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Deunydd yn ymwneud ag Ysgol Haf Ryngwladol Dylan Thomas, 2014-2016, a gynhaliwyd yng Ngholeg Prifysgol Dewi Sant, Llanbedr-Pont-Steffan a lle bu Menna Elfyn yn un o'r tiwtoriaid, gan gynnwys rhaghysbysiadau, amserlenni a gwybodaeth ar gyfer y cwrs, rhestr myfyrwyr, araith gan Menna Elfyn wrth gyflwyno Gwobr Farddoniaeth Ryngwladol Dylan Thomas, gwybodaeth am Dylan Thomas, ynghyd ag enghreifftiau o'i waith, ac adborth un o'r myfyrwyr.

Material relating to the Dylan Thomas Jazz Suite 'Twelve Poems', a piece commissioned by the Dylan Thomas Centre in Swansea to commemorate the fiftieth anniversary of the death of celebrated Swansea-born poet and writer Dylan Thomas. Composed by Jen Wilson, the Suite comprises jazz settings of twelve of Thomas's poems. The work was performed as part of the Sean Dunne Writer's Festival in Waterford, Ireland, at the 2003 Brecon Jazz Festival and at the Madog Center for Welsh Studies, Unviersity of Rio Grande, Ohio; however, funding for a tour of 'Twelve Poems' to mark the Dylan Thomas 100 centenary festival of 2014 was rejected. The material includes copious correspondence; funding applications; projected expenses; list of potential performance venues; enquiry sheets; press releases and previews; posters; concert programmes; performance contracts; and press cuttings; together with general material relating to Dylan Thomas and Dylan Thomas festivals.

Second draft screenplay by Bill Forsyth titled Rebecca's Daughters, adapted from the 1948 novel of the same name by Dylan Thomas.

Edited and annotated screenplay by Wayne Parker titled Adulation, together with plot synopses and brief critical evaluations. The storyline centres around a series of murders carried out in New York in the days preceding the death there in 1953 of poet Dylan Thomas.

Stage play script by Neil Titley titled Where Tawe Flows, based on Dylan Thomas' short stories and his radio play Return Journey.

Screen adaptation by Jack Howells and Jane van Koningsveld of Dylan Thomas' prose piece The Outing, together with covering letter and letter of response, plot synopsis and brief critical evaluation.

The file comprises photocopies and mainly transcripts of extracts from letters referring to Augustus John, including [W. B.] Yeats to Lady Gregory and others, 1907-1935; H[elen] M[aitland] to [Henry Lamb], 1920; Christopher (Kit) Wood to his mother, 1921-1926; Horace de Vere Cole to [J. B.] Manson, 1926; W[illiam] R[othenstein] to Flora Russell, 1935-1944, and to Wyndham Lewis, 1927-[1942]; Dylan Thomas to Frances Hughes, 1939; [Jack] Knewstub to his family, [1940]-[1949]; correspondence between William de Belleroche and Frank Brangwyn, 1943-1950; John Cowper Powys to Louis Wilkinson, 1955-1956; Vivien White to Vera Stubbs, 1959, together with a photocopy of a letter from Bertrand Russell to Lady Melchett, 1964, relating to Augustus John's memorial and extracts from the D'Abernon Papers at the British Library relating to Augustus John's portrait of the Lord.

A letter, 12 December 1964, from Vernon Watkins, Pennard, to the poet and editor Neville Braybrooke, in which he discusses 'The Beach of Falesá', the recently published adaptation by Dylan Thomas of R. L. Stevenson's novella (see Dylan Thomas, The Beach of Falesá (New York, 1963)), as well as his recent work and his visit to Seattle the previous Spring.

Original ink score with pencil annotations, titled 'Canticle for Tenor and Strings' and arranged into parts for violins 1 and 2, viola, cello, and double bass. The score includes three parts based on Harries' work 'Words by 20th-century Anglo-Welsh Poets': Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961. Parts 1, 2, 4 and 5 are wanting.

A typescript draft of Caitlin Thomas's autobiography, Leftover Life to Kill (London, 1957), apparently typed from tape or dictation (see, for instance, ff. 64-65), bearing her more or less final autograph revision, and containing some passages which do not appear in the published work, e.g. the summary of Dylan's usual domestic small talk (f. 39), and his inability to cope with the pestilent 'Bible manglers' of New York (f. 83).

Facsimile copy of ink score, dated 1956-1961, titled Opus 10: 'Canticle for Voice and Piano', and incorporating 'Words by Twentieth-Century Anglo-Welsh Poets'. Consisting of Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I Was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; and Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

Ink score with pencil annotations, dated 1956-1961 and titled Opus 10: 'Canticle for Tenor and Piano: Words by 20th-century Anglo-Welsh Poets'. The score is in seven parts: Part 1, 'Lean on the Rail' by Randal Jenkins, dated 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated 16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; Part 6, 'In the Grass Gold Rings' by Roland Mathias, dated 10 May 1957; Part 7, 'There is No Time' by Raymond Garlick, dated 24 January 1961.

