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An early seventeenth century text of a metrical version of the Psalms by James Rhys Parry ('Eos Eyas', 'Eos Ewyas', fl. 1570? - 1625?), Ewyas Lacy, Herefordshire. The title reads 'Salmay Dafydd Broffwyd Gwedy gynhayddy mywn bryttaniaith gan Siams Parry o eyas'.

'William Williams his Singing Book 1774 ...', being a copy of The Gamut, or Scale of Music, Very necessary to be learnt by Those, who would attain to the delightful Knowledge of Psalmody, to which psalms and anthems have been added in manuscript.

The tune book of John Edwyn Jones of Llanfihangel Genau'r Glyn, and of The Welsh Educational Institution, Llandovery, containing hymn-tunes and psalm-tunes.

A volume of psalm-tunes which belonged to Morgan Davies in 1817.

The tune book of John Richard, Black Lion, Llanrhystyd, 1777, containing hymn-tunes, psalm-tunes, anthems and hymns; and leaves from a tune book of James Jenkins, blacksmith, of Cilcwm, Llangwyryfon, containing hymn-tunes, with additional memoranda by John Jenkins, 1801.

The tune book of Samuel Paigne, Waterford, 1799, containing psalm-tunes, hymn-tunes, anthems and choruses from The Messiah.

A book of psalm-tunes by J[ohn] D[avid] Edwards and others, with a march by David Lewis composed to the words 'Two and two and hand in hand' at the request of John Roberts.

Welsh music, vocal and instrumental, including national airs, hymn-tunes, etc., collected by John Jenkins and much of it transcribed by him; Welsh airs collected by John Gwynne (Philomusus) and Aneurin; and psalm-tunes, many of them sent for competition at the Powys eisteddfod, 1824, by J. Davies (Glynceiriog), David Harris (Nantllymysten, afterwards of Carno), David Jenkin Morgan (Dewi Cynllo), Cadwaladr Jones (saer maen, Trawsfynydd), John Cain Jones, Robert Jones (Saer maen, Llanuwchllyn), James Lewis (Cwmscawen, Radnorshire), William Owen (Gwilym Glan Hafren), David Owens (Eglwysfach, Denbighshire), Pierce Pierce (Mold), and Roger Woodhouse (Newtown).

Hymn- and psalm-tunes, anthems, responses, etc., collected, and some of them composed by, Richard Ellis, parish clerk, Dolgelley, editor of Casgliad o Salmau, Hymnau, ac Anthemau Dewisedig... (Dolgelleu, 1810).

Ink score.

A volume written by Thomas Richards, Darowen during the period 1819-31, containing hymns, metrical psalms, 'carolau plygain', etc. by Thomas Jones (Creaton) (at Longnor, 1781), Thomas William (1798), ?Thomas Richards (Darowen) (1819) ('A Gyfiaethwyd o waith Mr. [Ralph] Erskin[e]), John Powel (Llansannan) (1767), Owen Robert(s) (1795), David William [Llandeilo-fach], E[dward] Jones [Maes-y-plwm] (1797), Rowland Hugh (Grienyn), David Richards ('[Dewi] Silin'), David Thomas ['Dafydd Ddu Eryri'], William Jones (Rhos Llanerchrigog), Jonathan Hughes, Walter Davies ['Gwallter Mechain], Evan Evans ['Ieuan Glan Geirionydd'] (1822) and D'd Harries (Darowen) (1831), and anonymous poems.

'The "Te Deum" arranged to be sung to 10 Double & 9 Single Chants-following each other, in order to avoid the monotony of singing the whole to one Chant', 'Jubilate', and hymns and psalm-tunes, most of them composed by John Orlando Parry when he was organist of St. Jude's Church, Southsea.

The tune book of Thomas Jones, Newhavren at the age of twenty, 1838. It contains a large collection of hymn-tunes and psalm-tunes, mostly unsigned. Signed tunes are by Hugh Jones, Pen y Bwth, John Ellis, Robert Williams, Richard Roberts, Llandrygarn and Edward Jones.

The tune book of John Roberts, Llanegryn, 1826, and later of Bontdolgadfan, containing anthems, hymn-tunes and psalm-tunes by John Roberts, Pantyniwl, John Williams, Abermawddach, H[ugh] Jones, Maesglasau, W. Williams, Llanegryn, John Edwards, Llangadog, the Reverend Richard Phillips, Bala, John Roberts, Llanbrynmair and others; and a hymn for use in Sunday Schools ('Yn ysgol bur fy Nuw').

The tune book of Rowland Jenkins Richards, Llangwyryfon, containing hymn-tunes and psalm-tunes, with notes by David Lewis.

A book of hymn-tunes and psalm-tunes, mainly by John Williams, Dolgellau ['Ioan Rhagfyr'], together with Welsh airs: 'Difyrrwch Gwŷr y Gogledd', 'Cân hen Ŵr y Cwm' and 'Cwymp Llewelyn'.

