Dangos 33 canlyniad

Disgrifiad archifol
Watkins, Vernon Phillips, 1906-1967
Rhagolwg argraffu Gweld:

Redfern, Tate, Arts Council

The file comprises over 160 letters to David Jones relating to his pictures, exhibitions and reproductions of his pictures from The Redfern Gallery, The Tate Gallery, The Arts Council, The British Council, the Golden Cockerel Press, CEMA and many other galleries, museums, firms and organisations. There are also letters from Frances Richards, Margaret Aeron-Thomas and others with an introduction to an exhibition of the '56 group' by Vernon Watkins.

Richards, Frances, 1901-

D. J. and Florence Thomas,

Holograph letter, dated 31 December 1941, by Dylan Thomas to his parents D. J. and Florence Thomas, written in black ink on lined paper (ff. 1r-3r) and sent from Chiswick, thanking them for the Christmas presents; writing from London, he refers to the time spent in Oxford with Alan and Margaret Taylor over the Christmas holiday, the urgency to find somewhere for Caitlin and Llewelyn to stay near the capital, his recent work on short information films and a radio script, a visit from Vernon Watkins, and a poem published in Lilliput. The envelope is postmarked January 1942.

Correspondence : 1967

Includes letters from Meic Stephens (18); Dannie Abse (7); Arthur Giardelli (2); Jeffrey Steele (5); George Ewart Evans; Susan Glyn (2); Dora Polk (5); John Stuart Williams (7); Robert Shaw (2); R. S. Thomas; John Pook (3, including poems by him); Tony Curtis; Alun Llewellyn (16); Glyn Jones (2); Thomas Taig (3); H. P. Collins (4); Neville Masterman (7); John Idris Jones (8); Cecil Price (17); Kent Thompson (2); Bryn Griffiths (4); Ian Parrott (4); Bernard Lloyd (4); R. George Thomas; Howard Sergeant (2); Kay Harris; John Alun Davies (2); Brian Way (3); Alison Bielski; Vera Rich (copy); Randal Jenkins (5); Ray Howard-Jones; Raymond Garlick (4); David Gallon (4); Leslie Norris (2); John Snelling; Tom Earley; David Parry; Vernon Watkins; John Ward (3); A. G. Prys-Jones (3); Ralph Salisbury (2); Gerald Morgan; Joseph P. Clancy; Annemarie Towner (2); Robert Morgan; Eiluned Lewis (3); and Harri Webb (copy).

Stephens, Meic

Miscellaneous letters,

Photocopies and typescript copies, produced [1955x2000], of seven letters from Dylan Thomas, dated [?1935]-1953, found loose amongst papers acquired in this group. Most were published in Paul Ferris ed., The collected letters of Dylan Thomas (London, 1985). Among the recipients are Marguerite Caetani (2), Pamela Hansford Johnson, J. Oliver Stephens, and Vernon Watkins (signed by VW).

Opus 10: Canticle for Tenor and Piano: Words by Twentieth Century Anglo-Welsh Poets (six parts)

Draft score in ink with pencil annotations, dated 1956-1961 and titled Opus 10: 'Canticle for Tenor and Piano: Words by 20th-century Anglo-Welsh Poets'. The score is in six parts: Part 1, 'Lean on the Rail' by Randal Jenkins, dated 1 - 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated 16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; and Part 7, 'There is No Time' by Raymond Garlick, as a loose page draft pencil partial score, dated 24 January 1961. Part 6 is wanting.

Vernon Watkins

Manuscript and typescript draft, 1974, of Vernon Watkins (Cardiff, 1974), part of the Writers of Wales series. Also included are typescript copies, with some manuscript amendments, [1969]-[1979], of various articles and a talk by Roland Mathias about Vernon Watkins; and additional notes, letters, photocopies and cuttings, [1960]-1984, pertaining to Vernon Watkins.

Letters,

Over a hundred letters, 1956-78, to Keidrych Rhys from various correspondents (surnames T-W), mainly in his capacity as editor of Wales and Welsh correspondent of The People, together with poems, short stories and essays submitted to him for publication. The correspondents and contributors include George Thomas (1) 1961, Ned Thomas (1) [1959], the Reverend E. Meurig Walters (1, with sixteen poems) 1955, Vernon Watkins (3) 1957-9, Harri Webb (16, with one poem and a book review) 1957-64, and Angus Wilson (1) 1968.

Radio scripts (general)

The file comprises scripts which all appear to be radio broadcasts, including manuscript drafts, 1945-1982 (with gaps), a number of which are reviews by Glyn Jones of various books. Included are scripts of a tribute to Idris Davies, 'I was born in Rhymney', [1953], 'The dream of Jake Hopkins', 1953, (with a cutting and image relating to the work), 'The misfortunes of Princess Heledd', 1954, an excerpt from The learning lark, 1958, tributes to Henry Treece, 1966, Vernon Watkins, 1967, and Aneirin Talfan Davies, 1980, and an interview regarding Selected poems, 1976. In addition, the file includes scripts of a talk by Gwyn Thomas, 'Present indicative', 1955; and 'Anglo Welsh writing. The bells of Rhymney - Idris Davies' which includes comments by Glyn Jones, 1982; and an undated Welsh translation by Glyn Jones of a script delivered by Jack Jones.

Thomas, Gwyn, 1913-1981

The Prose of Vernon Watkins,

  • NLW ex 2050
  • Ffeil
  • 1969.

A copy of Jane L. McCormick's MA thesis 'The Prose of Vernon Watkins' (Simon Fraser University, British Columbia, Canada, 1969)

McCormick, Jane L.

