Notebook of William Jones ('Gwilym Brynaman', 1867-1915), of Brynaman, co. Carmarthen, and Los Angeles, California, containing mathematical exercises, 1887 (pp. 1-36), and fair copies of poems, mostly in Welsh, composed by him, 1902-14, and including poems entered for competition at eisteddfodau in North America and Wales.

Manuscripts, typescripts, and press cuttings of poetry, largely in free metres, by John Bryn Evans ('Peiran'), London. The compositions belong approximately to the period 1925-1936. Among the titles are 'Eisteddfod [Genedlaethol] Abertawe 1926', 'Pont ar Fynach (Devil's Bridge)', 'Y Rheidol', 'Yr Ystwyth', 'Nant Peiran', 'Eifion Wyn', 'Aberystwyth', 'Dr. T. Charles Williams', 'Hafod Uchtryd', 'Beriah Gwynfe Evans', 'Yr Athro David Jenkins, Mus. Bac.', 'R. S. Hughes', 'Teifi', 'Strata Florida (Ystrad Fflur)', 'Cadair Idris', 'Sir Ellis Griffith Bart.', 'Islwyn', 'Ceiriog', 'A Tribute to A. G. Prys-Jones', 'Y Prifathro y Dr. Thomas Rees, M.A.', 'In Memory of the late Rev. J. Cynddylan Jones, D.D.', etc.

Some sixty letters, 1918-1964, to John Cowper Powys and Phyllis Playter from various correspondents, relating mainly to personal matters and to John Cowper Powys's work, with one letter, [n.d.], from John Cowper Powys to Phyllis Playter (ff. 73-76). The correspondents include: J[ohn] D[avys] Beresford (10) 1929-1938; Theodore Dreiser (5) 1923-1939; Emma Goldman (2) 1936-1937; Marianne Moore (6) 1926-1929; Sir Osbert Sitwell (2) 1935; and Stevie Smith (2, and two illustrated poems) 1951-1952.

Letters from John Cowper Powys to his brother, Llewelyn Powys, [1923], his companion, Phyllis Playter, [?1924], 'George', 1958, and a 'Mr London', [?1940s], the latter dictated by Powys to Phyllis Playter; together with miscellaneous literary papers, which comprise drafts of poems, [c. 1900]-1953, including an early version of 'Samphire' (published in Horned Poppies ... (1986)) and of several unpublished anniversary poems addressed to Phyllis Playter; a draft, [?1900]-1902, of an unpublished preface to poems by Alfred de Kantzow; an ink and pencil sketch of the map which forms the end-papers of Powys's novel Ducdame (1925); and drafts of the opening of a philosophical work, 1938, and of a speech in Welsh, [1935x1954], the latter composed by Powys while he was living in Corwen.

Tri llythyr, 1886, yn Saesneg, at Vincent Evans oddi wrth T. E. Ellis, O. M. Edwards a John Ceiriog Hughes ('Ceiriog'); tair llythyr ar ddeg (un yn Saesneg) ac un cerdyn post, 1903-1918, at J. Owain Evans oddi wrth Eliseus Williams ('Eifion Wyn'), ynghyd â thoriad o'r Darian a gohebiaeth, yn Saesneg a Chymraeg, [1917], oddi wrth y Comisiwn Yswiriant Iechyd Cenedlaethol parthed Thomas Evans, tad Robert Evans ('Cybi'); deuddeg llythyr, yng Nghymraeg a Saesneg, 1912-1914, at J. Owain Evans oddi wrth Robert Roberts ('Isallt'), ynghyd â thoriad o'r Rhedegydd, 15 Chwefror 1913, sy'n dwyn llythyr oddi wrth 'Isallt', toriad parthed 'Isallt' o'r News Chronicle, d.d., a barddoniaeth Cymraeg a Saesneg, 1911-1913, yn llaw 'Isallt' = Three letters, 1886, in English, to Vincent Evans from T. E. Ellis, O. M. Edwards and John Ceiriog Hughes ('Ceiriog'); thirteen letters (one in English), and one postcard, 1903-1918, to J. Owain Evans from Eliseus Williams ('Eifion Wyn'), together with a cutting from Y Darian and correspondence, in English and Welsh, [1917], from the National Health Insurance Commission in relation to Thomas Evans, father of Robert Evans ('Cybi'); twelve letters, in Welsh and English, 1912-1914, to J. Owain Evans from Robert Roberts ('Isallt'), together with a cutting from Y Rhedegydd, 15 February 1913, which contains a letter from 'Isallt', a cutting relating to 'Isallt' from the News Chronicle, n.d., and poetry in Welsh and English, 1911-1913, in 'Isallt's hand.