Draft score in ink with pencil annotations, dated 1956-1961 and titled Opus 10: 'Canticle for Tenor and Piano: Words by 20th-century Anglo-Welsh Poets'. The score is in six parts: Part 1, 'Lean on the Rail' by Randal Jenkins, dated 1 - 12 January 1957; Part 2, 'I Will Give you a Golden Flower' by David Harries, dated 16 December 1956; Part 3, 'Lie Still, Sleep Becalmed' by Dylan Thomas, dated 24 July 1957; Part 4, 'When I was a Child' by R. S. Thomas, dated 24 November 1959; Part 5, 'Is There a Cause?' by Vernon Watkins, dated 21 April 1960; and Part 7, 'There is No Time' by Raymond Garlick, as a loose page draft pencil partial score, dated 24 January 1961. Part 6 is wanting.

Two typescript letters, 1953-1955, from Vernon Watkins, Pennard, to poet and publisher John Lehmann, the first, 13 November 1953, concerning the death of Watkins's close friend Dylan Thomas four days earlier (f. 46), the second, 8 August 1955, concerning his foreword to Dylan Thomas, Adventures in the Skin Trade (London, 1955) (f. 47).

Autograph and typescript drafts, 1948-1967, of published poetry and published and unpublished prose by Vernon Watkins, mostly composed following the death of Dylan Thomas in 1953, including drafts of Vernon Watkins's poem 'Elegy for the Latest Dead', 1954, and two unfinished poems by Dylan Thomas, 'Elegy' and 'In Country Heaven', completed by Vernon Watkins; and radio scripts, lecture notes, draft reviews and articles by him relating to Dylan Thomas and his work.

Papers relating to Dylan Thomas and to the Dylan Thomas Trust, [1944x1947]-1975, comprising miscellaneous personal items of Dylan Thomas, 1948-1953, letters addressed to him, 1952-1953, contracts, 1951-1953, and his manuscript map of Llareggub, [1944x1951]; passports of Dylan, Caitlin and Colm Thomas, 1947-[1961]; a fragment of a memoir by Caitlin Thomas, [?1957]; and letters relating to the Trust, mainly addressed to Stuart Thomas, 1953-1975.

Eighty letters, 1939-1966, to John Davenport, literary critic and friend of Dylan Thomas, much of the correspondence relating to literary matters (ff. 1-91). There are references to Thomas throughout, including detailed (and contrasting) accounts, by John Malcolm Brinnin (ff. 12-13) and George Reavey (ff. 71-72 verso), of events surrounding his death.
The correspondents include Kingsley Amis, 1955-1965 (ff. 1-6), John Malcolm Brinnin, 1952-1953 (ff. 11-13), Walford Davies, 1963-1965 (ff. 16-23), Constantine FitzGibbon, 1950-1966 (ff. 27-52), Glyn Jones, March-April 1965 (ff. 57-59), T. H. Jones, 9 November 1961 (f. 60), George Reavey, [November 1953] (ff. 71-72), Roger Roughton, 1939-1940 (ff. 73-80), Caitlin Thomas, 1947-[?1952] (ff. 81-85, including a postcard also signed by Dylan Thomas), and Vernon Watkins, 1956-1965 (ff. 86-90). Also included are further papers relating to Dylan Thomas, comprising manuscript notes by Davenport, [1956x1966] (ff. 92-100); a postcard, [?1950], to Thomas from Jack Lindsay in Prague (f. 101); a typescript, 10 November 1953, of a radio obituary to Thomas by Davenport (ff. 102-104); a typescript article, [mid-1950s], on Thomas by Davenport (ff. 105-114); and press cuttings, 1954-1965 (ff. 115-121). A typescript table of contents is ff. i-iii. Three of the Kingsley Amis letters (ff. 1, 2, 4) are published in The Letters of Kingsley Amis, ed. by Zachary Leader (London, 2000) (pp. 448-50, 464-5, 527-8).

Some one hundred and thirty letters, 1936-1938, to William Ronald Rees Jones (Keidrych Rhys) from over forty contributors and supporters, mostly covering issues 1-3 of 'Wales'. Some of the most notable correspondents are Roy Campbell (1), Idris Davies (6), Rhys Davies (6), Caradoc Evans (3), George Ewart Evans (5), Margiad Evans (3), Ll. Wyn Griffith (2), Nigel Heseltine (8), Richard Hughes (1), Augustus John (1), Glyn Jones (20), John Lehmann (1), Cedric Morris (2), Mervyn Peake (1), A. G. Prys-Jones (1), Goronwy Rees (2), Ernest Rhys (1), Dylan Thomas (10) and Vernon Watkins (7). Many of the letters are accompanied by manuscript and typescript drafts of poetry and prose, mostly published in 'Wales' nos 1 - 3 (1937). Also included are a few notes and press cuttings compiled by Keidrych Rhys.

