Songs collected and arranged by David Lewis, including 'Little Potty', 'St. David's Day', 'Tôn y Melinydd', 'Galar gwraig y milwr', 'Y Bardd yn ei Awen', 'Cymru lân, gwlad y gân', 'Hen Wlad fy Nhadau', 'Glan Meddwdod Mwyn', 'Ieuenctid Cymru' and 'Yr Amser Gynt'.

A collection of English, German, Italian and French songs apparently compiled during the late nineteenth century.

The file comprises the conductor's copies, [1946x1971], of manuscript, typescript and printed sacred songs, psalms, hymns, carols and Welsh folk songs which formed part of the choir's repertoire. A number of the works have been arranged by John Davies and a few, including holograph manuscripts of 'Salm 24' and 'Yr hen ferchetan', are arrangements by Mansel Thomas.

Miscellaneous tunes: 'Griddfanau Crist', 'The Emigrant's Lament', 'Tra bo dau, noted by J[ohn] Lloyd Williams', 'Bwthyn bach melyn fy Nhad' (R[ichard] S[amuel] Hughes), hymn-tunes composed by D. Emlyn Evans at Cemmes, February 1909, and 'Lisa Talysarn'; a note on Adpar by Egerton Phillimore, a brief autobiographical sketch by David Lewis, Llanrhystud, 1902, a note by J[ohn] Lloyd Williams on a postcard depicting 'Aelwyd Angharad'; a programme of a 'Concert Gallois' at the 'Théatre Breton'; a sheet from Allgemeine Musik-Zeitung, 1898, containing a portrait and testimonials to D[avid] Ffrangcon-Davies; papers relating to 'The Emlyn Evans Testimonial Fund'; press cuttings including a biographical sketch of A[nne] A[daliza] Puddicombe ('Allen Raine').

Miscellaneous waltzes, highland airs, and other songs, some with English and French words, transcribed by Eliza Owen.

Transcripts by John Jenkins of English, Welsh, and Scottish airs arranged for four voices and with English words.

Welsh and English airs and hymn-tunes, and some English nursery rhymes transcribed by John Jenkins.

