Showing 44 results

Papers relating to the I Wlad Dda a Helaeth television production by Brith Gof including, a catalogue of slides of Patagonia, production texts and scripts, a first draft of a screenplay, oral history transcripts, a promotional postcard and preparatory papers.

Correspondence, photographs and papers reating to the Haearn production at the Old British Coal Works, Tredegar and to possible re-stagings of the production, including publicity papers, scenographic papers, administrative and financial papers, together with details of performance structures, storyboards, scores, copies of production texts and scripts, and devising notes and papers.

Papers and photographs relating to the Gwynt, Glaw, Glo a Defaid production, including a notebook, an information leaflet, previews and reviews, and design and final copies of the production poster.

Correspondence, papers and photographs relating to the Bible banners and the touring exhibition and to the Bible Festival in Llanrhaeadr-ym-Mochnant, including papers relating to the design of the banners and the devising, planning and production of the street performance; together with copies of festival and exhibition publications, articles regarding the banners and Lis Hughes Jones' workbook.

Correspondence, papers and photographs relating to the Gododdin production, regarding the performances in Scotland, Holland, Italy, Germany and Cardiff and the production in general, comprising mainly scenographic designs and sketches, production workbooks, work plans, scenarios, previews, reviews and publicity material; together with papers relating to the exhibition held at the Chapter Arts Centre relating to the Gododdin production and Clifford McLucas’ visual diary artwork.

Lis Hughes Jones' papers relating to the Gernika! production including a copy of the production score and melody lines, together with production notes and notebooks.

Papers and photographs relating to the EXX-1 production comprising mainly stage directions, prospectus, scenographic designs, reviews, and a soundtrack information leaflet; together with a copy of Clifford McLucas’ visual diary artwork which was based on the EXX-1 production and a file of the production manager, Giles Parbery's papers.

Correspondence and papers relating to the Estronwyr/Work in Progress (Strangers) production with La Fura del Baus, including devising notes and sketches, production texts, a project information document, a funding application, photographs and photocopies of photographs, La Fura Del Baus company publications, publicity material, performance organising principles, and research material.

Correspondence and papers relating to the general arrangements and planned activities for the Brith Gof stall during the Eisteddfod.

Correspondence, papers and photographs relating to three productions of the Disasters of War project, including Part 3/Besatt, Part 8/Y Gadair Ddu and Part 10, comprising reviews, work notes, research material, production information, publicity material, and design and production notes; together with papers relating to the project in general.

Company publications and proposals, including discussion papers and company prospectuses, regarding training and pedagogy, digital media developments, television and theatre projects, and an installation.

Company information papers including a review of work and a copy of an interview with Mike Pearson and Clifford McLucas.

Papers relating to company business and information including a variety of company information papers, finance papers and papers relating to activities with other companies/groups.

Correspondence and papers relating to the Brith Gof archive, including the safekeeping of the archive and details of the contents of the archive.

Papers relating to the Boris production, including copies of the John Berger texts, a Welsh script, devising notes and notes regarding general arrangements.

Papers and photographs relating to productions that were part of the Auturius Rex Project, including press, marketing and publicity material, production information, notes and ideas, and production texts/scripts.

Various articles, reviews, publications and essays relating mainly to the work of Brith Gof, the company, site-specific theatre and theatre in Wales, including previews and reviews for various productions between 1981 and 1988; interviews with company members; and articles and chapters by Mike Pearson and Clifford McLucas; together with an article regarding Clifford McLucas' visual diary artwork.

Photographs and papers relating to the performance of Ar y Traeth/Patagonia Remics at the National Eisteddfod, including suggestions for the production and papers relating to the arrangement and promotion of the production; together with papers of the production manager Giles Parbery.

Handwritten notes that appear to be notes on actions and also texts and ideas.

Papers relating to the A Oes Heddwch production including photographs, photocopies of video stills and a cassette cover.