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Among the correspondents are Bernice Rubens; Roland Mathias; and Angela Morton (2).

Correspondence, mostly concerning poems submitted for The Anglo-Welsh Review, including letters from Chris Bendon; Ivor C. Treby (4); Ruth Bidgood (7); Mike Jenkins (3); Roland Mathias (2); Tom Earley (3); John Davies; Tony Curtis; Joyce Herbert (3); Sheenagh Pugh (2); Alison Bielski (3); Nigel Jenkins; Bridget Joseph; John Tripp (3); Rosamund Stanhope; Michael Farley; D. S. Savage; Susanne M. Dumbleton; Tom Rawling; Margaret Toms (4); Jon Dressel (7); J. P. Ward; Pete Morgan (4); David T. Lloyd (3); John Barnie (2); Gerald Dawe (4); Jane McLaughlin; Gerard Casey (12); Leslie Norris (2); David Constantine (2); Philip Owens (3); Moelwyn Merchant; Wes Magee (2); Steve Griffiths (2); Sam Adams (2); Jack Clemo (6); Ted Hughes; Anthony Conran; Paul Wilkins (4); I. P. Taylor (3); Phyllis M. Jones; R. S. Thomas; Ian Hughes (3); Dudley G. Davies; Mary Casey; Charles Kohler; A. G. Prys-Jones (3); Leonard Clark; Andrew McNeillie; Lynn M. Trowbridge; Huw Jones; Brian Martin Davies (addressed to Huw Jones); Richard Poole; and Chris O'Neill. Some letters are addressed to Roland Mathias.

Correspondence, mostly concerning articles, stories and poems submitted for The Anglo-Welsh Review, including letters from Steve Griffiths (2); A. G. Prys-Jones; Greg Hill; Ronald Lowe; Mike Jenkins; John Pikoulis (5); Sylvia Kantaris (2); Ruth Bidgood (4); Pauline Stainer (2); William Cooke; John Tripp; William Sherman; Gwyn O. Jones (3); Jennifer Drake-Brockman (4); Alun Llewellyn (4); Jacqueline Banerjee (5); Gweno Lewis; Meic Stephens; Chris O'Neill (2); Edward Larrissy; Anthony Conran; Raymond Garlick (2); D. Graham Jenkins (2); Stephen Tunnicliffe; Edward Levy (6); Belinda Humfrey (3); Richard Poole (2); Roland Mathias; Roger Stephens Jones; Colin Wilcockson (3); Susanne M. Dumbleton; Raymond J. Cormier (3); Hugh McKinley; Edward Neill; Ruth Pryor (2); Angela G. Dorenkamp; Ned Thomas; H. Morgan Waidson (4); Linden Peach; Peter Slater; Patrick Thomas (2); Dominic J. Hart (2); Richard A. Davies (3); Frederick Grice (6); Frances Meredith (2); Robert Nisbet; Graham Jones (3); and Cecil Price. The file also includes photocopies of a letter by W. H. Davies, 1907, and an editorial from Welsh Outlook, 1917. Some letters are addressed to Roland Mathias with copies of replies by him.

Photocopy of a typescript index, 1977, to Dock Leaves, with introductory remarks; a letter, 1978, addressed to Roland Mathias from Annette Thomas, who compiled the index, and a copy of his reply. Also included is a copy of the first newsletter of the Welsh Society of the Southern Tier, 1978.

The file includes letters, 1944-1978, from Anna Kavan (35), Robert Macbryde (2), Raymond Marriott (8), Roland Mathias (4), Bill Naughton (6), and Count Potocki of Montalk (5), together with a booklet No English horse, published in 1967, containing translations of poems from the Magyar by him and a check list of publications by or concerning him published in 1974. There are also letters from Louis F. Quinain (4), Keidrych Rhys (7) and Richard Rhys (3), together with transcripts of letters from D. H. Lawrence to Rhys Davies, 1929, and of letters from Frieda Lawrence to him, 1928-1929.

