A volume containing 'Rousseau's Dream' by J. B. Cramer; Swiss airs and a Swiss dance; a quadrille; waltzes by Carl Maria von Weber, Balduci [sic, for Boildieu?], Wolfgang Amadeus Mozart, Ludwig van Beethoven, Johan Nepomuka Hummel, etc.; a German drinking song; Gaelic, Tyrolese (one by Joseph Kuffner), Irish, French, Danish and German airs; marches; a pastorale by Franҫois Adrien Boildieu; a harp air; gallopades; a polonaise; Hungarian melody; preludes for the harp by P. M. Meyer ('Not to be copied'); hymn-tunes (to words by Thomas Kelly, William Cowper, John Newton, Joseph Addison, Reginald Heber, etc.); Scotch airs (to words by Miss --- Drinkwater); chants by Sir J. Stepenson; a psalm-tune; a Portuguese song ('modinha'); etc.

A volume containing two dance tunes ('Tom Jones' and 'The Alcove') in a late eighteenth century hand. Written on the fly-leaf, in a late seventeenth century hand, is a stanza ('O greatness couldst thou not thy self contayne ...').

A volume, first compiled in the late eighteenth century, containing psalm-tunes, hymn-tunes, Christmas hymn-tunes, with some accompanying English words, together with marches, and popular eighteenth-century dance tunes. The tunes include 'The Merionethshire March' (p. 67), 'Hob o'r Nob' (p. 117), 'The Oswestry March by J. M.' (p. 143), and 'Sweet Richard, Llafar glust lais' (p. 151). The tunes are indexed on pp. 195-9.

Tune book, first compiled in the late eighteenth century, containing anthems and psalm-tunes, including pieces attributed to John Williams ('Ioan Rhagfyr', 1740-1821), Dolgellau (ff. 5 verso, 12, 13, 16 verso, 17 verso, 20 verso-2, inverted text) and Robert Griffiths, Caernarfon (f. 8), and with some accompanying words in Welsh; also included are a few marches, and dance tunes such as 'The Craftsman' (f. 3).

A booklet containing eighteenth-century dance-tunes including 'The Princess Royal' (f. 1), 'Lottery' (f. 1 verso), 'Pump Room' (f. 1 verso), 'Sir Watkin Williams's Delight' (f. 2), 'Cheshire Round' (f. 2), 'Prince Eugene's March' (ff. 2 verso-3), 'Two Arms' (f. 3 verso), and 'Why did you promise to marry me' (f. 4).