The St. Asaph Tune Book, A musical companion to the St. George Hymn Book ..., Rhyl, 1876, with additional notes by David Lewis, including biographical notices of the Reverend T[homas] Williams, Llansantsior, the Reverend John David Edwards, Rhosymedre and W[illiam] J[ohn] Hughes, Rhyl; and tunes taken from John Playford: The Whole Book of Psalms, London, 1707, and Nathaniel Gawthorn: Harmonia Perfecta, London, 1730.

Unharmonised hymn-tunes, anthems, and psalm-tunes.

Ink full score, piano score, proof copy (in tonic sol-fa notation only) and instrumental parts.

An early nineteenth century music book of Charlotte Louisa Talbot [afterwards the wife of the Reverend John Montgomery Traherne, Coedriglan] ('the gift of Mama'). The volume contains songs, psalms, hymn-tunes, dances, etc., and the titles include 'Glamorganshire March', 'The Soldier's Joy', ' La Piedmontaise', 'O What a beau my Grannie was', 'Progressive Lesson' ('by Hulmandel', i.e., Nicolas Joseph Hullmandel), 'Duke of Gloucester's March', 'Easter Hymn', 'Hymn' by [Ignaz Joseph] Pleyel, 'The Highland Queen', 'Song in Rosina', 'Song in poor Soldier', 'The Complaint' by [? William] Jackson, 'Somebody' by Lady Cornwallis, 1776, 'Rock & wie pickle tow', 'Lady Priscilla Bertie's Minuet', 'In Airy Dreams', 'Egyptian Love Song', 'Babling Echo', 'Song', 'Down the Burn Davy', 'The Belfast Almanack ', 'Sir Watkins Delight', 'Black Mary' ('very old Galic air'), 'Barcarole ', 'Marlbroug', 'Aria' by [Wolfgang Amadeus] Mozart, 'Kate of Aberdeen', 'The Fields were green', 'Rest beauteous flow'r . . .' by Jackson, 'Thou soft flowing Avon. . .' by Dr. [Thomas Augustine] Arne, 'Valenciennes March', 'Waltz', 'Mrs. Brunels Waltz', 'Lord Wellington', 'Oh the Moment was sad' ('Irish'), 'Leipsic Waltz', '2d Waltz', '3d Waltz', '4th Waltz', 'Amour, cruel amour', 'Oh Nanny' by [Jan Ladislav] Dussek, 'Rondo', 'Kielmark's Romance', 'Chatley Waltz', ['La pipe de Tabac'] by [ ] Varnier, 'Thirty second Psalm', '34th Psalm', '42d Psalm', 'Mrs. Macdonald ', 'Rousseau's Dream', 'La Brillante', 'Austrian Waltz' by [John] Parry [ of Ruabon], 'Air' by [?P.M] Meyer, 'Barcarole', 'The Porteynon Whim' (1817 ), 'Vincennes Waltz', 'Miss Knight's Waltz', ['Waltz'] by [ ] Ferstein, 'She rose and let me in', 'La Paysanne', 'Folia d'Espagna', 'La pion pion d' Estelle', 'March' by [Robert Nicolas Charles] Bochsa, 'Waltz' by [Johann] Schenk, 'The Hyperbole' ('composed by Mrs. R. J.'), 'Waltz', 'Thema', 'The Queens Minuet', 'Psalm 34th', 'How long wilt thou forget me Lord . . .' by [ George Frederic] Handel, 'Part of the Service of the Greek Church as performed in Russia', 'Psalm VIII' ('Magdalen Evening hymn'), 'No t'was neither shape nor feature . . .' by [Johan Sebastian] Bach, 'The Inconstant's Waltz', [ ] by [ ] Pleyel, 'The Lass that was laden wi' care', 'Conway Castle' by [John] Parry, 'Emma's Reel', Welsh air ('Os ai dithau duwa y lech blaen nant ty . . .'), [ ] by [ ] Pleyel, Welsh air ('[Pan] own i ar foreudydd ...'), 'Toi!', 'Air by Lady Catherine Bligh', ‘'Jones's Hornpipe', 'Andante' by [P. J.] Meyer, senior, 'Where the bee sucks' by Ame, [ ] by [Girolamo] Crescentini, 'Rondo' by Bach, [ ] by Bach, 'Lochaber', 'Miss Johnson's Reel', 'Sonata' by [William] Corbett, 'Romance' by [Franz Joseph] Haydn, 'Air' by [Giovanni Battista] Viotti, 'La Montaguarde' by [ ] Trenisi, 'Waltz', 'March' by Handel, 'Arietta Romana', 'Wire a' Noddin', 'Indian Air', 'Sonata' by [?Johann Samuel] Schroeter, 'Rondo in 11 Barone di Terre forte' by [?Tommaso] Giordani, 'L'Été', 'La Foe', 'La Flora', 'La Matilde', 'Le Tancred', 'Zitti Zitti', 'La Limerick', 'La Nouvelle Fantaisie', etc. The greater part of the volume is indexed.