The file comprises 322 letters to Sam Adams, from Graham Allen (11), Ruth Bidgood (9), Alison Bielski (5), Duncan Bush (4), Joseph Clancy (6), Gillian Clarke (7), Tony Curtis (8), John Davies (13), Jon Dressel (7), Raymond Garlick (11), Jeremy Hooker (36), B. S. Johnson (4), Glyn Jones (15), Roland Mathias (60), Robert Morgan (21), Leslie Norris (44), John Ormond (5), Philip Pacey (15), Alun Rees (11), John Tripp (13), and Harri Webb (16). -- The correspondence mainly relates to poetry, especially Poetry Wales, The Triskel poets series, Ten Anglo-Welsh poets (1974), and to the anthology of short stories, The Shining Pyramid (1970). There are also copies of poems by B. S. Johnson, Leslie Norris, and John Tripp; English translations by Joseph Clancy of poems by Bobi Jones; and biographical information provided by Graham Allen, Alison Bielski, Gillian Clarke, John Davies, Robert Morgan and Alun Rees.

Includes letters from Betty Mulcahy (2); Mavis Carter (6); Robert Minhinnick; Gwyn Parry (11, including a poem); Shelagh Hourahane (2); Berlie Doherty (3); Christine Evans (2); Mary Oldham; Lesley Grant-Adamson (4); Candyce Clayton (2); Berenice Moore (3); Cary Archard; Irene E. Thomas; Angela Morton (6, including a poem); Howard Bowcott; Anna Jauncey (3); Julia Bell; Moelwyn Merchant (2); Cora Greenhill; Alison Leonard (including a poem); Michael Horovitz; Maggie Hannan (including poems); Myra Schneider (including a poem); Gerard Casey; Gwyn O. Jones (2); Bill Headdon; Tony Curtis (copy); T. A. Owen (2); Roland Mathias (2); Glyn Jones (2); Eric Alexander (enclosing poems); Maurice Rutherford (3); Michael Holroyd (2); Roger Garfitt; Enid Luff; Meic Stephens; Carys Bell; Kate Foley; and Jeremy Hooker.

The file comprises mainly of correspondence, 1968-1969, relating to the preliminary meeting and other early meetings of the English Language Section of the Academi. The preliminary meeting was arranged by Meic Stephens and the file includes invitations sent out by him, letters of reply, and letters commenting on this first meeting. The file also includes letters inviting writers to become members of the Academi, their replies and lists of those writers who have accepted or declined membership. There are a few references to discussions about the establishment of a new English language literary magazine, an idea which was rejected for the time being. There are letters from and references to, many prominent Anglo-Welsh and Welsh language writers including Dannie Abse, Alison Bielski, W. H. Boore, Alexander Cordell, Brenda Chamberlain, Tony Conran, Rhys Davies, Tudor David, Menna Gallie, Bryn Griffiths, Peter Gruffydd, Raymond Garlick, Ll. Wyn Griffith, Gwenallt, Cledwyn Hughes, Richard Hughes, Emyr Humphreys, A. G. Prys Jones, David Jones, Dedwydd Jones, Glyn Jones, Gwyn Jones, Jack Jones, John Idris Jones, Sally Roberts Jones, Bill Meilen, Gerald Morgan, Robert Morgan, Roland Mathias, Leslie Norris, John Ormond, Alun Owen, D. Parry-Jones, Cecil Price, Alun Richards, Gwyn Thomas, R. S. Thomas, John Tripp, Aled Vaughan, Richard Vaughan, Harri Webb, Gwyn Williams, Herbert Williams, John Stuart Williams and Raymond Williams.

The file contains corresondence, 1968-1969, accumulated by Sally Roberts Jones as secretary of the English Language Section of the Academi. The correspondence relates to the first and other early meetings of the section and includes letters and references to many prominent Anglo-Welsh and Welsh language writers including Dannie Abse, Alison Bielski, W. H. Boore, Brenda Chamberlain, Alexander Cordell, Aneirin Talfan Davies, Pennar Davies, Rhys Davies, Tom Earley, Raymond Garlick, Ll. Wyn Griffiths, Peter Gruffydd, Cledwyn Hughes, Richard Hughes, A.O.H. Jarman, Glyn Jones, Harri Pritchard Jones, John Idris Jones, R. Brinley Jones, R. Gerallt Jones, Sally Roberts Jones, T. Gwynn Jones, Roland Mathias, Bill Meilen, Gerald Morgan, Robert Morgan, T. J. Morgan, James Morris, Leslie Norris, D. Parry-Jones, T. H. Parry-Williams, Cecil J. L. Price, A. G. Prys-Jones, Alun Richards, Kate Roberts, Meic Stephens, Gwyn Thomas (Bangor), R. George Thomas, Aled Vaughan, Richard Vaughan, Gwyn Williams (Trefenter), Herbert Williams and Raymond Williams.