Manuscript and typescript papers, [?1932]-[c. 1965], of the poet and author Clifford Dyment, comprising poetry, [?1932]-[?1965] (ff. 1-76), and miscellaneous prose, [1948]-[c. 1965] (ff. 77-95).
The poems appear to be mainly unpublished; those which appear in his published collections are 'Mouse' (f. 12) (Straight or Curly (London, 1937), p. 36), 'The Suicide' (f. 35) (Experiences and Places (London, 1955), p. 42), and ff. 46-76 which are drafts, [1955]-[1965], of sixteen out of the twenty-eight new dream poems in section VI of his Collected Poems (London, 1970), pp. 89-102 passim; 'Gedicht voor mijn Verjaardag', [late 1950s] (f. 37), is a Dutch translation by G. K. van het Reve of Dyment's 'Poem for my Birthday' (f. 36). The prose includes a corrected typescript, [1948], of the introduction to Thomas Hood, Selected Poems, ed. by Clifford Dyment ([London], 1948) (ff. 77-88, see also f. 26 verso); a draft letter to Bernard Miles, [early 1950s] (f. 89); and part of an essay on his dream poetry, [c. 1965] (ff. 91-92). Many of the later items are written on the backs of old letters, circulars and other ephemera as well as fragments of a typescript for his autobiography The Railway Game (London, 1962) (ff. 44 verso, 45 verso, 48 verso, 76 verso). A photocopy of the front cover of the original binder is f. i.

Manuscripts and correspondence, [early 1930s]-1985, of James Hanley and his wife, Dorothy Enid ('Timothy') Hanley, comprising literary papers of James Hanley, 1954-1985, consisting of published and unpublished works of fiction, including novels stories and plays, mainly in draft form, some fragmentary; manuscripts of Timothy Hanley, 1932-1980, comprising journals, 1932-1980, and notebooks, 1932-1950, containing draft book reviews, short stories, poems, letters and sketches; and letters, mostly to their son Liam Hanley, from James Hanley, 1951-1981, and Timothy Hanley, 1951-[1970s].

An autograph fair copy, [1914], of the poem 'Sweet Night' by W. H. Davies. It was first published in W. H. Davies, The Bird of Paradise (London, 1914), p. 20.
The manuscript contains a different reading of line 3, 'Take thou a lover’s grateful heart' rather than the published 'A lover gives his grateful heart', and two corrections in lines 9 and 10, conforming to the printed version. The poem is written on '29 Clarence Gardens, N.W.' notepaper with the address changed by Davies to '22, Priory Gardens, Highgate'.

Autograph revised manuscript, [23 July 1915], of Edward Thomas's poem 'Cock-Crow'.
The poem is preceded by an autograph note: 'The image used to appear to me every morning in the spring when the cocks crowed, just like a coat of arms'. The draft includes two autograph revisions in ink that are reproduced in the published text: 'They [?cleave]' is changed to 'Cleaving' (l. 4) and 'Of equal glory' is changed to 'Heralds of splendour' (l. 6). Other textual differences remain: 'that grow by night' rather than 'that grows by night' (l. 1); no comma after 'stand' (l. 5); and 'one on either hand' rather than 'one at either hand' (l. 6). 'Cock-Crow' was first published in Six Poems by Edward Eastaway (Flansham, Sussex, 1916), p. [19], and collected in Edward Thomas ("Edward Eastaway"), Poems (London, 1917), p. 61. It is No. 88 in The Collected Poems of Edward Thomas, ed. by R. George Thomas (Oxford, 1978) (see pp. 244-5), the editor however does not record the present manuscript.