David Jones letters to Valerie Wynne-Williams

  • NLW MS 24167i-iiiE.
  • Ffeil
  • 1958-1974

One hundred and twenty-four autograph letters, 1959-1974, from painter-poet David ('Dafydd') Jones, all addressed to Valerie ('Elri') Wynne-Williams (née Price), with the exception of two to her husband Michael ('Mihangel') (ff. 54, 112-113) and one to them both (ff. 55-56), discussing a variety of topics including his, and her, health and living conditions, his work, his friends, the Welsh language and Welsh history and politics. Some letters are illustrated with coloured pencil, pen and ink drawings, mainly of animals and flowers (ff. 8, 32, 33, 45 verso, 46 verso-47, 48 verso, 76, 103, 104 verso, 152), inscriptions (ff. 9, 34, 124 verso, 128, 136 verso) and sketch maps of Harrow (ff. 143, 144).
There are references throughout to friends and correspondents including Saunders Lewis (ff. 2-11 passim, 42-188 passim), Harman Grisewood (ff. 4-192 verso passim), René Hague (ff. 42 verso-187 passim), David Blamires (ff. 160, 186, 190 verso, 192), Louis Bonnerot (ff. 123, 186 verso), Tom Burns (ff. 13, 14 verso, 48, 64 verso, 68 verso, 77, 85 verso, 86 verso, 89 verso, 110, 116, 140 recto-verso, 188 verso), Douglas Cleverdon (ff. 68 verso, 160 verso, 162, 163 verso, 187), Aneirin Talfan Davies (ff. 9 verso, 11, 14 verso, 16, 33 verso, 63 verso, 71 verso, 123, 124, 128, 129 verso, 154 verso, 162), Clarissa Eden (f. 107 verso), T. S. Eliot (ff. 51 recto-verso, 62 verso, 67 verso, 69 verso, 71, 73, 74, 85), Gwynfor Evans (ff. 29 verso, 31, 131-192 verso passim), Illtud Evans (f. 6, 11 recto-verso, 37, 46 verso, 57, 61), Arthur Giardelli (ff. 150, 151 verso, 171 verso, 186), Eric Gill (ff. 45 verso, 66, 67 verso, 68 verso, 121), Stanley Honeyman (ff. 84, 140, 154 verso, 159 verso), Morag Owen (ff. 59, 98, 140), Catherine Rousseau (née Ivainer) (ff. 36 verso-127 passim), Stephen Spender (ff. 81 verso-82, 83 verso, 91), Bill Stevenson (f. 158 verso) and Helen Sutherland (ff. 68, 97 verso, 157). There are also occasional references to Desmond Chute (f. 120 verso), Idris Foster (ff. 60 verso, 63 verso), Philip Jones Griffiths (ff. 1, 131), David Lloyd George (ff. 108 verso-109, 127 verso), Megan Lloyd George (ff. 18 verso, 20, 21-22), J. D. Innes (f. 49 verso), Augustus John (f. 85 verso), Alun Oldfield-Davies (ff. 37, 77), Tristram Powell (ff. 142 recto-verso, 144), Caradog Prichard (ff. 19 verso, 77, 108), Kathleen Raine (f. 59 verso), Keidrych Rhys (ff. 6 verso, 8, 9, 16, 30 verso, 36 verso), Meic Stephens (ff. 171, 175), Vernon Watkins (ff. 47, 128 verso), D. J. Williams (f. 106 recto-verso), Kyffin Williams (ff. 49, 63, 77) and R. O. F. Wynne and his family (ff. 61, 62, 63, 64 verso, 67 verso, 81, 94 verso, 96 verso¸ 98, 130 verso), and brief reminiscences of his experiences during the First World War (ff. 70 recto-verso, 76, 79 recto-verso, 108 verso-109, 130 recto-verso, 151 verso, 164). Also included is a copy of his letter, dated 10 August 1959, to Megan Lloyd George (f. 21; for her reply see NLW, David Jones (Artist and Writer) Papers CT3/3, f. 247); cuttings of letters to the Times by David Jones, Valerie Price and others, 1958 (ff. 193-196); and a copy of a 1959 photograph of the two by Philip Jones Griffiths (f. 197). The letter of 23 September 1973 (ff. 178-179 verso) was published under the title 'Yr Iaith' in Planet, 21 (January 1974), 3-5.

Jones, David, 1895-1974

Draft letters

The file comprises miscellaneous manuscript drafts of letters from David Jones to friends and associates, including William Blissett, Jim and Helen Ede, Dame Edith [Sitwell], Ethel [Watts], Rachel Bromwich, Vernon [Watkins], Aneirin [Talfan Davies], [Rhydwen] Williams, [Thomas] Charles Edwards, Prof. Thomas Jones and others. Many of the drafts are incomplete, many only of the first paragraph of the letter. There is also a short note from D. Gwenallt Jones, 1957.

Gwenallt, 1899-1968

General correspondence

The file includes a letter from Rhys Davies regarding the reprinting of his first novel, The Withered Root; letters form Raymond Mathias and Gwen Watkins regarding the reprint of Vernon Watkins' Unity of the Stream and from Dai Smith regarding Lewis Jones's Cwmardy and We Live.

Davies, Rhys, 1901-1978

Bill W. Murphy,

Bound typescript (photocopy), [1965x1968], of a paper by B. W. Murphy, entitled 'Creation and destruction. Notes on Dylan Thomas'; together with an offprint of an article based on this work published in the British Journal of Medical Psychology, 41, (1968), pp. 149-167; three related letters, 1964-1965, from the author to Vernon Watkins; and an undated typescript copy of an unsigned letter by Dylan Thomas to Marguerite Caetani.

Canlyniadau 21 i 33 o 33