Papers, 1935-1945, of the Rev. B. George Rees, Curate of Llangynwyd, Maesteg (1936-38), and Laleston (1938-44), Rector of Llansannor (1944-48), and a WEA lecturer on literature at the Maesteg Unemployed Centre and elsewhere. The papers include letters, 1939-1940, from a number of authors and poets, responding to requests by Rees for their thoughts on lecture subjects such as 'Life and Literature'.
The respondents include W. H. Auden, [1939] (ff. 2-3), Winston Churchill, 17 January 1939 (f. 8), C. Day Lewis, [?1939]-1940 (ff. 10-12), Aldous Huxley, 27 March 1940 (f. 16), Glyn Jones, April 1939-February 1940 (ff. 19-27), Herbert E. Palmer, February-March 1940 (ff. 35-44), John Cowper Powys, February-March 1940 (ff. 45-47), J. B. Priestley, 10 January 1939 (f. 48), Dylan Thomas, September 1939-February 1940 (ff. 56-60), and Emlyn Williams, 8 February 1940 (f. 63); a few respondents, such as Glyn Jones (f. 25) and Dylan Thomas (ff. 59-60), supplied Rees with brief essays. Also included are notes, newspaper cuttings and other papers relating to Rees's lectures (ff. 66-91); and papers, 1935-1945, relating to his Church career, including letters and telegrams concerning his Institution at Llansannor, August-September 1944 (ff. 92-100), sermon notes (ff. 102-109), and parish magazines and pages from annual reports relating to Laleston, 1935-1944 (ff. 110-120).

A collection of over 200 books and pamphlets from the library of the donor's husband, the late Rev J. Seymour Rees, Seven Sisters, most of these being typescript volumes (NLW MSS 18628-707). The collection consists of some original work by J. Seymour Rees and his father, John Rees, such as poetry, short stories, essays, biographies, and guide books, much of which was submitted for competition at various national and local eisteddfodau, and volumes of collected material on various topics, including essays, articles and other material on such eminent Welshmen as W. Llewelyn Williams, Daniel Silvan Evans, Sir John Morris Jones, and Rev William Edwards, Groeswen, and on Welsh hymnology, and collections of poetry by D. Emrys James ('Dewi Emrys'), I. D. Hooson, R. Williams Parry, and T. J. Thomas ('Sarnicol'), of prose by 'Sarnicol', W. Llewelyn Williams, O. M. Edwards, and W. J. Gruffydd, and of hymns by H. Elvet Lewis ('Elfed'), J. D. Vernon Lewis, J. R. Davies, Pentyrch, and others, and selections of prose and verse compiled for competition at various national eisteddfodau. In addition to the collection of Elfed's Welsh and English hymns, there are twelve volumes containing some of his prose and verse and material on his life and work. There are also indexes to Y Beirniad, Y Geninen, and Y Geiriadur Bywgraphyddol; typescript copies and cuttings, from periodicals and newspapers, of articles and essays by various persons, and by 'Sarnicol' and J. Seymour Rees in particular; typescript transcripts of several printed books, in particular of collections of hymns published in the eighteenth and nineteenth centuries; and scrapbooks of newspaper cuttings relating to D. Lloyd George, Dylan Thomas, 'Dewi Emrys', W. Llewelyn Williams, Sir John Morris Jones, 'Elfed', Rev John Evans, Brecon, Rev Jubilee Young, and others. The collection also contains letters to J. Seymour Rees and Mrs. Seymour Rees and a small group of other correspondence. The largest donation of printed books received during the current year was that which the Library was invited to select from the very extensive library of Rev J. Seymour Rees (Dept of Printed Books). It numbered several hundreds of volumes primarily of literary, historical, and theological interest, all in very good condition, and many having been bound by Mr. Rees himself. Additional material from the library of the donor's husband, the late Rev J. Seymour Rees, Seven Sisters. It includes typescript collections of 'Cyfansoddiadau sydd yn fy modloni i' and 'A short anthology of the world's greatest Christian prayers' (NLW MS 19384B); three scrapbooks of typescripts and newspaper cuttings (NLW MSS 19385A, 19386B, 19387C); a typescript copy of 'Casgliad o gyfarwyddiadau i wneuthur hen fwydydd nodweddiadol Gymraeg' by Miss Mati Thomas ('Mati'r Ddôl'), Nanternis, New Quay (awarded the prize at the Treorchy National Eisteddfod, 1928) (NLW MS 19383B); Evan Thomas: Galareb S. Griffiths o Horeb (Castellnewydd-Emlyn, 1960), and J. Lloyd Williams: Byd Natur (Caerdydd, 1924) (Dept of Printed Books). A holograph letter of David Jones (1856-1937), Aberdare, afterwards Independent minister at New Quay, co. Cardigan, and at Scranton, Pa., U.S.A. (NLW MS 18866E, No 246C); and a printed postcard to the donor from the Duke and Duchess of Windsor, [March 1965], acknowledging a message of sympathy and good wishes (NLW MS 16726A).