Eighty-four letters, [c. 1909]-1961, to Augustus John from various correspondents (surnames D-F), including John Davenport (2) 1956-1961, Tommy Earp (9, with six poems) 1930s-1956, Clough Williams-Ellis (1) 1957, Jacob Epstein (1) 1929, and Roger Fry (1) 1931.

Forty-six letters, ?1908-1961, to Augustus John from various correspondents (surnames Symons-V), including Arthur Symons (11, and forty-three poems) ?1908-[1935], Dylan Thomas (1) 1950, and G. M. Trevelyan (1) 1956.

Drafts of unpublished short stories by Margiad Evans, comprising a manuscript draft, [c. 1950-1], of 'The Equerry's House'; typescript drafts of 'And Every Day of their Lives', [c. 1951-3]; 'The Haunted Window', 1953, 'Knight's Move', 1953, and 'The Basilisk', 1953; an unfinished manuscript draft, [c. 1954], of 'A Borrower'; a typescript draft, 1954, of 'The Dome'; and a typescript fragment, [c. 1951-3], of an untitled and unidentified story.
Also included are two related letters to the author and two apparently unpublished draft poems, 'Ode. After Illness' (ff. 1-3) and 'Glass' (f. 99 recto-verso).

Some hundred letters, 1929-80 (correspondents N-W), to Ceri and Frances Richards, many of them concerned with their work as artists. The correspondents include John Ormond (11) [?1940s]-1976 (with typescript and autograph drafts and fair copies of poems, and typescript text of a radio broadcast by him, 1954, entitled 'Rest and Unrest: the Art of Ceri Richards'), Victor Pasmore (1) 1969, Peter Pears (8) [1960s-70s], Sir John Rothenstein (2) 1958-68, Roberto Sanesi (12) 1961-76, Stephen Spender (2) 1962, Graham Sutherland (3) [?1941]-56, Vernon Watkins (10) 1960-7 (see note 544, below), with one autograph and one typescript poem.

Notebook of Berta Ruck, May 1930-March 1931, containing journal entries, including accounts of her visits to Sweden, July 1930 (ff. 14-22), Germany, July, November 1930 (ff. 22 verso-28 verso, 69 verso-81 verso), Vienna, Austria, July-August, November-December 1930 (ff. 28 verso-42 verso, 82-91), and the French Riviera, August-September 1930 (ff. 44-61), and notes for fiction. Some fifty-two letters, cards and telegrams from family and friends, photographs, cuttings, programmes and other ephemera have been pasted in.
The correspondents include Marda Vanne, June-[December] 1930 (ff. 4, 62, 91), Oliver Onions, July-[August] 1930 (ff. 13, 30, 53), Alec Waugh, 22 June 1930 (f. 38), Hermon Ould, 30 September 1930 (f. 65 verso), Vicki Baum, 4 November 1930 (f. 78), Gwen Ffrangcon-Davies, [December] 1930 (f. 91), Norman Haire, [December] 1930 (f. 114 verso), Vita Sackville-West, 3 November 1930 (f. 121), and Cynthia Stockley, [December] 1930 (f. 129). The volume contains sketches and drawings (ff. 2 verso, 28 verso-29, 48-49, 87, 92 verso, 109, 123 verso) and poetry (ff. 67 verso, 73a-b, 88, 91-92 verso, 94 verso, 101 verso) by Ruck. The photographs include three of her with her sons (inside front cover, ff. 54, 60; the latter was published in A Story-Teller Tells the Truth (London, 1935), facing p. 166). Among the friends and acquaintances referred to in the volume are Ernst Hanfstaengl (79 verso, 80 verso-81 verso) and the writers Rebecca West (ff. 45 verso, 50 verso -51), Geoffrey Moss (ff. 49 verso-50, 54 verso, 57 verso), Vicky Baum (f. 71 verso) and Otto Friedländer (ff. 82 verso, 83, 84).

Forty-eight letters, 1934-1980, to John Petts from various correspondents including David Jones (7) 1954-1956, Professor Gwyn Jones (5, together with a draft introduction for a projected but apparently unpublished volume entitled 'Woodcuts of Wales'), 1947-1949, Alun Lewis (15) [1940]-1943, and Gwyn Williams, Trefenter (2) 1949-1951; also included is one letter, 1942, to Alun Lewis from Huw Menai, enclosing three autograph poems.

