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A collection of quotes and texts for the Los Angeles production.

Copies of the John Berger texts in English and French.

Texts for the Besatt production, together with details of what was to said and which music was to be played together and production songs.

Texts for the production from [Nic Ros] to Lis Hughes Jones , including a sheet showing the order in which the banners were to be displayed on stage.

A copy of the texts used in scenes 2, 4, 6 and 8 by Brith Gof in the Work in Progress production.

Lis Hughes Jones' notebook of texts and sources for the 8961, Iddo Fe, the Silent Village [Du a gwyn?] productions, mainly copies of [poems] and verses that were presumably used in the productions with some research notes, a list of photographs of individuals, texts, a [draft scenario] and a list of props and costumes.

Texts and scripts for the Once Upon a Time in the West production, including a draft script which has direction notes and extracts from a section of the production.

Production texts and scripts for the Hafod productions in Italy, some of which have been translated into Italian, and including a laminated copy of some sections. Some texts may be for the production soundtrack.

Copies of production texts and scripts, including a draft of the [text spoken by Clifford McLucas].

Texts and scripts for the I Wlad Dda a Helaeth production, some of which have been taken from the text of Ymfudwyr.

A copy of the text/scripts for the production.

An enquiry regarding obtaining a copy of a television programme about the making of the film 'Tiger Bay'; together with a transcript of an extract of script, presumably from Tiger Bay, which was possibly used in the production.

Corrections to production texts.

Correspondence and papers relating to television productions by Brith Gof including I Wlad Dda a Helaeth, A Oes Heddwch?, Pax, Patagonia - Enactment/Autopsy, and Y Pen Bas/Y Pen Dwfn and comprising mainly production texts and scripts, research material, publicity material, preparatory papers, devising notes, slides, photographs and copies of photographs and stills, final, master and design copies of production publications, storyboards and scripts, camera position plans, scenographic sketches and designs, and production scenarios.

Technical specification for potential promoters, based on the site-specific performance in Bwlchllan.

Copies of the production storyboard, including a copy noting sound cues and a copy with notes for a tv edit.

Draft copies of the production storyboard and script, including a final draft copy.

Copies of the first full draft of the storyboard and script for the proposed Patagonia television programme, including a handwritten copy; together with a proposal, some background notes and a summary.

Handwritten notes that appear to be stage directions for the EXX-1 performance, possibly written by production manager, Giles Parbery, together with a prospectus for the production, possibly for a proposed later performance of the production at non-theatrical locations.

Correspondence and papers relating mainly to the performance of Pax at the Cardiff Festival of Music at St David’s Hall, including safety arrangements, venue and scenographic plans, production notes, production script, publicity material and papers regarding arrangements.