Manuscript vocal score of 'Craswall' (words, Roland Mathias). Published in 'Three songs on poems' by Roland Mathias, Magor: Mansel Thomas Trust, Ref: MT164 and MT220 [1998?].

Manuscript vocal score of 'Channel saint' (words, Roland Mathias). Published in Three songs to poems by Roland Mathias, Magor: Mansel Thomas Trust, Ref: MT164 and MT220 [1998?].

Manuscript vocal score of 'God is' (words by Roland Mathias), composed April 1975. Published in 'Three songs on poems' by the Mansel Thomas Trust, [1998?].

The Writing in Wales Welsh Academy resource pack for schools was published in 1986 with the support of the Welsh Arts Council and the assistance of the Polytechnic of Wales. The pack was edited by Tony Curtis and Cliff James and contributers included Gillian Clarke, Jonah Jones and Roland Mathias.
The group contains various correspondence, papers and drafts of articles prepared for the Writing in Wales Welsh Academy Research pack.

The file consists mostly of correspondence, 1987-1989, between the Academi's English Language Section administrator and its members. The file includes a resignation letter from Raymond Garlick over issues relating to the New Welsh Review. There is also correspondence with other prominent writers including Cary Archard, Christine Evans, Graham Thomas, Roland Mathias, Carl Tighe, Gillian Clarke and Robert Minhinnick.

Over a hundred and fifty letters, 1961-88 in English, Welsh and French, from various correspondents (surnames Jones-W). The letters, some of which include fair copies of published poems, are chiefly concerned with contemporary writing in Wales in both English and Welsh and with the recipient's work as editor of a number of volumes in this field. The correspondents include Glyn Jones (36, and three poems) 1967-86, Gwyn Jones (6) 1967-87, Saunders Lewis (1) 1974, Roland Mathias (17) 1961-86, Leslie Norris (32, and one poem) 1967-86, Eigra Lewis Roberts (2) 1970-3, R. S. Thomas (1) 1975, John Tripp (8) 1968-78, Harri Webb (14) 1967-79, and Kyffin Williams (8) 1970-1.

The file comprises papers, [1972], [1979]-1980, [1985], and 1987-1989, relating to The Collected Poems of A. G. Prys-Jones, ed. by Don Dale-Jones (Llandysul, 1988), which includes a foreword by Glyn Jones. The file mainly consists of correspondence between Don Dale-Jones and Glyn Jones, 1987-1989, mostly regarding the anthology; with a typescript draft of the foreword, 1980; and typescript copies of the contents and introduction to the work, entitled 'Selected poems', by Don Dale-Jones, 1985 and 1987. Also included is a draft letter from Glyn Jones to Roland Mathias.

Partial score, in ink and pencil, [1978], titled Opus 45: 'Canticle No.2: Five Poems of Roland Mathias For Voice and Piano'. The score was originally commissioned by the Cardiff Festival of 20th Century Music, with the assistance of the Welsh Arts Council.

Ink score in five parts, [1978], titled Opus 45: 'Canticle No.2: Five Poems of Roland Mathias for Voice & Piano'. The score was commissioned by the Cardiff Festival of 20th Century Music, with the assistance of the Welsh Arts Council.

Original ink score with pencil annotations, titled 'Canticle for Tenor and Strings' and arranged into parts for violins 1 and 2, viola, cello, and double bass. The score includes three parts based on Harries' work 'Words by 20th-century Anglo-Welsh Poets': Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961. Parts 1, 2, 4 and 5 are wanting.

Mae'r ffeil yn cynnwys llythyrau sy'n trafod gwaith yr Academi o ddydd i ddydd dan ysgrifenyddiaeth Gwyn Thomas, ynghyd â sylwadau ar gyhoeddi Taliesin. Mae'n cynnwys llythyrau gan, a chyfeiriadau at, nifer o lenorion adnabyddus, yn eu plith; Gwenlyn Parry, Dic Jones, Tecwyn Lloyd, Islwyn Ffowc Elis, Rowland Mathias a Meic Stephens. Ceir cyfeiriadau at sefydlu Cymdeithas Awduron Cymru ac Adran Saesneg yr Academi Gymreig.