Miscellaneous prose and verse submitted for publication in The Rhyl Advertiser and other papers, adjudications, etc., the contributors including Meredith J. Hughes, Robert Parry ('Robin Ddu Eryri'), John Williams ('Glanmor'), Richard Williams, (Celynog, Newtown), Morris Williams ('Nicander'), Samuel Roberts ('S.R.'), etc.

Notebook of Berta Ruck, Aberdyfi, May 1945-December 1946, containing journal entries including comments on the end of the Second World War and its aftermath and notes for fiction, especially the novel Surprise Engagement (London, 1946) (here called 'They are engaged', ff. 27-73 passim). Some one hundred and forty-six letters, cards and telegrams, mostly from family and friends, January 1945-September 1946, cuttings and other ephemera have been pasted in.
The correspondents include Tony Thorne, January 1945-March 1946 (ff. 4 verso, 12 verso, 17a, 26 verso, 44, 56 verso, 65 verso, 73verso-74 verso, 75 verso, 79 verso), Miriam L. Rothschild, 4 January 1945 (f. 6), Ronald Staples, May-June 1945 (ff. 6, 10 verso), J[oseph] P[eter] T[horp], 6 June 1945 (f. 10 verso), Alec Waugh, July 1945-April [1946] (ff. 22, 75 verso, 80), Vicki Baum, 20 August 1945 (f. 24 verso), Bernard Darwin, 28 August 1945 (f. 26a), Oliver Onions, September-December 1945 (ff. 34, 35, 59 verso), A. E. Chesterton, 26 October 1945 (f. 41), Nancy Rodd [ie. Mitford], 12 January 1946 (f. 43 verso), Gwen Ffrangcon-Davies, [11 November 1945] (f. 52 recto-verso), Marda Vanne, 11 November 1945 (f. 53), Osbert Sitwell, November-December 1945 (ff. 54 verso, 58 verso), Maurice Bowra, 22 December [1945] (f. 60 verso), Hermon Ould, 11 March 1946 (f. 74), Esmond Knight, [1946] (f. 75 verso), Ivor Brown, 20 August 1946 (f. 83 verso), Ambrose Heal, 16 September 1946 (f. 87), and C. A. Lejeune, 24 May [1946] (f. 89 verso). The volume contains references to the deaths of her friends Ménie Muriel FitzGerald (f. 1) and Edith Heal (f. 87), and conditions in London after VE Day (ff. 7, 8); also verse (f. 46) and an ink sketch (f. 51 verso) by Ruck. Pasted into the volume are 1945 General Election leaflets for Merioneth (ff. 17, 20 verso, 22), and photographs of Gwen Ffrangcon-Davies and Marda Vanne (f. 86).

Miscellaneous papers, 1863-1950s, of the Lloyd George family, including rent and other receipts, 1863-92, of Richard Owen, father of Margaret Lloyd George (ff. 1-48); autographs, 1917, of political figures including Herbert Henry Asquith, Sir Winston Churchill and Sir Edward Grey (f. 50 recto-verso); and typescript verse in Welsh and English composed, 1919, by Eliseus Williams ('Eifion Wyn') in praise of Margaret Lloyd George (ff. 51-2).

A holograph copy, [1910s], of 'A Boy's Sorrow', an apparently unpublished poem of two eight-line stanzas by W. H. Davies.

A holograph copy of the poem 'Leisure' by W. H. Davies, signed and dated 8 May 1914.
The poem was first published in William H. Davies, Songs of Joy and Others (London, 1911) and thereafter appeared in various collections and anthologies, including William H. Davies, Collected Poems (London, 1916), The Essential W. H. Davies (London, 1951) and The Complete Poems of W. H. Davies (London, 1963). This fair copy was possibly written whilst the poet was in Gloucestershire visiting friends among the Dymock poets (see Selected letters of Robert Frost, ed. by Lawrance Thompson (London, 1965), pp. 122-124).