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Material relating to the 26th International Ballad Conference, held at University College of Wales, Swansea, 19-24 July 1996, at which Jen Wilson presented a talk/performance titled Black, blue & red: a feminist historical perspective on gospel music & the blues, 1860-1930, including call for papers; abstract of Jen Wilson's talk; full texts of talks to be presented, with details relating to speakers; conference schedule; and correspondence.

Report on the Arts Strategy for Swansea conference which took place 28 March 2007 at the Liberty Stadium, Swansea, together with a bilingual leaflet titled A Policy for the Arts in Education for the City and County of Swansea. While the report suggests that Jen Wilson attended the conference, there is no indication that she gave a formal presentation.

Material relating to the BEN (Black Environment Network) Networking Conference held in Swansea, 4 June 2003, comprising conference schedule and booking form; list of delegates; correspondence and enquiry sheets; and brochures and information sheets relating to BEN projects and activities. It appears that Jen Wilson/Women in Jazz did not give a talk at this conference, being present as attendees only.

Material relating to a concert performance by Wilson & Morgan's Café Society Ensemble at the Chattery Café, Swansea, 21 April 2001.

A claim for allowances sent to the Lords Commissioners of His Majesty's Treasury by Thomas Clifford, receiver general of taxes for Monmouthshire for the years 1715 and 1716, and including notes on plays presented at the Swansea Theatre in 1800.

Commonplace book, [1850s]-1898, of the Rev. William Rees, curate of St John-juxta-Swansea, Glamorgan (1848-1861), and vicar of Bettws, Carmarthenshire (1861-1865), and Llanboidy, Carmarthenshire (1865-1898), containing quotations and other transcripts from printed sources and material relating to Rees, his family history and to genealogy and local history in the Swansea area more generally.
Material relating to Rees and his work includes memoranda concerning Bettws Church, 1862-1865, including registers of attendance, lists of parish poor and copy letters (ff. 295 verso, 296 verso, 297 verso-302, 303, 304 verso); registers of attendance at Llanboidy Church, 1866-1868, 1876-[1897] (ff. 257 verso-264, 266 verso-271, 289-292); copies of nine letters published in The Welshman (1867) concerning his mixed language services at Llanboidy (ff. 153 verso, 154 verso-163 verso); transcripts of deeds, 1822, 1880, relating to family property in St John-juxta-Swansea (ff. 222 verso-229 verso); and copies of eleven letters to Rees, 1895-1898, mainly concerning the death of his wife (ff. 244 verso-247). Genealogical and historical material includes pedigrees and notes relating mostly to families in the Swansea area, as well as Carmarthenshire and Pembrokeshire (ff. 3 verso, 15 verso, 69, 166 verso, 174, 175, 180-184 verso, 191 verso, 198, 200 verso-217 verso, 240 verso-241, 264 verso, 271 verso-278, 280 verso-281 verso, 285-286, 287 recto-verso, 297, 303 verso, 309-310, 311, 312-314, 316); transcripts from parish registers and other records, mostly eighteenth-century, relating to Llangyfelach (ff. 159, 165-166, 171 verso, 175, 176, 193, 195 verso-196 verso, 198 verso-200, 215, 216, 217-218, 221 verso- 222, 230, 231 verso-236, 237 verso-240, 288, 295) and Llansamlet (f. 197 recto-verso, 244, 315 recto-verso); transcripts from seventeenth- and eighteenth-century wills, together with lists of wills, mainly relating to Llangyfelach (ff. 167, 169-171, 173-174, 176 verso-179, 180 verso, 218, 278 verso-280, 284 verso, 286 verso, 292 verso-295); names and other genealogical information extracted from seventeenth- and eighteenth-century manorial and taxation records relating to the manors of Kilvey and Clase, and to the hamlets of Parcel Mawr and Parcel Penthery [Penderry], Llangyfelach (f. 167 verso-168 verso, 172 recto-verso, 174 verso-175 verso, 185-191, 236 verso-237, 240, 241 verso-243 verso, 310 verso); miscellaneous transcripts and notes relating to Rees's ancestors, the Popkin family (ff. 176, 191 verso-192 verso, 195, 197 verso-198, 230 verso-232, 288 verso); and a transcript of the diary of Lewis Thomas [of Swansea] for January-October 1684 (ff. 282-284, 307-308 verso). The general quotations and transcripts, [1850s]-1897, concern a wide variety of subjects, including theology, history, Biblical history, literature, philosophy and Welsh poetry (ff. 2-3, 4-68 verso, 69 verso-148, 149-154, 164 recto-verso, 167 verso, 171 verso, 243, 247 verso-248 and 301 verso-306 passim). Items found loose within the volume, including two leaves excised between ff. 281 and 282 (now ff. 307-308), miscellaneous original documents collected by Rees, 1754-[mid 19 cent.] (ff. 320-325), and newspaper cuttings, [?1825]-[1933] (ff. 331-336), have been placed in an archival envelope (ff. 307-336).

Playlist relating to a DACE ((Swansea University's) Department of Adult Continuing Education) Big Band performance at the Quadrant Centre, Swansea, 10 December 1995, in aid of the Chernobyl Children's Appeal.

A manuscript containing selections from Welsh poetry and prose compiled for competition at the Swansea National Eisteddfod, 1863.

Programme of events taking place at the Dylan Thomas Centre, Swansea, October - December 1998, which includes details relating to Then - and Now?/Ddoe - a Heddiw?, a one-day conference on Welsh women's history organised by the Welsh Women's Archive, at which Jen Wilson provided musical performance on piano. There is no definite evidence to suggest whether or not Jen Wilson also gave a talk at this conference.

Material relating to an illustrated talk titled How African American Music Came to Wales, presented by Jen Wilson at the Dylan Thomas Centre, Swansea, 19 March 2010, including talk scripts; Dylan Thomas Centre events programme; and correspondence.

Material relating to a series of workshops conducted by Women in Jazz at venues in Swansea, Newport and Cardiff as part of the Everywhere In Chains community project, which focused on human slavery and trafficking both historically and in its contemporary context.

Information relating to a book launch event at the Dylan Thomas Centre, Swansea, at which Women in Jazz performed. The book in question was titled Fragments from the Dark: Women Writing Home and Self in Wales and the event was organised by Swansea Bay Asylum Seekers Support Group and Swansea Women's Asylum Support Group, with all proceeds distributed to refugee charities.

Material relating to a concert performance by the Women in Jazz Allstars at the Grand Theatre, Swansea, 4 November 2005.

Material relating to a concert performance by the Roots Trio at Swansea's Grand Theatre, 2 November 2002.

Material relating to Women in Jazz's concert performance at Swansea's Grand Theatre, 1st December 2006

Material relating to a concert performance by the Roots Trio at the Grand Theatre, Swansea, 13 May 2005.

Material relating to a half-day conference titled Women in a Global Perspective, held at the Holiday Inn, Swansea, 14 August 2002, comprising conference schedule and correspondence. There is no evidence to indicate whether or not Jen Wilson attended this conference.

Poster relating to events celebrating International Women's Day held at the University of Swansea's Department of Adult Continuing Education, at which Jen Wilson gave a talk and jazz piano performance.

Material relating to a concert performance by the Roots Trio at an International Women's Day event held at the Chattery Cafe, Swansea, 7 March 2003.
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Material relating to a proposed musical workshop/performance by the Dodgy Jammers titled Jamalot which was to have been held at Swansea Castle, 10 September 1999, but which was cancelled at the last minute.