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Correspondence and papers relating to the Y Dyddiau Olaf/Y Dyddiau Cyntaf production, including publicity material, slide images and photographs, research material, copies and extracts of production texts and scripts, devising notes, a set plan, notes and sketches relating to video graphics, video editing and camera placement, financial papers, draft production [scores], and a press release.

Papers relating to 'The Host and the Ghost' publication, including mock-ups of some sections of the publication, preparatory and design papers and copies of the publication proposal.

Papers relating to the First Five Miles production including an information flyer and photographs.

Correspondence, papers and photographs relating to re-stagings of Haearn in Wrexham, Birmingham, Amsterdam and Douai, including administrative and financial papers comprising funding applications, project information, proposals, timetables and discussion notes; together with venue plans, scenographic workings, sketches and designs, devising notes and production storyboards.

Papers relating to the Gododdin production performed in Polveriggi, Italy, including scenographic designs and sketches, copies of the production workbook, production scenario, negatives of photographs of the location in Poliverigi and audience instructions.

Production notes relating to the Pen Urien production.

Papers relating to Mike Pearson's pedagogical work including photographs of a workshop and [workshop notes].

Administrative correspondence and papers relating to the Pax production in general and also regarding plans to stage various Pax concerts including in cathedrals around the world, St John the Divine, New York, the City Hall, Cardiff, Prema Arts Centre, Bangor Cathedral and at various festivals; the possibility of staging Pax as part of the Vienna festival in 1991 and 1992, in the nave of Westminster Abbey, at Expo 92 in Seville, Aberystwyth Railway station, the Glasgow International Theatre Conference, Llanbadarn Church, Birmingham and Cardiff, arrangements for recording a Pax soundtrack and the arrangement of costumes; together with papers relating to finance and budgets, funding applications and monetary awards, research material, a report on the Pax project and draft copies of the Pax User’s Handbook.

Papers relating to the Pax television production including final, master and design copies of the production prospectus, an outline storyboard, timed production texts, with notes for timings of camera moves/images, camera position plans, corrections to production texts, annotated production texts, draft proposal for a ten minute film/video piece, copies of graphics and photographs, papers relating to the short ten minute video of the Pax production for the Gwyrdd project and a letter regarding the developmental work for the televised version of Pax; together with papers relating to the preparation and creation of the Pax television production.

Correspondence and papers relating mainly to the design and production of the Disasters of War: 'Y Gadair Ddu’ banners.

Papers relating to the Displaced Persons production, comprising Lis Hughes Jones' workbook.

Papers relating to the Besatt production including reviews, work notes, research material, production information and production texts.

Devising notes and texts relating to the Hiroshima production.

Correspondence, papers and photographs relating to Part 10 of the Disasters of War project.

Administrative correspondence and papers relating to a variety of Brith Gof productions press releases, reviews and articles, information brochures, proposals, publicity materials, production information, funding applications, financial papers and budgets, photographs, contracts and work schedules.

Correspondence and papers relating to the Once Upon a Time in the West production including, texts and scripts, production score, marketing pack, publicity material, slide images, reviews, notes and sketches; together with papers relating to the [arrangement of a performance in the Sibiu Festival, Romania].

Correspondence, papers and photographs relating to the Haearn production at the Old British Coal Works, Tredegar, including press papers, details of scenographic elements and scenographic sketches, plans and designs, publicity material, administrative papers, site/venue plans, workplans and task lists, scenarios, details of performance structures, storyboards and scores, copies of production texts and scripts, research material, budgets, production publications, devising notes and papers and the musical score for the production; together with copies of the Seven Architectures booklet by Clifford McLucas and a file of the stage manager, Giles Parbery's papers.

Correspondence, papers and photographs relating to the Los Angeles production, including devising notes and ideas, scenographic sketches, research material relating to the L.A. Riots, production quotes and texts, performance notes and directions, performance [scenarios], copies of the production prospectus and production marketing packs, publicity material, reviews and previews; together with correspondence and papers from production manager, Giles Parbury, mainly relating to the Los Angeles performances at the Mayfest Festival, Glasgow, Buenos Aires, Argentina and [Europe?], including Fribourg and Grenoble .

Papers relating to the Lla'th (Gwynfyd) production including, copies of the production booklet, research material, publicity material, photographs and slides, production texts and scripts, handwritten research, script and action notes, workplan and arrangement notes, technical notes, scenographic sketches, correspondence, press information, a technical specification, draft performance [score] and soundtrack notes; together with papers relating to the performance of Lla’th (Gwynfyd) at the Scenekunst Festival, Århus.

Papers relating to the Llais Cynan production including research notes and material, preparation and devising material, notes and ideas, draft scripts and texts, script notes, production images such as slide images of a performance, laminated photographs and photocopies of images/stills, publicity material, production scenarios/[scores], production notes by Clifford McLucas, an information leaflet, and letters and memos relating to arrangements for the production.