An early nineteenth century music book of Charlotte Louisa Talbot [afterwards the wife of the Reverend John Montgomery Traherne, Coedriglan] ('the gift of Mama'). The volume contains songs, psalms, hymn-tunes, dances, etc., and the titles include 'Glamorganshire March', 'The Soldier's Joy', ' La Piedmontaise', 'O What a beau my Grannie was', 'Progressive Lesson' ('by Hulmandel', i.e., Nicolas Joseph Hullmandel), 'Duke of Gloucester's March', 'Easter Hymn', 'Hymn' by [Ignaz Joseph] Pleyel, 'The Highland Queen', 'Song in Rosina', 'Song in poor Soldier', 'The Complaint' by [? William] Jackson, 'Somebody' by Lady Cornwallis, 1776, 'Rock & wie pickle tow', 'Lady Priscilla Bertie's Minuet', 'In Airy Dreams', 'Egyptian Love Song', 'Babling Echo', 'Song', 'Down the Burn Davy', 'The Belfast Almanack ', 'Sir Watkins Delight', 'Black Mary' ('very old Galic air'), 'Barcarole ', 'Marlbroug', 'Aria' by [Wolfgang Amadeus] Mozart, 'Kate of Aberdeen', 'The Fields were green', 'Rest beauteous flow'r . . .' by Jackson, 'Thou soft flowing Avon. . .' by Dr. [Thomas Augustine] Arne, 'Valenciennes March', 'Waltz', 'Mrs. Brunels Waltz', 'Lord Wellington', 'Oh the Moment was sad' ('Irish'), 'Leipsic Waltz', '2d Waltz', '3d Waltz', '4th Waltz', 'Amour, cruel amour', 'Oh Nanny' by [Jan Ladislav] Dussek, 'Rondo', 'Kielmark's Romance', 'Chatley Waltz', ['La pipe de Tabac'] by [ ] Varnier, 'Thirty second Psalm', '34th Psalm', '42d Psalm', 'Mrs. Macdonald ', 'Rousseau's Dream', 'La Brillante', 'Austrian Waltz' by [John] Parry [ of Ruabon], 'Air' by [?P.M] Meyer, 'Barcarole', 'The Porteynon Whim' (1817 ), 'Vincennes Waltz', 'Miss Knight's Waltz', ['Waltz'] by [ ] Ferstein, 'She rose and let me in', 'La Paysanne', 'Folia d'Espagna', 'La pion pion d' Estelle', 'March' by [Robert Nicolas Charles] Bochsa, 'Waltz' by [Johann] Schenk, 'The Hyperbole' ('composed by Mrs. R. J.'), 'Waltz', 'Thema', 'The Queens Minuet', 'Psalm 34th', 'How long wilt thou forget me Lord . . .' by [ George Frederic] Handel, 'Part of the Service of the Greek Church as performed in Russia', 'Psalm VIII' ('Magdalen Evening hymn'), 'No t'was neither shape nor feature . . .' by [Johan Sebastian] Bach, 'The Inconstant's Waltz', [ ] by [ ] Pleyel, 'The Lass that was laden wi' care', 'Conway Castle' by [John] Parry, 'Emma's Reel', Welsh air ('Os ai dithau duwa y lech blaen nant ty . . .'), [ ] by [ ] Pleyel, Welsh air ('[Pan] own i ar foreudydd ...'), 'Toi!', 'Air by Lady Catherine Bligh', ‘'Jones's Hornpipe', 'Andante' by [P. J.] Meyer, senior, 'Where the bee sucks' by Ame, [ ] by [Girolamo] Crescentini, 'Rondo' by Bach, [ ] by Bach, 'Lochaber', 'Miss Johnson's Reel', 'Sonata' by [William] Corbett, 'Romance' by [Franz Joseph] Haydn, 'Air' by [Giovanni Battista] Viotti, 'La Montaguarde' by [ ] Trenisi, 'Waltz', 'March' by Handel, 'Arietta Romana', 'Wire a' Noddin', 'Indian Air', 'Sonata' by [?Johann Samuel] Schroeter, 'Rondo in 11 Barone di Terre forte' by [?Tommaso] Giordani, 'L'Été', 'La Foe', 'La Flora', 'La Matilde', 'Le Tancred', 'Zitti Zitti', 'La Limerick', 'La Nouvelle Fantaisie', etc. The greater part of the volume is indexed.

An early nineteenth century volume of airs, dances, etc., said on a label on the protective paper cover to have been 'copied by Mr. Gwynn of Llanbrain' [i.e., Glanbrân in co. Brecknock]. The titles include 'Lovly Nancy', 'Lady Northe's Minuet', 'Lady Fearans Minuet', 'Farwel to Mancher ', 'Air By Captain Heaky', 'Gavot in the 10t Sonato of Correlli-Ruabon', 'Barbarianas Minuet-Ruabon', 'Parris Minuet', 'Minuet In Samson-Ruabon', 'Gin thou wert Mine ain thing', 'Minuet By Mr. [John] Parry [of Ruabon]', 'Count Sax's Minuet by Mr Parry', 'Of a Noble Race Was Shenkin. With Mr. Parrys Vars.', 'Shenkin', 'God Save the King With Vars', 'Handel's Water Musick', 'Minuet in Ariadne', 'The Lass of Paties Mill. Vars. by Mr. Parry ', 'Gavot Alegro' by John Stanley, 'Burton's Chese', 'The Lass that was Laden With Care . . .', 'Gavot Alegro' by John Stanly, 'Rhyddlan Marsh, by Mr. Parry, Ruabon', 'Gavot in Otho', 'Thro the Wood Laddie', 'Highland Laddie' by Mr. Pary, 'Horse to New-Market', 'The Lien Solo of Correli', 'Meillionen or Sir Watkins Delight' by John Parry, 'Disobri', 'Roslin Castel', 'Minuet in Rodelinda' (1770), 'Pitts Hornpipe', and 'An Air by Mr. Deebourgh'.

The group comprises manuscript and published copies of songs and hymns, 1893-[?1969], which formed part of the repertoire of David Lloyd.