rainer Maria Rilke (4) 1908-1914.

Some sixty letters, 1928-1953, to Edwin John from various correspondents (surnames K-W), including Dorelia McNeill (6) 1938-1945.

Over forty letters and telegrams, 1939-1945, to Edwin John, as Gwen John's executor and principal legatee, relating to the disposal of her estate.

Some fifty-five letters, 1940-1949, to Edwin John from galleries, dealers and agents, relating mainly to the dispersal of Gwen John's work after her death.

Some fifty letters, 1934-1961, to Edwin John from various correspondents, including over forty letters from his father, Augustus John, relating mainly to the estate of Gwen John and the disposal of her works after her death but also containing personal news and comments; and four letters, 1948-1949, from Madame Louise Roche, Gwen John's nearest neighbour in Meudon, together with manuscript and typescript recollections of Gwen John by Madame Roche.

Forty photographs, 1880s-?1930s, formerly in the possession of Edwin John, more than half of which originally belonged to Gwen John and represent friends and models; the remainder, which represent members of the John and Nettleship families, could derive either from Gwen John's estate or that of Augustus John. Also included are prints made from negatives of the same provenance.