Dangos 812 canlyniad

Information relating to venues, including a side elevation plan of the Royal Court Theatre, a technical information pack for the Taliesin Arts Centre and a plan of University of Warwick Arts Centre.

Photocopies of photographs, documents and an extract from a production booklet, some of which were possibly used in production information booklets.

Photographs and papers relating to the performance of Ar y Traeth/Patagonia Remics at the National Eisteddfod, including suggestions for the production and papers relating to the arrangement and promotion of the production; together with papers of the production manager Giles Parbery.

Papers relating to the arrangement and promotion of the Patagonia production at the National Eisteddfod, including a work schedule, a poster, and notes and sketches for the promotional material; together with notes relating to the sale of Patagonia t-shirts and a newspaper preview of Patagonia at the Taliesin Arts Centre, Swansea.

Correspondence, photographs and papers reating to the Haearn production at the Old British Coal Works, Tredegar and to possible re-stagings of the production, including publicity papers, scenographic papers, administrative and financial papers, together with details of performance structures, storyboards, scores, copies of production texts and scripts, and devising notes and papers.

Previews, reviews, press releases and production information, including images and photographs; together with information regarding press contacts, some of which come from Nia [Piercy's] press file.

Correspondence and papers relating to the administration and arrangement of the Haearn production, including publicity material information, minutes of various meetings, site/venue plans, scenographic plans and designs, performance structures, work and task lists, a schematic scenario, timetables and action plans, together with a preliminary budget.

Draft and final copies of the texts and scripts for the Haearn production, together with notes and details regarding themes and imagery, and a production structure and [scenario].

Copies of the production storyboard, including a copy noting sound cues and a copy with notes for a tv edit.

Scenographic drawings by Clifford McLucas, some of which show the arrangement of scenographic elements and units and one which is a design for the [Pax] production; together with a plan of the venue in Amsterdam.

Devising notes by Clifford McLucas possibly for a visual or production score for the Haearn production.

An annotated copy of the musical score for the Haearn production, and also including a copy of the production scripts/texts.

Devising notes and papers by [Clifford McLucas] mainly relating to the venue, set and scenographic elements of the Haearn production; together with some research papers relating to robots.

Correspondence and papers relating to a proposed performance of 8961 – Canzoni di angoscia e di speranza by Lis Hughes Jones at Santarcangelo dei Teatri, regarding arrangements and administrative matters.

A letter from Theatre Action Crearc, Grenoble enquiring whether Brith Gof were free for the festival and for details of work and costs, together with a reply.

Press articles relating to the performance of Los Angeles at the Mayfest in Glasgow; together with a festival guide and correspondence and papers relating to arrangements.

A copy of a thesis: A Brief Study of the Influence and Effect of Welsh Culture upon the Theatre in Wales, which includes a chapter relating to Brith Gof.

Correspondence and papers relating to applications for financial assistance for various productions, including also production information and budgets.

Correspondence and papers relating to the Magdalena Project's activities, with which Lis Hughes-Jones was presumably involved, regarding matters such as membership, the newsletter, various productions, meetings, workshops, festivals and conferences, together with some leaflets for women's theatre groups, articles about the Magdalena Project and correspondence relating to the Ann Griffiths Festival at which Lis Hughes Jones was performing.